Tag: New-York

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NY African Film Festival opens, celebrates World Cup and independent Africa

nyaff

The 17th annual New York African Film Festival (NYAFF) has opened on April 7th celebrating the 50th anniversary of 17 African nations’ independence from colonial rule as well as the freedom that the rise in technology has given African filmmakers to tell their own stories. Among the 13 features and 25 short films from emerging and veteran filmmakers from 18 countries are four soccer films in honor of the World Cup’s first games in Africa opening in June 2010, an animated short program, Focus Features’ Africa First short program and an environmental film.

The festival runs from April 7 through the 13th at The Film Society of Lincoln Center and continues at Columbia University’s Institute for African Studies, 3ten Lounge, New Museum and the Brooklyn Academy of Music BAMcinématek with dates in April and May. Some films showing during the festival include The Absence, directed by Mama Keïta (Senegal/France), Eliane de Latour’s narrative film Beyond the Ocean, winner of the Jury Prize at the Festival des Cinéma du Monde 2009, and Wanuri Kahiu’s Pumzi, which I highlighted here before.

Take a look at the full film schedule.

On Saturday, April 10, a panel discussion will also be held where established and aspiring directors and producers will learn how to craft an attention-getting pitch and utilize social networking tools at “Getting Exposure: Securing the Buzz You Need for Your Film.” The panel takes place at The Film Society of Lincoln Center at 1:30 pm, and is part of  the film festivals “Independent Africa”.

Panelists will include Jennifer Merin, film journalist with About.com and founder of the Alliance of Women Film Journalists; Misani, culture writer for the Amsterdam News; Paul Burani, social media strategist; and Pam Pickens, digital marketing expert. The event, which is open to the public, will be moderated by veteran entertainment publicist and NYAFF’s public relations consultant Cheryl L. Duncan of Cheryl Duncan & Company Inc.

For panel or film tickets, go to www.filmlinc.com.

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Starchitect David Adjaye brings his building art to America

David AdjayeAdjaye studio museumYG points to a new exhibit by UK-based Ghanaian star architect David Adjaye opening today at the Studio Museum of Harlem in New York City. The exhibit, Making Public Buildings, introduces Adjaye’s architecture to American audiences by carrying viewers through his working process-from inspiration to completion-through ten projects, both built and uncompleted. Having been awarded an Order of the British Empire by the queen for services to architecture, following several public works including his Idea Stores, which have shaken up the notion of the library, and his Nobel Peace Center in Oslo, Mr. Adjaye is set to take on America. With both a New York office for his company Adjaye/Associates and his Museum of Contemporary Art in Denver opening this fall the star architect has his American debut all lined up. About his current work Mr. Adjaye tells New York Magazine:

We are building a house for an amazing art collector [Adam Lindemann and his wife, gallerist Amalia Dayan] on the Upper East Side. It is quite hermetic. In ten years, 50 percent of the world will live in cities; they are becoming massive. The home is something that becomes an emotional incubator and resuscitator. It is not about tricks but about the way in which you reorient a person’s perceptions by focusing on water or on a tree or on a texture of a wall, making the home a meditative space. For this house, the thing the house reflects on will also be art.

David Adjaye’s Making Public Buildings opens today, July 18, 2007, with a 7pm reception at the Studio Museum of Harlem. The exhibition continues through Sunday, October 28, 2007 (Wed-Fri: 12-6pm / Sat: 10am-6pm / Sun: 12-6pm).

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Hip-hop’s African ancestry at Odyssey Awards

Beverly Fab5 and Kofi at H20Last Saturday I attended the 5th Annual Hip-Hop Odyssey (H2O) Awards, held at BB Kings in New York City. Organized by the Hip-Hop Association, the awards ceremony recognized today’s hottest Hip-Hop filmmakers, industry professionals and pioneers. The event always features appearances and performances by Hip-Hop heavyweights. This year’s event, as usual, was packed with many of the individuals who have played a major part in shaping the hip-hop landscape including, artist/entrepreneur/hip-hop personality Fab 5 Freddy (that’s him in the picture standing in front of me as we listen to DJ Beverly Bond speak about YO! MTV Raps’ late producer Ted Demme), Ice-T (who gave an excellent acceptance speech about staying true to oneself), Dana Dane, Grand Wizard Theodore, (Dr.) Roxanne Shante, Ralph McDaniels (Video Music Box), The Cold Crush Brothers, Chubb Rock and much more.

One thing I’ve always enjoyed about the awards and the preceding H2O International Film Festival, is how the organizers (Martha Diaz, Rolando Brown etc) make a conscious effort to show the influence of African (and international) cultures on the growth of America’s hip-hop/urban culture. A few years back, besides the performance by the Nomadic Wax Global Hip-hop All-stars’ Chosan (Sierra Leone) , Eli Efi (Brazil) , and El Gambina (Korea), the festival grand prize went to Hip-Hop Colony, a film about the African hip-hop explosion – now on DVD. This year Hip-Hop Colony’s Kenyan director, Michael Wanguhu, was on hand to present an award. To further encourage the hip-hop generation to connect with Africa, this year’s awards was sponsored by and involved a presentation by popular DNA lineage identification company African Ancestry Inc. Some of you might remember that African Ancestry Inc. was the company behind VH1’s Spike Lee-directed February (Black History month) spot which promoted a stronger connection between African-Americans and the African continent through DNA swab testing. African Ancestry’s President, Gina Paige, was on hand at this year’s H2O Awards ceremony to present the evening’s host, Paul Mooney, with his personal DNA test results. Upon revealing that Paul Mooney’s lineage goes back to Guinea-Bissau (I don’t remember which specific ethnic group was cited), Gina Paige presented Mr. Mooney with a folder containing the details of the tests as well as a t-shirt with a Guinea-Bissau logo. A very nice touch.

African Ancestry offers a great solution for African-Americans looking to re-connect with their African heritage. With the DNA procedure gaining popularity and support from African-American celebrities like Oprah, Whoopi Goldberg, LeVar Burton, Chris Tucker, Chris Rock, and Isaiah Washington – who also holds a seat on African Ancestry’s Board of Directors -, and media outlets from ABC’s Good Morning America to PBS championing the efforts, African Ancestry has already begun to solidify the link between African-American and African cultures.

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New magazine changing image of African women

Kitu Kizuri MagI’m an avid reader of publications both online and offline, so when I came across this new African women’s magazine called Kitu Kizuri at Barnes and Noble, I was intrigued. Having already been in contact with the editor for a feature on myself and Annansi Clothing Co. in the “American Dreams” section, I kind of had an idea what the magazine was about anyway. But, when I finally found a copy hidden in the women’s interest section, I was impressed. While I’m sure there are other African women’s magazines available, I felt that Kitu Kizuri was on point with it’s focus and content. Being an African man, I might not be in the target market, but the articles gave me a good glimpse of what is on African women’s minds. Just the kind of insight I need for when I’m designing my upcoming women’s collection. Make sure you check out the magazine and SUBSCRIBE!! It’s only $20 per year and I’m sure you’ll agree that we need more magazines like this one to help shape a new African image. Congrats on the launch guys.

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This week in African Style 4/7 – 4/13/07

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Chosan performs Blood Diamond from Bling is Dead

A few months ago some New York-based artists and arts organizations organized a concert to benefit Nah We Yone, a grassroots nonprofit organization that helps rebuild the shattered lives of refugees, asylees and asylum seekers from the African diaspora who have fled to the New York Metropolitan area due to ongoing political instability throughout the African continent. The title of the concert, “Bling & Blood”, set the tone for various African artists to voice their opinions about the effects of the blood diamond trade on the African continent. Here’s a video of Sierra Leonean hip-hop artist Chosan performing his song “Blood Diamond”, a song he penned as part of the Bling is Dead project. Thanks to director Dante Kaba for the footage.

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This week in African Style 2/24 – 3/2/07

• Africa and the winds of globalisation part 1 and part 2.

• South Africa helping the American film industry reel in the money.

• Angelina Jolie travels to Africa to raise Darfur awareness.

• Reuters’ editor-in-chief outlines plans for Africa site.

• Ethiopia and the global antiterrorism campaign.

• New York’s Museum for African Art finds a home.

• Face of Africa modeling competition is cancelled.

• GE’s user-friendly healthcare concepts for Africa.

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I made it through! Fashion Week round-up

Designers for Darfur dressSo, I survived another fashion week with very little scrapes and bruises. As usual the week was hectic. Here are my observations:

• Kofi-ism #1: Never tell a model she’s sweating. Models need to be complemented only. Whatever!
• Kofi-ism #2: The only people worse off than uninvited fashion guests are the photo and video people”.
• Kofi-ism #3: Fashion is going through a black out period. Black/African models, unless Baby Phat hires you , you’re f**ked.
• Kofi-ism #4: Fashion week is over run by spectators who have no purpose but to eat, drink and be merry. If you’re not working at fashion week, please stay home. You’re killing the vibe.
• Kofi-ism #5: The days of goodie bags are over. See #4 for the reason why.
• Kofi-ism #6: There are way too many shows going on in the week. They need to be consolidated and staged in closer proximity.

Highlights of the week included Diesel’s retro punk show (Fresh!), Doo Ri’s excellently crafted dresses (I need to learn to sew like yesterday!), and Jackie Rogers’ show at Scores (Yeah baby!)

On the last day , with the last once of energy left, I left Tommy Hilfiger and walked uptown to attend the Designers for Darfur event. While the event got mixed reviews by the press, I was content with the way it turned out. Malcolm Harris and Lydia Hearst took on a huge responsibility in trying to put together this event and I think they deserve credit for that. One of the problems with scheduling a show to close out fashion week is that most people are exhausted by the last day and just ready to put the week behind them. While there weren’t as many celebrities at the event, the event did make a statement though not a huge one. The clothing was great and the vibe was on point. Though it could have been better planned to guarantee certain people be involved, I don’t share the NY Post’s Danica Lo’s opinion that it was a failure. The Designers for Darfur event reflected the general theme of the whole fashion week. Not many big name celebrities or industry vets even at the big name designer shows, a whole bunch of fans getting in the way, and shows running late and too close together.

kofi-at-hilfiger2.jpg
Tommy Hilfiger had a dope stage

Save Darfur, Steve Madden, Malcolm Harris, Lydia Hearst
Organizers: SaveDarfur.org, Steve Madden, Malcolm Harris, Lydia Hearst

Steve madden with MTV
Steve Madden interviewing with MTV

Turkish designer Rabia
Turkish designer Rabia

Designers for Darfur banner
Designers for Darfur banner

Designers for Darfur poster
Designers for Darfur poster

Kofi tired after fashion week
1 AM. I’m exhausted!