LAFF & African Film Commission hosts On the Rumba River

As part of the 2007 Los Angeles Film Festival, the African Film Commission will present On The Rumba River (Le Batelier de la Rumba) a film Jacques Sarasin. I won’t be able to attend but, I encourage any of you who will be in LA this week to support us and catch this exciting documentary. Details below.

On the Rumba River LAFF AFC

Synopsis:
Brimming with music and dance, On the Rumba River looks at the life and times of beloved Congolese musician Wendo Kolosoy. Throughout a career that spans decades, Papa Wendo has weathered personal hard times as well as Congo’s troubled political and economic history, all of which he’s faced with a combination of determination, humor and, of course, music. This touching and lively documentary captures Kolosoy’s latest reunion with his band, the Victoria Bakolo Miziki Players, when they gather to play the transcendent music that has come to embody the spirit of the Congolese people.

Screening Times:
Thu. Jun 28, 7:00pm, Mann Festival Theater
Sat. Jun 30, 5:00pm, Italian Cultural Institute

For event information and tickets, call 866.FILM.FEST (866.345.6337) or visit LAFilmFest.com

112 years later, African art (and controversy) at Venice Biennale

Olu Oguibe on cover of Modern Painters Junee 2007 Venice Biennale issueThe June issue of Modern Painters magazine features a cover story on the first African Pavilion to ever open at the 112 year old Venice Biennale. The Biennale, arguably the most prestigious contemporary arts festival in the world, has been around since 1895 with little or no African representation, until now. Curated by Fernando Alvim and Simon Njami (Africa Remix), the Check List Luanda POP show at the Africa Pavilion features 30 artists’ works from the Sindika Dokolo African Collection of Contemporary Art in Luanda, Angola. The exhibition which opened on June 10 was selected by a panel of experts composed of Meskerem Assegued, Ekow Eshun, Lyle Ashton Harris, Kellie Jones, Bisi Silva and chaired by Robert Storr to represent the African continent at the 52nd International Art Exhibition.

Venice Biennale Africa PavilionThe selection of the Sindika Dokolo Foundation‘s collection as a representation for Africa came with a bit of controversy surrounding the business activities of Congolese businessman and art collector Sindika Dokolo’s family and associates. Most notably a July 2006 article in the French-language newspaper La Conscience titled “The Dokolo Affair” which alleged that under the Mobutu Sese Seko regime, Sindika Dokolo’s father, Sanu, created the Bank of Kinshasa, which “channeled money to members of his own family including Sindika himself, bilking the state and normal depositors of more than $80 million dollars when it imploded in 1986”. In a reply to the Artnet Magazine’s story titled “Art and Corruption in Venice”, Dokolo stated that the goal of his art collection is to help Africans build “a strong point of view on the world that would be their own,” Despite the initial controversy, the Check List Luanda POP show has gone on to set a precedent which I hope will continue. Below is a list of the artists featured. Also listen to the “Ghostworld” a mix of music accompanying the show, produced by DJ Spooky.

Check List Luanda Pop – African Pavilion
52nd Venice Biennale International Contemporary Art Exhibition

Curators
Fernando Alvim (Angola)
Simon Njami (Cameroon)

Produced and organized by Foundation Sindika Dokolo

Listen to DJ Spooky’s “Ghostworld”
[audio:http://www.annansiclothing.com/Ghostworld.mp3]

Artists works showing

  • Ghada Amer (Egypt)
  • Oladélé Bamgboyé (Nigeria)
  • Miquel Barcelo (Spain)
  • Jean Michel Basquiat (USA)
  • Mario Benjamin (Haiti)
  • Bili Bidjocka (Cameroon)
  • Zoulikha Bouabdellah (Algeria)
  • Loulou Cherinet (Ethiopia)
  • Marlène Dumas (South Africa)
  • Mounir Fatmi (Marocco)
  • Kendell Geers (South Africa)
  • Ihosvanny (Angola)
  • Alfredo Jaar (Chile)
  • Paulo Kapela (Angola)
  • Amal Kenawy (Egypt)
  • Kiluanji Kia Henda (Angola)
  • Paul D. Miller Aka DJ Spooky (USA)
  • Santu Mofokeng (South Africa)
  • Nastio Mosquito (Angola)
  • Ndilo Mutima (Angola)
  • Ingrid Mwangi (Kenya)
  • Chris Ofili (UK/Nigeria)
  • Olu Oguibe (Nigeria)
  • Tracey Rose (South Africa)
  • Ruth Sacks (South Africa)
  • Yinka Shonibare, MBE, (UK/ Nigeria)
  • Minnette Vári (South Africa)
  • Viteix (Angola)
  • Andy Warhol (USA)
  • Yonamine (Angola)

Design Made in Africa exhibit opens in NYC

Design Made in AfricaOn April 12th, the Design Made in Africa exhibit opened in New York at 4 World Financial Center. The exhibit is the first major traveling exhibition of contemporary African design. It presents a selection of 30 designers from 14 African countries featuring both utilitarian and decorative objects, including seating, lamps, tableware, wall hangings, graphic designs and body ornaments. The exhibition will be on display at the Courtyard Gallery. Featured designers are: Algeria: Amira Atallaoui-Deverchere, Abdelaziz Bacha, Mhedi Izemrane, Mohamed Faycal Guenni; Burkina Faso: Vincent Bailou and Vincent Rossin, Anthony Labouriaux, Hamed Ouattara; Cameroon: Sandrine Dole, Jules Bertrand, Wokam; Congo: Frederic Ruyant and Julien Robert; Cote d’Ivoire: Issa Diabate, Vincent Niamen; Ethiopia: Fasil Giorghis; Mali: Cheick Diallo, Marianne Montaut; Uganda: Sanaa Gateja; Rwanda: Laurent Hategekimana; Senegal: Balthazar Faye, Frederic Hardouin, Babacar Niang, Dominique Petot; South Africa: Marisa Fick-Jordaan, Maira Koutsoudakis, Piet Pienaar, Strangelove (Carlo Gibson and Zimek Pater); Togo: Kossi Assou, Ameyovi Homawoo; Zimbabwe: Ralph Gallagher.
Design Made in Africa poster

The business of a modeling career, Noella’s African style

Noella Harlem World coverA few weeks ago I was delighted to finally meet Noella Coursaris, a model who I had heard so much about. Noella really impressed me with the combination of her background (she was born in the Democratic Republic of Congo to a Congolese mother and Cypriot father and went to business school in Switzerland), her young age, and her work in launching the Georges Malaika Foundation, a foundation through which she will assist African girls in attending primary and secondary school. I have interacted with many models – and model wannabes – in the past but talking to Noella was a breath of fresh air. One thing that struck me about Noella was her determination and focus. While many models say they want to do more with their career, very few are able to organize themselves and make things happen. Though she was recently signed to the popular ID Model Management in NY, from looking at her body of work (Agent Provocateur, Chris Rock’s “I love My Wife”, Vibe Vixen, Cosmopolitan, Essence, GQ, and most recently the cover of Jambo and Harlem World magazines), you can tell that Noella is not one to sit around and wait for opportunities to fall in her lap. Speaking to Noella and Frederic about life, fashion and Africa, I got the same feeling I get when I speak to former model turned business woman extraordinaire Audrey Smaltz, another trailblazer in the fashion industry. Like Audrey, Noella seems to possess the ability to evaluate a situation, come up with a plan, and use her business acumen to make things happen; and it doesn’t hurt that Noella has a warm personality also. The September 2006 Model Inc. issue of Black Enterprise magazine profiled models like Tyra Banks, Iman, and Audrey Smaltz, who have used their focus, determination, talent, and keen business sense to turn the opportunities of an otherwise short career in a superficial industry into a successful business. And speaking to Noella you get the sense that she is taking a page out of their playbook to success. Noella MiamiWhat makes it hard to succeed in the modeling industry is that ultimately you are being hired for your looks and unfortunately with that comes the assumption that all a model has to offer is her/his beauty. But if we look at the trait many of the most memorable models have, it’s being able to understand what each designer’s theme is and use your personality to sell that ideal to the world. And that takes a self-confidence and ability to empathize, that many models lack. I can see that Noella has what it takes to continue to have a long successful career. And by distinguishing herself as an African, though she does not have fashion’s stereotypical ultra dark skin, and extreme features, she, like Liya Kebede, introduces another image of an Africa to the fashion world. About her background Noella says “I am proud to be African, and proud to know where I come from. Africans have so much culture and values !!!”. Iman needs to get this girl on her “I Am African” campaign.
(photo courtesy: Luis Fernandez)