This week in African Style 4/14 – 4/20/07

Design Made in Africa exhibit opens in NYC

Design Made in AfricaOn April 12th, the Design Made in Africa exhibit opened in New York at 4 World Financial Center. The exhibit is the first major traveling exhibition of contemporary African design. It presents a selection of 30 designers from 14 African countries featuring both utilitarian and decorative objects, including seating, lamps, tableware, wall hangings, graphic designs and body ornaments. The exhibition will be on display at the Courtyard Gallery. Featured designers are: Algeria: Amira Atallaoui-Deverchere, Abdelaziz Bacha, Mhedi Izemrane, Mohamed Faycal Guenni; Burkina Faso: Vincent Bailou and Vincent Rossin, Anthony Labouriaux, Hamed Ouattara; Cameroon: Sandrine Dole, Jules Bertrand, Wokam; Congo: Frederic Ruyant and Julien Robert; Cote d’Ivoire: Issa Diabate, Vincent Niamen; Ethiopia: Fasil Giorghis; Mali: Cheick Diallo, Marianne Montaut; Uganda: Sanaa Gateja; Rwanda: Laurent Hategekimana; Senegal: Balthazar Faye, Frederic Hardouin, Babacar Niang, Dominique Petot; South Africa: Marisa Fick-Jordaan, Maira Koutsoudakis, Piet Pienaar, Strangelove (Carlo Gibson and Zimek Pater); Togo: Kossi Assou, Ameyovi Homawoo; Zimbabwe: Ralph Gallagher.
Design Made in Africa poster

Business management programs travel to Africa

African cotton NY Times
Businessweek reports on French business school, HEC, which is leading the way by taking the management programs to Senegal. The program’s focus is on the African cotton industry. Could this be a new trend in African business development?

We need to adapt to local contexts and cultures. When we go to Africa, we need to respect the local specificities but at the same time we have to adapt our own approaches to the reality in those countries. We cannot import our own view. We have to have a different perspective and be open to different views. This is what corporate social responsibility is all about. We think we have a responsibility to contribute to these countries. – Bertrand Moingeon, Associate Dean for executive education and professor of strategic management.

Also the NYTimes reported on the African cotton industry back in January.

The Age of African Conversations

Conversation Age graphicI don’t consider myself a writer or even a journalist, but I will admit that I am opinionated and prone to debate. If anyone ever spends any time with my family you’ll notice that we constantly get into debates, some outsiders say we like to debate for the sake of it. That may be so, but so far that attitude of challenging the things even I know are normal has kept me going for this long so why stop now. A large part of what I enjoy about a good debate is the conversations that are spawned from the different sides. As the old saying goes “Opinions are like A**holes, everybody’s got one”. And the fun of blogging or writing for that matter is sharing your opinion as part of the larger conversations that ultimately can change the world around you.

When I heard about Drew McLellan and Gavin Heaton‘s efforts to create a collaborative e-book titled “The Conversation Age” I jumped at the opportunity to lend an African perspective to the project. As Gavin puts it “Far from seeing an implosion, we are living in a time of proliferation — ideas build upon ideas, discussion grows from seeds of thought and single headlines give rise to a thousand medusa-like simulations echoing words whispered somewhere on the other side of the planet. All this — in an instant.” And that is the idea behind the Conversation Age and the e-book which I will be contributing a chapter to. Having never written much beyond this blog, this will be my first entrance into a formal writing project and from the list of current contributors, I’m in great company. So in the next few weeks I’ll be racking my brains coming up with 400 words to express my opinion on what the conversation age means to our growing African community. If you would like to contribute to “The Conversation Age” project please email Drew before the end of day tomorrow (Wednesday, April 11th) with your topic. “The Conversation Age” will be dedicated to fellow blogger CK‘s mother who passed away last week while 100% of the proceeds from the book will go to Variety the Children’s Charity – which serves children across the entire globe. All submissions are due by April 30th.

Update: Here is the final list of contributors to the “Conversation Age” ebook. You might not recognize some of the names but these are definitely authors worth reading.
Gavin Heaton

Drew McLellan

CK

Valeria Maltoni

Emily Reed

Katie Chatfield

Greg Verdino

Mack Collier

Lewis Green

Sacrum

Ann Handley

Mike Sansone

Paul McEnany

Roger von Oech

Anna Farmery

David Armano

Bob Glaza

Mark Goren

Matt Dickman

Scott Monty

Richard Huntington

Cam Beck

David Reich

Mindblob (Luc)

Sean Howard

Tim Jackson

Patrick Schaber

Roberta Rosenberg

Uwe Hook

Tony D. Clark

Todd Andrlik

Toby Bloomberg

Steve Woodruff

Steve Bannister

Steve Roesler

Stanley Johnson

Spike Jones

Nathan Snell

Simon Payn

Ryan Rasmussen

Ron Shevlin

Roger Anderson

Bob Hruzek

Rishi Desai

”Phil Gerbyshak

Peter Corbett

Pete Deutschman

Nick Rice

Nick Wright

Mitch Joel

Michael Morton

Mark Earls

Mark Blair

Mario Vellandi

Lori Magno

Kristin Gorski

Krishna De

Kris Hoet

Kofi Annan

Kimberly Dawn Wells

Karl Long

Julie Fleischer

Jordan Behan

John La Grou

Joe Raasch

Jim Kukral

Jessica Hagy

Janet Green

Jamey Shiels

Dr. Graham Hill

Gia Facchini

Geert Desager

Gaurav Mishra

Gary Schoeniger

Gareth Kay

Faris Yakob

Emily Clasper

Ed Cotton

Dustin Jacobsen

Tom Clifford

David Pollinchock

David Koopmans

David Brazeal

David Berkowitz

Carolyn Manning

Craig Wilson

Cord Silverstein

Connie Reece

Colin McKay

Chris Newlan

Chris Corrigan

Cedric Giorgi

Brian Reich

Becky Carroll

Arun Rajagopal

Andy Nulman

Amy Jussel

AJ James

Kim Klaver

Sandy Renshaw

Susan Bird

Ryan Barrett

Troy Worman

Chosan performs Blood Diamond from Bling is Dead

A few months ago some New York-based artists and arts organizations organized a concert to benefit Nah We Yone, a grassroots nonprofit organization that helps rebuild the shattered lives of refugees, asylees and asylum seekers from the African diaspora who have fled to the New York Metropolitan area due to ongoing political instability throughout the African continent. The title of the concert, “Bling & Blood”, set the tone for various African artists to voice their opinions about the effects of the blood diamond trade on the African continent. Here’s a video of Sierra Leonean hip-hop artist Chosan performing his song “Blood Diamond”, a song he penned as part of the Bling is Dead project. Thanks to director Dante Kaba for the footage.

Wharton Business School on entrepreneurship in Nigeria

Nigerian President Olusegun ObasanjoWhile I’m on the subject of entrepreneurship in Africa, here’s a podcast from the Wharton Business School’s Knowledge website where Peter Bamkole, General Manager, Enterprise Development Services at Lagos Business School, talks with Olayinka David-West, a lecturer in information systems at Lagos Business School. The two men discuss Nigerian President Olusegun Obasanjo’s ambitious goal to have Nigeria become one of the world’s top 20 economies during the next two decades. Listen here and let me know what you think.

Inc. Magazine’s ease of global business map

As a follow up to my previous post on my concerns about going home to do business, here is a link to Inc. magazine’s interactive map which plots the ease of doing business around the globe. The map shows the rate of growth for a country’s gross domestic product – according to World Bank data – and helps entrepreneurs evaluate the risk/ease of doing business in countries around the globe. To construct the map for it’s new Going Global issue the Inc. magazine staff says,

“We consulted a variety of sources including the most current research from the World Bank, the World Economic Forum in Davos, the Global Entrepreneurship Monitor consortium, and the Heritage Foundation’s Index of Economic Freedom. We also interviewed academics, government officials, business consultants, and business owners based around the world.”

The map allows you to zoom in on specific countries and, combined with the Treasure Map pdf, is certainly a good referenence tool for African investors.
Inc. Magazine GDP map

Going home with a business plan

Ghana BeachOn the train ride home last week I ran into a Ghanaian friend of mine and we got to talking about what else, doing business in Ghana. As we compared stories and ideas, my friend expressed to me his frustration with building a house in Ghana. Granted he still lives in the US, it is taking him 3 years to begin the process due to land disputes. The way he tells it, the land he purchased had been sold to another person by the same chief who was now dead. And because of the “light” record keeping, he was now stuck trying to haggle with another developer who stood to gain a lot more from the land. The discussion brought about one of my many fears of going back to Ghana with a Western mentality of doing business. I’ve heard from more than enough people about the complicated processes which slow down or even halt business in many countries on the continent, and at least for now I can’t get my head around it. In my rationale it serves a government entity, or even a businessperson, well to maintain processes that allows for ease of enterprise, particularly when that entity already has a bad reputation with foreigners. I’m not saying that we should kneel to foreign investments, but it doesn’t do anybody any good to run things as if it were a personal household. When we are in a position where we need all the help we can get, it serves us well to go beyond our comfort zone to make things easier for both foreign and domestic businesses. I guess Ghana in particular is in a transitional stage right now, with many of us returning home after living for so long in the UK and US, and trying to create a way of life we are already used to. In an allafrica.com article Benin highlighted in his Africa Investment series we are made aware of the Ghanaian ambassador’s investment “tour” of the US. In the article the ambassador, Dr. Kwame Bawuah-Edusei, says,

“The right environment should be created in the country so that those who have shown interest in setting up businesses in Ghana would not be frustrated. For example, the registration of businesses should take a day not days or weeks. That is the only way we can attract more investors into the country.”

This is good to hear from a government official especially since Ghana has been posting GDP gains for six consecutive years and is currently the most stable country in West Africa according to Inc. magazine. For those of us looking to retire to our homeland, I can only hope that processes and infrastructures back home back up the efforts of the ambassador. But despite the problems, I will continue to see the glass of opportunity as half full.

Selling African culture Bollywood-style

Bunty Aur Babli movie posterReading this article about Bollywood and the brand new Kenyan film commission has me thinking about the African film industry and how it can grow. As some of you might already know, for the past year I’ve been consulting with the African Film Commission in developing and promoting the African film industry. This article about the Kenyan Film Commission’s growing relationship with both Hollywood and Bollywood has got me thinking about what impact Indian film and culture has been on my own African experience and how African countries can learn from Bollywood in marketing themselves. Growing up in Liberia I cannot remember a time when Indian film and culture were not a part of our daily experience. At that time (before cable and satellite) television was scheduled for a short time daily and the second main source of programming content, besides American films, was Indian dramas. Similar to Saturday Karate flicks in the US, Bollywood movies were a much anticipated indulgence of my daily childhood TV viewing. While I never always understood the context of the movies (same as with the American imports), the general themes of love, deceit, and camaraderie were familiar to all us Africans. We even adopted some of the sayings and mannerisms we saw in the films. Now with the Bollywood industry growing exponentially and reaching into Africa for inspiration, the relationship we Africans have with one of India’s greatest exports deserves some analysis.

Similar to Hollywood, as Bollywood has grown it has come to depend on Africa for production resources and content inspiration. What makes the Bollywood-Africa relationship interesting is that the Bollywood audience couldn’t be farther removed from Africans. For the most part Bollywood films are targeted to South Asian audiences though it continues to widen. Beyond the exoticism of the films, it is hard for someone who is unfamiliar with the culture to understand certain concepts without knowing the cultural reference. And though the films have adopted a global appeal, they are innately cultural. The fact that Bollywood movies can maintain their cultural perspectives and still appeal to different culture is a perfect example of how African cultures can export content that promotes their culture. I think Kenya is getting it right in organizing and creating a structure to nurture this relationship with foreign film companies to create a brand image, promote tourism, and inject foreign money into their economy. The lesson in this article for other African governments is that there are rules and procedures which, when implemented, will allow us to re-brand ourselves and promote our cultures to the world. And without certain structures such as a government created film commission, it becomes a free-for-all and stands to be ineffective in promoting tourism. Part of what makes India one of the hottest business destinations is the country’s ability to learn the rules of global business, create/maintain structures that encourage foreign investment, and – through their film industry – promote the uniqueness of their culture. I hope other countries look at the benefits of the business model Kenya is trying to implement and realize that they too can reap the benefits of such a relationship. They just need to understand how the game is played.