So I finalized my Fashion Week schedule the other day and, while I won’t be showing my clothing line this season, I am excited about the shows I’ll be attending. The week will definitely be an exciting one, as I am scheduled to work with some wonderful mens and womens designers. One show that I’m looking forward to attending though is the Designers for Darfur show taking place on Friday February 9th. Designers For Darfur, was founded in 2007 by designer Malcolm Harris of Mal Sirrah and model Lydia Hearst-Shaw (One Model Management) in association with Fashion Television and Steve Madden, Inc. The event is aimed to raise funds and awareness on behalf of the Save Darfur Coalition. The organizers have gotten a exciting list of designers to create one complete ensemble in Red, Yellow, Green or Black (or any combination of these symbolic colors of Africa) to be featured in the fashion show at Roseland Ballroom. Confirmed participating designers are Chado Ralph Rucci , Steve Madden , Donna Karan , Catherine Malandrino , Rachel Roy, J. Mendel, Michael Kors, Naeem Kahn, Alice & Olivia, Carlos Miele, Joseph Abboud, Marc Bouwer, Nanette Lepore, Carmen Marc Valvo, and Mal Sirrah among others. And those are just the designers. Oprah Winfrey, Joss Stone, Roberto Cavalli, Kanye West, Mia Farrow, Maria Bello, Don Cheadle, and Russell Simmons, are scheduled to attend; but the big question is will George Clooney, a serious advocate for US intervention in Darfur, make an appearance? I’ll let you know. Kudos to the organizers for closing out the week on a good note.
Trace: 10 years and Iman’s “I Am African” campaign
I recently picked up the 10-year anniversary issue for one of the most consistently inspiring magazines, Trace Magazine. For as long as I can remember, the editors at Trace have been putting out quality , insightful product, while reporting on unconventional people and places. One of Trace’s strongest points is in it’s ability to highlight style as it exists in different parts of the world. The magazine was one of the first publications which I found that represented Africa in a modern, stylish manner. It might have to do with the founder/editor Claude Grunitzky’s Togolese background or his understanding of what he calls “transculturalism”. He says, “Modern transculturalists are people who can move and learn and function by discovering and influencing cultures that are not their own”, and that has been the focus which has enamored the magazine to progressive people all over the world. They’ve been able to stay relevant for 10 years now and still keep their edge. In the publishing industry, that’s an enormous feat. The 10-year anniversary issue includes an interview with supermodel/entrepreneur Iman where she expands on her feelings about the “I Am African” campaign controversey. Congratulations guys on another inspiring issue.
Photo exhibit Fri, Jan. 19 in NYC
South African Photo Exhibit “IMBIZO”by photographer Ezra Mabengeza
When: Friday, January 7, 2007
Where: Lava Gina (116 av C, between 7 and 8 streets)
Time: 7:30 till 10 pm
$5 dollar suggested development donation
African diamond facts according to Russell Simmons
As I mentioned, yesterday I attended Russell Simmons’ press conference to reveal the results of his fact-finding Africa mission. In attendance was Russell Simmons, Dr. Ben Chavis, Kimora Lee Simmons (Russell insisted she’s still his wife), Rev. Run(Run DMC), the Dipset’s “capo” Jim Jones (again I say, WTF does he have to do with diamonds beside speaking ignorantly about it? update: Jim Jones quote below), actor Jeffrey Wright (said to be doing work in Sierra Leone), Scott Rauch (president of Simmons Jewelry Company), and a bunch of DeBeers and World Diamond Council people. I must admit I was still skeptical about the purpose of the trip and what I felt the results would be. From the video released last thursday, I began to have some hopes about the degree to which Russell was going to find the facts and re-enforce my image of him as the godfather/guru extraordinare of our hip hop generation. I went into the conference with an open mind, and looking to hear from Simmons himself that the mission was a successful one. Ultimately I was disappointed by the whole event.
While news sources report about Simmons’ Green Initiative, and (get this) Diamond Empowerment Fund (DEF) , which will “raise money for the development and empowerment of people and communities in Africa where diamonds ar a natural resource”, one key point resounding throughout the press conference was, why didn’t Russell’s entourage visit the countries which are at the heart of the blood diamond debate. As a representative of Global Witness and another reporter (I think she was from AOL Black voices) mentioned, the controversy surrounding diamonds relates more directly to countries like Sierra Leone, Angola, Liberia, and Ivory Coast, none of which were visited by Simmons delegation. Instead the focus of the conference and the trip was on Botswana, South Africa, and Mozambique, three countries which, despite reports of displacement of Native Bushmen in Botswana, have very little to do with the conflict diamonds controversy. It’s like saying there’s no racism in America and pointing to Condoleza Rice as an example. Now, some people would say that these three countries are part of the discussion since their diamond production process is a “role-model” for other diamond producing African countries, but there are still many faults even with that. During his short speech a representative from the Debswana Diamond Company, was reminded by Simmons to disclose to the press that the company at the heart of the “successful” diamond mining in Botswana was a 50/50 ownership with DeBeers, the primary company accused of profiting from the blood diamond trade. Simmons had mentioned earlier in the conference that 85% of Botswana’s profits go back to the people of Botswana for education, AIDS treatment, general health insurance and a good portion of the profits from his Simmons Jewelry Company would be re-directed to “help Africans”. But the question kept coming up; why didn’t the delegation leave the confines of the structured Botswana tour and venture into even the smaller towns within the country where reports of exploitation and human rights abuse were coming from. Couple that with the fact that the Simmons’ DEF fund contribution will go to the same Botswana that they claim is so successful in providing for it’s people and you can see why I’m not convinced.
While I think Simmons, and Chavis can do a great deal of good in Africa, my main concern is with the timing of the whole thing. With all the stories going around and reports of the diamond industry spending $15 million on preemptive measures in regards to the effect of the Blood Diamond movie, I can’t believe that Simmons got himself in the middle of this. True, he has a business to run, AND Amnesty International approached him first, but at least he could have attempted to make the “fact-finding” mission look impartial. Everything about the whole mission pointed to a spin campaign on the part of the diamond industry, to the point where a representative from the World Diamond council got up to make a speech about how they are “appreciative of the attention” the movie has brought on their efforts with the Kimberley Process. Even Russell mentioned that he was happy that Leonardo DiCaprio was talking of not boycotting diamonds. As I exited the press conference I ran into the President of Botswana, Festus Mogae, who had reportedly just taped an interview for the Charlie Rose Show which will air tonight on PBS. Russell, I still have faith in you. Do something to make it right.
Quotes from the conference:
• Russell Simmons:
“My (only) agenda is to uplift African people … and all people”
“(I want to ) help strengthen the Kimberley Process”
“Diamonds empower Africans”
• Dr. Ben Chavis:
“The diamond industry promotes good in Africa”
“(I encourage the media to) get the opinion of people who live and work in Africa”
“…most disturbing thing to me (from the trip) was seeing that the reality (of the African diamond situation) was not being covered (by the media)”
• Scott Rauch
“This continent needs help”
• Sheila Khama (De Beers Botswana Chief Executive)
“Please cut us some slack. A lot of good has happened in Botswana because of diamonds.”
update
• Jim Jones
“As rappers we spend tens of millions of dollars a year on jewelry alone. Not just me myself, I’m talking about as a general effort. It’s a service that goes back to the African people that’s been mining all the diamonds that we wear. We should learn about purchasing from them, as opposed to just giving everybody our money because we like what we see.” source
Blood Diamond NY premiere
Last night (November 30th) the Museum of Modern Art in New York hosted a screening of the new movie “Blood Diamond” starring Leonardo DiCaprio, Djimon Hounsou, And Jennifer Connelly. Despite the serious nature of the movie and the controversy surrounding it, the screening was reported to be a very festive one. I wonder if Sorious Samura, the Award-winning Sierra Leonean filmographer and who was the primary consultant for the movie was in attendance. Mr. Samura’s movie “Cry Freetown” was a major inspiration for director Ed Zwick’s (“Glory”, The Last Samurai”) “Blood Diamond” movie. The movie will be released on December 8th.
More pictures
Making charity count in Africa
To give or not to give. That’s the question on everyone’s mind this holiday season. With the rise of media and celebrity interest in Africa this is the perfect time to answer that question. There are endless ways to put your money where your mouth (and hopefully your heart) is. From the RED campaign to the Bling is Dead project, and Keep a Child Alive’s “I am African” campaign there are endless ways to lend your support to organizations who are working to help African people. Whatever you think Africa’s major problem is there’s an organization that can point you to a place your holiday dollars can go to help.
With its multitude of problems there are more that enough issues to make African charity work a full time job. But as Jonathan at Cherryflava indicates the focus should be on wealth and opportunity, not just charity. One thing I give Bono credit for is finding creative ways to create a process where the money given makes it’s way to concrete empowerment projects. The way out of poverty is through opportunity not charity. For years and years the missing link in the “Help Africa” campaign has been in the regulation of where the money is going and how it is used. Finally the mentality is changing and consumers are not content to just give blindly anymore.
One thing I’ve learned from the blood diamonds controversy is the need to regulate how much African resources are exported. Implementing a production process which allows more of the profits to stay within the individual countries is a certain first step. There needs to be just as many organizations regulating the different industries as there are in making sure money is funneled to the continent. At this point even Africans have said that aid is not the answer. As the old saying goes, “Give a man a fish and he’ll eat for a day. Teach him how to fish and he’ll eat forever.”
Can hip hop change Africa?
While many hip-hop fans in the US have started feeling that hip hop is dead, it’s becoming clearer that there is a totally different sentiment in other countries. A major reason for the pessimistic feeling of the US hip hop fans is the commercialization of hip hop culture and the preference for rap which, without the other hip hop elements (graffiti, breakdancing, dj-ing etc), loses all reference and meaning. Gone are the days when there was a balanced view of urban life through hip hop. As major media outlets have welcomed/accepted the art form many US artists have have become comfortable and have lost their focus. The hijacking of the rap element of hip-hop culture has resulted in corporations like Viacom (MTV, VH1) creating a rap culture which has no purpose and looks outside of itself for direction.
But take a trip to any major African country like Senegal and Kenya and you’ll find the music as it once was in the USA. Because of the newness of the music form to Africa and the growing accessibility of it, hip hop is now the voice of the new generation of Africans. What is amazing about the music is how the youth have begun to adapt and use it as a vehicle to change the world around them. More than an entertainment form hip hop is now the standard among young people and as they become more empowered, they put it in song. The accessibility of technologies like video, internet and mobile phones have provided them with the resources they need to connect to one another in real time and develop a unified voice. With all the problems that ail the continent the youth are attempting to make the much needed changes themselves.
I attended a forum last week at The Rotunda Gallery (Brooklyn, NY) put together by my friend Ben of Nomadic Wax records about this particular subject. The conversation was an excellent one with a panel featuring MC’s Chosan (Sierra Leone), Saba Saba aka Krazy Native (Uganda) and poet and activist Toni Blackman. What became evident through the discussion was that the African hip hop movement is a potent one which sees community and social issues as it’s focal point. African hip hop artists are taking the blueprint of US groups like Public Enemy, Eric B. and Rakim, and even Tupac Shakur mixing it with national pride and using it to push their community forward. A recent Reuters article discusses how Senegalese rappers have been able to influence government in the past. Whether by inspiring others or taking the reigns themselves, the artists are hopeful for a new Africa. But the question is will the art form survive the corporate and governmental assaults? I would hope so
Info:Spine Magazine