Russell Simmons: Blood diamonds and responsibility

Russell SimmonsThe past year has been a roller-coaster ride for the African diamonds industry. Ever since word got out that Warner Bros was putting major star power behind its “Blood Diamonds” movie Leonardo DiCaprio, Djimon Hounsou, Jennifer Connelly) the topic has developed into something similar to a circus. It’s interesting to see what different groups of people have had to say about the issue which continues to overflow into seemingly unrelated industries.

The Daily News just published further information about hip-hop guru/mogul/phenomenon Russel Simmons’ pending DeBeers-funded fact-finding mission to Africa. His hope is to “teach Africans how to cut and polish diamonds on the continent, instead of taking the diamonds out….The diamond industry should be the leader of African empowerment”. As a business person myself, I have always been inspired by Mr. Simmons’ business sense and ability to stay grounded despite the entertainment industry he’s so deeply immersed in. But as I told the reporter from the Daily News yesterday, though I support Russell’s intent, I find it hard to believe he could be too successfull on a trip chaperoned by DeBeers. I have been wrong before though. When I read a preliminary script for the “Blood Diamonds” movies and joined a few others (you know who you are) to voice our concerns to Time Warner back in March, I was quite skeptical that a “hollywood” movie which is so rooted in one of the most horrific periods in African history could do the topic justice. Call me pessimistic, but I have Tears of the Sun as a reference. Since then I’ve worked with many individuals who have toiled tirelessly to double check and make sure Warner Bros. gets it right. But even I could not imagine the war that was soon to ensue. With Africa caught in the middle, the past 2-3 months has been a tug of war between those of us who support the movie and the big bad diamond dealers. After attending a private screening of the movie back in October and speaking to the director Ed Zwick, my concerns are gone and I am all for supporting the movie and lending my voice and hand in it’s success. Though I have a couple of issues with the movie, I think it does the topic justice and can be a good tool to mobilize the public.

Though, I continue to work hard to make sure that the controversy doesn’t overshadow the actual changes that continues to be made behind the scenes, I’m sometimes disheartened by the casualties of it all. For me a main casualty is the African societies, but another one might also be the global hip-hop community. As Clyde points out “the term bling generally refers to both flashy and high quality products separate from one’s class status, including jewelry bought for special occasions by folks that may have saved all year for their special gift for a loved one”. It’s hard to tell those who save their money to get expensive jewelryBling is Dead. Their lives are rooted in the bling culture which I and my partners are trying so desperately to derail. I’m of the belief that though hip-hop has spawned this bling culture, it has turned into something we don’t control but all the ills of it is still credited to us. Bling culture to me epitomizes ultimate consumerism without responsibility. Bling culture, at this point, is about ballin out of control”. It’s more that keeping up with the Joneses. It’s attaining the recognition without the work. When Cash Money Millionaires said “Bling! Bling!” it was a call to arms to many to indulge in excess without responsibility or purpose. What many who buy into the bling culture don’t realize is that the big cars and big jewels, they focus on is a figment of their imagination. The people they are trying to imitate are never impressed because they know the imbalance will always exist. So what if you can shop at Tiffany’s too, the real blingers send their assistants do that. The major missing link is that most people don’t realize that the money Puffy (sorry Diddy) throws around at parties is his company’s money, not his own. But it’s a well guarded secret, especially to those who are so far removed from the actual decision makers that they cannot grasp the concept of making sure you spend someone else’s money. So the bling culture continues with those who don’t have posing like they do. And us Africans are caught in the middle. Good luck Russell, I hope you find what you’re looking for.

Djimon Hounsou finds Blood Diamond in December

Djimon HousouThe word is Warner Bros. has finally set a December 15 release date for the highly anticipated movie ” Blood Diamond”. This comes as a surprise for me considering the pressure they’ve been getting from the Diamond industry about how the movie will hurt holiday sales of diamonds. The movie has been talked about for at least the past year, with people on all sides jockeying for position on the issue conflict diamonds. Though the movie stars Djimon Housou, one of my favorite actors, I’m skeptical about the portrayal of Africans. Having read an early script myself, I am not sure if the movie will do justice to the topic of conflict diamonds nor will it help the image of Africans in the public eye. At first reading the movie seems to be another attempt at hollywood to dumb down an important topic, but I’m reminded by a movie industry expert that scripts can be changed during production. By sticking to their original plans to release the movie during the holidays and not pushing it to the diamond industry proposed release date of January 2007, Warner Bros. is obviously confident about the star power – Leonardo Dicaprio plays the lead character – , pr controversy, and possible academy award nominations to push box office sales. The diamond industry in hopes of saving face have also got some star power of their own, partnering with Nelson Mandela to lend credibility to their efforts to change their business tactics. Despite my pessimism about the movie itself, I’m interested to see how this will play out in the coming months. Check back here for updates.

DiCaprio Housou Blood Diamond

Namibian Venantia Otto wins Face of Africa 2006

Vanentia- Winner, Face of Africa 2006Venantia Otto was announced as the winner of the the 2006 Nokia Face of Africa competition. The Namibian-born Venantia beat out the other 10 finalists from all over Africa and was announced as the winner of the US$150,000 prize modeling contract courtesy Elite Model Management – which has represented models such as Cindy Crawford, Tyra Banks, Iman, and Naomi Campbell. Venantia hopes to take New York by storm when she begins her tenure with one of the world’s biggest and boldest agencies. The Nokia Face of Africa 2006 Final was broadcast to over 40 African countries.

Trend Alert: Celebrities “help” Africans

Lindsey Lohan at One.org event with African childrenA couple of posts ago I commented on Gwyneth Paltrow’s recent ad for the Keep a Child Alive organization. Though there was a lot of talk going around about the sincereity of the ad and even some good parodies, it seems the New York Times, in true hype fashion, has taken the ball and run with it. This weekend the Times ran an article titled “Into Africa” speculating on the trendy-ness of Americans’ – celebrity and otherwise – interest in Africa. The article was a dis-jointed analysis of why “saving” Africa is suddenly a new trend. While I feel the interest in the continent can be a good thing, I know that this particular type of interest can only hurt efforts to change the continent’s problems. Yet again, those who have a warped sense of self and belonging, have turned to the poor Africans to validate their existence. Lindsey Lohan? Madonna? Alyssa Milano? Give me a break!!! When issues relating to Africa are sensationalized without follow-up or perspective, the result can cause more harm than good. Africa has a lot of problems but none of these “celebrities” are able to put it in the perspective it needs. What’s the sense in installing an irrigation system in Ethiopia on your summer break if there’s no one to maintain it when you leave for your freshman year at Harvard? I’m not against celebrities lending their voice where needed, but anyone who will develop an interest in “helping” Africa because Lindsey Lohan says so is only going to make things worse. Africa may need a lot of things, but random acts of blindness is not one of them.

Gwyneth Paltrow declares “I am African like David Bowie”.

Gwyneth Paltrow As I was perusing the new Fashion Rocks Magazine during my lunch the other day. I stumbled upon this ad of Gwyneth Paltrow, actress/wife of Bono’s humanitarian heir Chris Martin. I must say I was quite shocked. I still haven’t decided if it was a good or bad shock but a shock nevertheless. As someone who actually is African, I am excited to see Alicia Keys’ Keep A Child Alive organization doing whatever it takes to push the envelope and make people realize the seriousness of the African AIDS epidemic. On the other hand I get the feeling there is the usual subconscious pandering which comes from many “humanitarians” who see themselves as saviors of poor helpless Africans. On the previous page of the magazine is a similar ad with David Bowie which seems to be less offensive on sight. The mixed feelings which the Gwyneth Paltrow ad is sure to get will no doubt come because she has been quite private causing the media to create an image of her as an All-American girl to satisfy the public’s need for more information. Paired with her marriage to Chris Martin of Cold Play, her public image becomes even more confusing. While Ms Paltrow might genuinely have a humanitarian streak the ad ends up getting the wrong reactions by the confused American public. We all know David Bowie to be a cause conscious celebrity and the fact that he is married to another humanitarian , supermodel Iman, solidifies his African-ness in our eyes. This should be a lesson to Gwyneth Paltrow and all other celebrities who want to keep their private lives private. You can’t rely on your celebrity to validate your cause if we don’t know who you really are. Thanks for trying though.

Virtual game teaches African history to MTV generation

Africa MMO by Africast and Rapid RealityThough it is part of our history many young Africans (myself included) cringe at being characterized by drums, spears, and war paint. But one innovative company is hoping to change the implications of those descriptions. With their creation of a virtual Africa circa 1200 AD, Rapid Reality is hoping their game Africa MMO, a multiplayer online video game, sheds light on the misunderstood continent. The brains behind the Africa MMO game are John Sarpong, grandson of Ashanti king Prampeh of Ghana who runs Africast Global Media, Inc., a company that acquires and distributes a variety of Africa-focused media content, Adam Ghetti, a 19-year-old creative director at Rapid Reality, and Tracy Spaight, a 35-year-old lead designer who studied history at the PhD program at Cornell University and taught world history for five years, to include African cultures. Due to be released in December 2006, the game has already received the Most Innovative Concept Award at the recent Electronic Entertainment Expo (E3 Expo). To add to the draw of the game the developers are making the game accessible to Africans on the continent as well. “Africa,” which will be distributed via the Internet, will be designed to run well even on the less powerful computers frequented by Africans in their countries’ cybercafes. While I’m not familiar with online gaming (I stopped playing video games at Super Mario Bros.) I am quite optimistic about the game.

Here are some quotes from the game’s developers:
“We’ll take African mythology, folklore and legend and take all the bits that are somewhat familiar – we want it to be new so that people experience something they’ve never encountered before any MMO before and it’s rich and deep and fun.”

“We felt very strongly that video games can help increase understanding and education about Africa and get the unmotivated public fired up about what is going on with Africa”

“The African mythology back from 1200 to 1400 A.D. is thousands of times richer than the J.R.R. Tolkien series of novels. Don’t get me wrong, he was an amazing individual with brilliant ideas. But that’s been milked for 80 years now.”

Brangelina vacations there and so should you

Brad Pitt and Angelina Jolie in NamibiaCelebrity couple Brad Pitt and Angelina Jolie have been getting everyone crazy about Namibia. Though I’m not one for celebrity hype, Brangelina (as they are called by the gossip wags) has definately set the country on path to popularity among the celebrity pack. But there are even more reasons to visit Namibia than even I realized. The editors at Conde-Nast Traveller magazine have published an inspiring article about some of the often overlooked travel destinations on the African continent including Namibia. Next time you’re going on vacation consider Gabon or Malawi and keep the noise to a minimum. Madonna might be in the next room.

Diamonds are not Africa’s best friend

Kareem_Edouard_Bling: Consequences and RepercussionsFor the past year and a half the issue effort to stop the trade of conflict or blood diamonds has been kicked into overdrive. With mounting pressure from the UN and many humanitarian organizations especially Amnesty International, diamond manufacturers and retailers have been under severe pressure to clean up their act. Having lived off the sweat and blood of exploited miners for years, the issue was recently exposed when hip-hop artist Kanye West released “Diamonds from Sierra Leone” from his album Late Registration. With an intro from Sierra Leonean hip hop artist Chosan, the video was a powerful one which used images such as a woman’s hand turning to blood when her suitor placed an engagement ring on it.

With many grassroots organizations doing their part to force diamond manufacturers to stop making a profit off of wars in places like Sierra Leone and Liberia, the controversy is about to be thrust into the spotlight yet again with the December release of Warner Bros.’ “The Blood Diamond” starring Leonardo DiCaprio (Titanic, The Aviator) and Djimon Hounsou (Amistad, The Island). While films such as Kareem Edouard’s Bling: Consequences and Repercussions do a good job on highlighting the diamond manufacturers’ reliance on consumer ignorance, “The Blood Diamond” is a fictional Hollywood-style movie which could either help or hurt the international effort to make DeBeers and others accountable. All reports, though, point to the movie glossing over the issue altogether. We’ll see in December.

Creating an African film experience

Mahamat-Saleh Haroun directs Dry SeasonChadian filmmaker Mahamat-Saleh Haroun is dedicated to his craft. Like many African born filmmakers he is intent of furthering the African experience through film. Using his country, Chad, as a backdrop he is currently at work on another film that puts a face on the people who experience the challenges of living on the continent. A recent Washington Post article talks about the lengths to which he and his crew are going to make his movie Dry Season authentic. To some extent his filmmaking style is more documentary than entertainment. His previous films Bye Bye Africa and Abouna similarly put a face on the 30-year Chadian civil war.

Mr. Haroun is one of many filmmakers who are creating great films without the support or existence of a native filmmaking industry. Besides the virtual nonexistence of a film community and ongoing political repression, many African filmmakers also face the challenge of seeking funding abroad with “many international donors viewing the arts as a luxury in times of food shortages, health crises and other emergencies”. Fueled by their travels and a new access to resources not available in their countries, more and more Africans are using their artistic vision to tell stories of Africa as they have experienced it. Last November in New York City, I got a chance to see one of the movies cited in the Post article, Hip Hop Colony, sweep the H20 (Hip-Hop Odyssey) International Film Festival Odyssey awards, winning the Best Feature Documentary award and the Heineken Emerging Filmmaker Award. Along with Bling: Consequences and Repercussions, Hip Hop Colony was a highlight at the festival, bringing Africa-themed films to the forefront. South African film Tsotsi’s win (Best Foreign Language Film of the Year) at February’s Academy Awards has given African film a new life and with more structure they will stand a better chance of getting funding and distribution to the world.

“Africa has such a terrible image,” said Issa Traoré de Brahima, a filmmaker from Burkina Faso who was working on the Chadian film. “And at the same time, we have so many talented people with artists’ souls. We just wish they didn’t have to leave the continent to earn a living. But in some places that is slowly changing.”

African Film Festival returns to New York

Taye Diggs in Drum at African Film FestivalThe African Film Festival returns to New York for it’s 13th installment. This year’s theme, Africa in Transition Today, explores contemporary African issues like the effects of war, personal tales of displacement, the HIV/AIDS plague, and the search for reconciliation The Festival will spotlight a wide array of U.S. premieres of internationally-acclaimed films, including Drum starring Taye Diggs from South African director Zola Maseko, which screened at the 2005 Sundance Film Festival, and the U.S. premiere of U-Carmen eKhayelitsha, an exquisite adaptation of Bizet’s opera “Carmen” that won the Berlin Film Festival’s Golden Bear Award. Other highlights include the first-ever section spotlighting filmmakers from the Maghreb and a program of short films from South Africa that explores issues of sexuality and gender. The month-long event is co-presented by the African Film Festival, Inc. (AFF) and the Film Society at Lincoln Center.

13th Annual New York African Film Festival
When: Wed 4.26 – Mon 5.29
Where: Various locations
Price: $5-10
Schedule: http://www.africanfilmny.org