Armani’s RED makes Kate Moss black for your green

Kate Moss - The Independent RED cover by Giorgio ArmaniLast thursday, Giorgio Armani edited the british newspaper The Independent as part of his involvement with Project RED. As the second issue in the RED series – the first was edited by Bono- the newspaper took a look at issues which are of concern to those seeking to help Africa. While the newspaper had some good articles about “Africa’s gifts to the world” from art to science, celebrity weigh-ins on Africa’s problems, and African Women’s rights, those were all overshadowed by the cover picture of a black-faced Kate Moss. Major backlash ensued at yet another attempt to connect Africans to white celebrities and in this case the fashion world. You would think that after the backlash over the Gwyneth Paltrow “I am African” ad Mr. Armani would have paid special care to provide a better context for the image and not just rely on the resurrected supermodel’s notoriety.

A major part of the failure of such campaigns is the media not realizing that today’s consumer has become smarter and is exposed to a lot more global messages than before. It’s true that we’re still enamored with celebrity and for the most part are still sleep when it comes to politics, but with advertising, even the sheep think of themselves as wolves. The images and associations don’t carry the same weight they used to because they have not been defined in the new society. With reality TV and the internet we are more independent in our information gathering. Today’s consumer is exposed to a lot more, and has new points of references. As Julie of Coutorture proved in her attempts at covering New York Fashion Week, the old media is out of touch with the rise and needs of the new breed of consumers and they prove this constantly with images such as the one on The Independent. While many charities are seeking to involve the public in their causes they are still employing the old media communicate with a new consumer who rebels against it. Some would say that the controversy from both the Kate Moss and Gwyneth Paltrow images helped to bring attention to the causes, but I would argue that most people could not tell you what issues those images were trying to bring to light. The old media has not done it’s homework on what Africa means to the new consumers. And like a parent, the old media’s message gets lost in it’s arrogance.

African style in a snap

Nontsikelelo The International Center of Photography currently has a great exhibit of contemporary African photography called “Snap Judgments: New Positions in Contemporary African Photography”.

Curated by Okwui Enwezor, “Snap Judgments brings together some of the most forceful propositions by contemporary artists and photographers on how to look at Africa”. With themes such as local responses to the international media, framing the African body, identity and postcolonial memory, urban sites, and the machines and institutions of modernity, the exhibit highlights conceptual art, documentary, and fashion photography; most of which have been shot in recent years. Through the colorful images we are able to appreciate how African people combine styles and themes and create the looks which are our own.

Snap Judgments: New Positions in Contemporary African Photography
March 10–May 28, 2006

International Center of Photography
1133 Avenue of the Americas at 43rd St.
New York, NY 10036
212-857-0000
Hours:
Tuesday – Thursday: 10 am – 6 pm
Friday: 10 am – 8 pm
Saturday – Sunday: 10 am – 6 pm
Closed Mondays

New issue of CLAM Magazine at newstands

CLAM Magazine Spring/Summer 2006The Spring/Summer 2006 issue of my new favorite international magazine, CLAM, has hit the stands in the USA.

CLAM is a lifestyle and trends magazine whose goal is to “promote creativity, concepts and ideas in fashion, architecture, music, design, the arts, free-time, travels and African design”. CLAM brings a level of experimentation which is very refreshing. From high fashion photographs of bustling African markets to multilingual reader submitted stories and art, each issue is an exploration of creativity and inspiration primarily from an African perspective. Though the magazine is based in Paris, you get the feeling that the identity is global. Published by Andy Okoroafor, and featuring contributions from Haitian photographer Marc Baptiste (Intimate) and Nigerian photographer Andrew Dosunmu (The African Game), the photographic appeal is CLAM’s signature. The two issues I’ve purchased are certainly collectors items. Go get yours.

Puma backs African teams for 2006 World Cup

amoah.jpgPuma announced that it has partnered with German charity United for Africa to support the African countries who are participating in this summer’s World Cup. The press conference was hosted by Ghanaian football player and journalist Anthony Baffoe (Go Ghana!). Our favorite Senegalese singer Akon was in attendance with his father Mor Thiam, and British/Nigerian artist Maxi Jazz of the group Faithless.

The press conference debuted the Puma Charity Collection designed specifically for the partnership. Additional campaign merchandise include a music CD featuring music from African and Western artists and a book “The African Game” which is a cooperation between the Nigerian fashion photographer Andrew Dosunmu and the author Knox Robinson. The book is “an affectionate and photographic homage to Africa and football”.

As a long time Puma fan, I can’t wait to see what the collection looks like. There’s also a feature on the accompanying book (The African Game) in this months Complex magazine with nice pics. I’m especially happy that Puma chose Andrew Dosunmu for the book. His work is excellent and really captures a distinct African perspective. The collection and book will be available from the end of May @ Puma concept stores.

GO GHANA!