The Paris Hilton effect on Africa’s development

Paris Hilton Vanity Fair africaWe live in a celebrity-powered society. I don’t like it, but it’s the truth. Whoever said everyone will get their 15 minutes of fame, was way off. It seems like the expiration date on fame is being extended longer and longer. Fame in itself is not a bad thing, however, the individualism, it comes with in today’s society is another story. With all the reality show mania and with reputable organizations paying talentless people like Paris Hilton ridiculous amounts of money for an appearance, the American culture of celebrity and individualism is playing an even bigger role in how and where money is spent in business. But if this the nature of the world we live in, where do Africans, and our culture of community and modesty, fit in?

Certainly all African’s are not so modest. However, our definition of celebrity and entitlement is definitely different from the West. Many would argue that the American definition of celebrity is based on fantasy while the African definition is based on reality. Where western celebrities are celebrated apart from the community, African celebrities are celebrated for their effect within the community. Is either definition right or wrong? Who knows, but when one dominates the other in global influence, a problem arises.

What does this have to do with business, money and Africa’s opportunities? Everything, I would say. One of the biggest problems Africans have with getting their stories told particularly in the media is that we still do not really understand how western media works. Take the picture of Paris Hilton to the left. Paris Hilton who represents, the epitome of America’s celebrity culture – and hence influence – holds a Vanity Fair Africa issue with Oprah – another more talented and influential American celebrity – on the cover. While the whole scene was definitely staged by Paris’ pr reps, it’s a classic example of the role celebrity plays in American culture. Follow me for a moment. Bono campaigns for more money to go to African aid. He recruits Oprah Winfrey, among others, to draw attention to the cause. Bono then sells the the idea to the Vanity Fair editors who stand to have multiple celebrities in one issue (celebrity faces sell glossies, especially fashion ones) and the issue is produced. Paris Hilton, then picks up the issue in her attempt to clean up her post-jail image, and in turn further sells Bono’s Africa campaign to insecure suburban teen-aged girls everywhere. Suburban American families, (with disposable income) then put money into Bono’s Africa campaign. This is the power of celebrity in American economics. While we Africans argue merit and talent, Bono continues to play the celebrity game to influence the flow of money. Many of us argue there should have been more Africans on Vanity Fair’s covers, but while Wole Soyinka is a talented man with accolades to boot, he has no influence over the people spending the money, and so he is regulated to a group feature towards the end of the magazine.

Further evidence of the power of celebrity, can be seen in the media coverage of the recent TEDGlobal conference in Tanzania. In her excellent piece about the event, Jennifer Brea, writes about the circumstances surrounding Bono’s heckling of Andrew Mwenda. The fact that Bono can have so much power as to bump George Ayittey‘s presentation of his perspective, heckle another presenter AND practically be the only one of 50 or so presenters over the 4 day African conference covered widely in the press illustrates the power of celebrity. The same issue about the difference between western and African celebrity was raised on the Africa media blog, with a reader asking

“Given the advances in technology that now allow citizens of any country to directly access the popular culture of another country (e.g. music, films, art), why do people living in the global north continue to receive more information about situations in Africa from the few Western celebrities “caring about Africa” than from the many African ones trying to push the same message? (Why do people seem to be more influenced by their similiarity with the source than the source’s actual level of expertise/connection with the cause?)”.

To this Melissa Wall of the Africa Media blog answered, “The West or North dominates global media structures and flow (much research has documented this). More specifically, reporters often have to go with the easiest-to-access sources. A Western celebrity with an entourage of handlers and PR flaks is a lot of easier to get a juicy quote from. Enlarging the Rolex is difficult.”. It all boils down to familiarity, which translates to celebrity which in-turn motivates spending. So if we Africans want access to the money which brings the opportunities we need, we have to do a better job of understanding the power of celebrity from the western perspective. As important as talent is – and it IS important – celebrity trumps talent. Sad but true.

Vogue, Keira Knightley donate food & Louis Vuitton to African elephant’s rehab

Keira Knightley gives baby elephant Louis Vuitton fro VogueThe concept for the June 2007 Vogue magazine cover story is a diary of British actress Keira Knightley’s “vacation in Africa” – more specifically Kenya. While the idea was probably someone’s eureka moment for an interesting feature, the resulting shoot and story is another re-hashing of Out of Africa. The fashion blogosphere has taken issue with one image in particular where the actress is photographed feeding a baby elephant which has been draped with a leather Louis Vuitton blanket.

After lunch at the Giraffe Manor, a hotel near Nairobi where giraffes roam the grounds, Keira donned a chic gray Bottega Veneta frock to visit the baby elephants at the David Sheldrick Wildlife Trust in Mbagathi, the only successful project in the world at rehabilitating orphaned elephants into the wild. Her diary entry for that day reads, “Today everyone tried to catch the baby elephants so we could put Louis Vuitton blankets on their backs. I’ve never seen anything more brilliantly stupid. I hope Louis Vuitton like it; they should definitely give the elephant a modeling contract.” – via Style.com

The fashion spread also includes a photo of the actress “roughing it” with some Maasai herdsmen- how original -, and some other shots of Ms. Knightley living out her rugged Africa dreams (circa 1910). I know Vogue is not the most progressive magazine, however you’d think that with all the resources they have the editors can find a creative way to tie in the Africa theme. They could have at least hired a photographer like Andrew Dosunmu, Marc Baptiste, or Stanley Lumax to lend their unique talent to the idea. But it just goes to prove how the perspective of Africa in popular culture is so limited. We can say that the editors at Vogue are at fault but, the true failure of the whole feature is with the Africans involved in the shoot who perhaps felt they had no choice but to offer their resources up to strengthen an image of Africa which ultimately would limit their ability to grow out of the early 1900’s image of the continent. This is why I place so much weight on the shoulders of those of us who live and work abroad to act as ambassadors and communicate our experiences constantly. One might say that the Vogue spread is just poor execution, however, the underlying theme is the real problem. The campaign to re-brand Africa has to take place both on the continent and abroad in order for it to be a success. It’s a tough job but the alternative is worse.

more images via imnotobsessed
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Inspiring the journey

FastCompany.com: Sibusiso Vilane climbs MT Everest
The main reason I began this blog was to provide inspiration for those people who see the success of Africa as a success for us all. I for one find inspiration in hearing about Africans who are making an impact in the world we live in. Here are two people who are doing what others seem to think is impossible:

Thanks to Benin and John for the inspiration. A good way to start the week.

The Age of African Conversations

Conversation Age graphicI don’t consider myself a writer or even a journalist, but I will admit that I am opinionated and prone to debate. If anyone ever spends any time with my family you’ll notice that we constantly get into debates, some outsiders say we like to debate for the sake of it. That may be so, but so far that attitude of challenging the things even I know are normal has kept me going for this long so why stop now. A large part of what I enjoy about a good debate is the conversations that are spawned from the different sides. As the old saying goes “Opinions are like A**holes, everybody’s got one”. And the fun of blogging or writing for that matter is sharing your opinion as part of the larger conversations that ultimately can change the world around you.

When I heard about Drew McLellan and Gavin Heaton‘s efforts to create a collaborative e-book titled “The Conversation Age” I jumped at the opportunity to lend an African perspective to the project. As Gavin puts it “Far from seeing an implosion, we are living in a time of proliferation — ideas build upon ideas, discussion grows from seeds of thought and single headlines give rise to a thousand medusa-like simulations echoing words whispered somewhere on the other side of the planet. All this — in an instant.” And that is the idea behind the Conversation Age and the e-book which I will be contributing a chapter to. Having never written much beyond this blog, this will be my first entrance into a formal writing project and from the list of current contributors, I’m in great company. So in the next few weeks I’ll be racking my brains coming up with 400 words to express my opinion on what the conversation age means to our growing African community. If you would like to contribute to “The Conversation Age” project please email Drew before the end of day tomorrow (Wednesday, April 11th) with your topic. “The Conversation Age” will be dedicated to fellow blogger CK‘s mother who passed away last week while 100% of the proceeds from the book will go to Variety the Children’s Charity – which serves children across the entire globe. All submissions are due by April 30th.

Update: Here is the final list of contributors to the “Conversation Age” ebook. You might not recognize some of the names but these are definitely authors worth reading.
Gavin Heaton

Drew McLellan

CK

Valeria Maltoni

Emily Reed

Katie Chatfield

Greg Verdino

Mack Collier

Lewis Green

Sacrum

Ann Handley

Mike Sansone

Paul McEnany

Roger von Oech

Anna Farmery

David Armano

Bob Glaza

Mark Goren

Matt Dickman

Scott Monty

Richard Huntington

Cam Beck

David Reich

Mindblob (Luc)

Sean Howard

Tim Jackson

Patrick Schaber

Roberta Rosenberg

Uwe Hook

Tony D. Clark

Todd Andrlik

Toby Bloomberg

Steve Woodruff

Steve Bannister

Steve Roesler

Stanley Johnson

Spike Jones

Nathan Snell

Simon Payn

Ryan Rasmussen

Ron Shevlin

Roger Anderson

Bob Hruzek

Rishi Desai

”Phil Gerbyshak

Peter Corbett

Pete Deutschman

Nick Rice

Nick Wright

Mitch Joel

Michael Morton

Mark Earls

Mark Blair

Mario Vellandi

Lori Magno

Kristin Gorski

Krishna De

Kris Hoet

Kofi Annan

Kimberly Dawn Wells

Karl Long

Julie Fleischer

Jordan Behan

John La Grou

Joe Raasch

Jim Kukral

Jessica Hagy

Janet Green

Jamey Shiels

Dr. Graham Hill

Gia Facchini

Geert Desager

Gaurav Mishra

Gary Schoeniger

Gareth Kay

Faris Yakob

Emily Clasper

Ed Cotton

Dustin Jacobsen

Tom Clifford

David Pollinchock

David Koopmans

David Brazeal

David Berkowitz

Carolyn Manning

Craig Wilson

Cord Silverstein

Connie Reece

Colin McKay

Chris Newlan

Chris Corrigan

Cedric Giorgi

Brian Reich

Becky Carroll

Arun Rajagopal

Andy Nulman

Amy Jussel

AJ James

Kim Klaver

Sandy Renshaw

Susan Bird

Ryan Barrett

Troy Worman

Akon, Vibe and the new urban standard

Akon Vibe cover April 2007With two singles in the #2 and #3 spots (Akon “Don’t Matter” and Gwen Stefani Featuring Akon “The Sweet Escape”), a new album, Konvicted, holding the #3 spot on the Billboard charts, and a starring role in a new Verizon commercial, Akon is hot right now. Now Senegal’s son graces the cover of the new Vibe Magazine which just hit my neighborhood newsstand. I’m not sure if this is the first time an African has made the cover of Vibe, but Akon’s cover is particularly significant to me because as an artist he continues to have appeal beyond genres and walk the fine line that Vibe has been so successful walking. Akon’s continued rise further convinces me of the growth of a new urban culture without the restrictions of race and origin. Not to say that the genre is color blind but where urban culture was primarily associated only with Black American culture before, the new urban culture seems to fall more in a gray area where race and origin aren’t the only determinant. A few weeks ago John Pasmore wrote on his Fast Company blog about the origins of the urban. The way things are going these days soon there might be a new definition of urban with new originators as reference points. Whether this new genre is a good or bad thing for black/African culture depends on your perspective, but one thing’s for sure, Akon and Vibe are attempting to shape that new definition right now.

This week in African Style 2/24 – 3/2/07

• Africa and the winds of globalisation part 1 and part 2.

• South Africa helping the American film industry reel in the money.

• Angelina Jolie travels to Africa to raise Darfur awareness.

• Reuters’ editor-in-chief outlines plans for Africa site.

• Ethiopia and the global antiterrorism campaign.

• New York’s Museum for African Art finds a home.

• Face of Africa modeling competition is cancelled.

• GE’s user-friendly healthcare concepts for Africa.

Soccer moms talk Africa and Oprah’s school

Mommycast HostsNot too long ago Oprah was not on my radar. I didn’t watch her show so I didn’t pay attention to anything she did. I usually associated Oprah with feel-good daytime talk shows. It wasn’t until recently that I realized the wand she wields over American culture in general. It’s still a mystery to me how she does this but who can deny the influence she has. The recent Mommycast podcast focusing on Africa is a clear example of Oprah’s influence over what I call the Twinset clan (next time you watch Oprah count the number of twinsets worn in the audience). The Twinset clan is that group of soccer mom types whose purse strings are coveted among marketers. Many are stay-at-home wives of American businessmen who manage the household and have access to endless disposable income. And when Oprah says Africa needs money, they say how much. After the airing of Monday’s “Building a Dream” special about Oprah’s South African girl’s school experience, the tremendously popular Mommycast show has dedicated a whole show, advertisers and all, to the topic of Children in Africa. What makes the particular show interesting is the focus on how African issues are understood in those suburban households. Listen to the show and tell me what you think.