African migration to Europe
The BBC has put together an informative feature about African migration to Europe. The feature outlines the economic attraction of Europe, routes and methods taken, numbers of Africans immigrants in europe, effects on Spain – the closest European country to the African continent, and how much money the African immigrants contribute to their home country’s gross domestic product (GDP). The feature is full of statistics and analysis from the UN and the World Bank as well as various articles of migrant stories. Though some of the information is a few months old, put together, the feature gives a view of why and how Africans migrate. One topic the feature does not touch on though is how much the migrants contribute to their host country’s GDP. Hmmmm.
Starchitect David Adjaye brings his building art to America
YG points to a new exhibit by UK-based Ghanaian star architect David Adjaye opening today at the Studio Museum of Harlem in New York City. The exhibit, Making Public Buildings, introduces Adjaye’s architecture to American audiences by carrying viewers through his working process-from inspiration to completion-through ten projects, both built and uncompleted. Having been awarded an Order of the British Empire by the queen for services to architecture, following several public works including his Idea Stores, which have shaken up the notion of the library, and his Nobel Peace Center in Oslo, Mr. Adjaye is set to take on America. With both a New York office for his company Adjaye/Associates and his Museum of Contemporary Art in Denver opening this fall the star architect has his American debut all lined up. About his current work Mr. Adjaye tells New York Magazine:
We are building a house for an amazing art collector [Adam Lindemann and his wife, gallerist Amalia Dayan] on the Upper East Side. It is quite hermetic. In ten years, 50 percent of the world will live in cities; they are becoming massive. The home is something that becomes an emotional incubator and resuscitator. It is not about tricks but about the way in which you reorient a person’s perceptions by focusing on water or on a tree or on a texture of a wall, making the home a meditative space. For this house, the thing the house reflects on will also be art.
David Adjaye’s Making Public Buildings opens today, July 18, 2007, with a 7pm reception at the Studio Museum of Harlem. The exhibition continues through Sunday, October 28, 2007 (Wed-Fri: 12-6pm / Sat: 10am-6pm / Sun: 12-6pm).
Global Hip-hop in your city
Nomadic Wax, the crew behind the Democracy in Dakar video series, are taking their global hip-hop on a mini US tour. The Global Underground tour features international hip-hop pioneers Chosan (Sierra Leone), LF and Laylo (Brazil/Dominican Republic), Foundation Movement (Puerto Rico/Liberia), Zuluboy (South Africa), DJ Boo (Philippines) an accomplished group of percussionists including Ernesto Abreau (Antibalas/Ya Esta), Chauncey Yearwood (The Pimps of Joytime/Escort), and Nomadic Wax founder Ben Herson (Nomadic Wax/Escort/Subatomic Sound System). The tour launches at Galapagos Art Space on July 19th in Brooklyn, New York, and will visit clubs in Providence, Rhode Island on the 21st and Boston, MA on the 22nd. If you haven’t seen any of these acts perform yet, do yourself a favor and catch them when they roll into your city.
The age of conversation is here!
Trained as a visual communicator, I have always held communication in the highest regard. Communication, to me, is at the center of everything we do, especially in today’s world. Whether you are an individual or an organization, it is most important to be able to communicate your ideas and be a part of conversations which, through the growth of technology are already shaping the world we live in. No-one is immune from the power of the conversations today. Through the advances in technology the playing field is being leveled in all industries, and it is most important for Africa to understand and take advantage of the change. For years we’ve struggled to be heard both at home and abroad and participate in the conversations which determine the development of our communities. But today, we are faced with the opportunities to broadcast our own conversations and chime in on others. Never before have we been given the opportunity to directly affect others a world away. And never before have the major players been so focused on the every-day person’s opinion for direction. As individuals we wield a great power, and how we communicate and build on conversations is more important than it ever was. The new book “The Age of Conversation” taps some of the most brilliant thinkers in today’s conversation-driven world. I have authored a chapter titled From Aid to Opportunity: Afri-Activism transitions into a new consumer market. You can read more about the book “The Age of Conversation” in the new Books & Products area of this site or at AgeOfConversation.com. Buy the book as an e-book, a paperback, or a hardcover at Lulu.com/ageofconversation. 100% of the profits from the book will go to a children’s charity.
The Paris Hilton effect on Africa’s development
We live in a celebrity-powered society. I don’t like it, but it’s the truth. Whoever said everyone will get their 15 minutes of fame, was way off. It seems like the expiration date on fame is being extended longer and longer. Fame in itself is not a bad thing, however, the individualism, it comes with in today’s society is another story. With all the reality show mania and with reputable organizations paying talentless people like Paris Hilton ridiculous amounts of money for an appearance, the American culture of celebrity and individualism is playing an even bigger role in how and where money is spent in business. But if this the nature of the world we live in, where do Africans, and our culture of community and modesty, fit in?
Certainly all African’s are not so modest. However, our definition of celebrity and entitlement is definitely different from the West. Many would argue that the American definition of celebrity is based on fantasy while the African definition is based on reality. Where western celebrities are celebrated apart from the community, African celebrities are celebrated for their effect within the community. Is either definition right or wrong? Who knows, but when one dominates the other in global influence, a problem arises.
What does this have to do with business, money and Africa’s opportunities? Everything, I would say. One of the biggest problems Africans have with getting their stories told particularly in the media is that we still do not really understand how western media works. Take the picture of Paris Hilton to the left. Paris Hilton who represents, the epitome of America’s celebrity culture – and hence influence – holds a Vanity Fair Africa issue with Oprah – another more talented and influential American celebrity – on the cover. While the whole scene was definitely staged by Paris’ pr reps, it’s a classic example of the role celebrity plays in American culture. Follow me for a moment. Bono campaigns for more money to go to African aid. He recruits Oprah Winfrey, among others, to draw attention to the cause. Bono then sells the the idea to the Vanity Fair editors who stand to have multiple celebrities in one issue (celebrity faces sell glossies, especially fashion ones) and the issue is produced. Paris Hilton, then picks up the issue in her attempt to clean up her post-jail image, and in turn further sells Bono’s Africa campaign to insecure suburban teen-aged girls everywhere. Suburban American families, (with disposable income) then put money into Bono’s Africa campaign. This is the power of celebrity in American economics. While we Africans argue merit and talent, Bono continues to play the celebrity game to influence the flow of money. Many of us argue there should have been more Africans on Vanity Fair’s covers, but while Wole Soyinka is a talented man with accolades to boot, he has no influence over the people spending the money, and so he is regulated to a group feature towards the end of the magazine.
Further evidence of the power of celebrity, can be seen in the media coverage of the recent TEDGlobal conference in Tanzania. In her excellent piece about the event, Jennifer Brea, writes about the circumstances surrounding Bono’s heckling of Andrew Mwenda. The fact that Bono can have so much power as to bump George Ayittey‘s presentation of his perspective, heckle another presenter AND practically be the only one of 50 or so presenters over the 4 day African conference covered widely in the press illustrates the power of celebrity. The same issue about the difference between western and African celebrity was raised on the Africa media blog, with a reader asking
“Given the advances in technology that now allow citizens of any country to directly access the popular culture of another country (e.g. music, films, art), why do people living in the global north continue to receive more information about situations in Africa from the few Western celebrities “caring about Africa” than from the many African ones trying to push the same message? (Why do people seem to be more influenced by their similiarity with the source than the source’s actual level of expertise/connection with the cause?)”.
To this Melissa Wall of the Africa Media blog answered, “The West or North dominates global media structures and flow (much research has documented this). More specifically, reporters often have to go with the easiest-to-access sources. A Western celebrity with an entourage of handlers and PR flaks is a lot of easier to get a juicy quote from. Enlarging the Rolex is difficult.”. It all boils down to familiarity, which translates to celebrity which in-turn motivates spending. So if we Africans want access to the money which brings the opportunities we need, we have to do a better job of understanding the power of celebrity from the western perspective. As important as talent is – and it IS important – celebrity trumps talent. Sad but true.
African fashion features on Fashion Television
The always insightful program Fashion Television has two exciting podcasts on African fashion posted online. In the first feature, Egyptian Fashion, Egyptian designers talk about traditional and westernized fashion. The second is a feature on Somali-born supermodel Yasmin Warsame. Head over to the Fashion Television site to check them out.
African super-rich grow richer, move to Richistan
As part of my research on the African brand, I interviewed a Nigerian Hollywood public relations professional recently. Though his clientèle doesn’t consist purely of Africans, being a Hollywood connector he frequently encounters Africans with a bit of money looking to use his services for something or another. As we talked, the topic of money came up and the gentleman expounded on the different groups of Africans with money and their attitudes towards wealth. What I found interesting was how the Nigerian connector classified the groups: hustlers, who will do anything for a buck, and dignitaries, whose source of wealth is questionable. In his experience these were the two types of people who make up the affluent African class. Of course I found his tales of the affluent African a little disheartening, but it brought to light the issue of options for African wealth. We all know that the continent is rich with resources, however the access to those resources and who benefits from it’s potential revenue is another story.
The Wall Street Journal’s Informed Reader points to the recent release of Merrill Lynch and Cap Gemini’s 2007 World Wealth Report which reveals:
Globally, the HNWI (High Net Worth Individuals) population grew by 8.3% in 2006, to a total
of 9.5 million individuals. HNWI population gains were particularly strong last year in Africa, the Middle East and Latin America, advancing by 12.5%, 11.9% and 10.2%, respectively, and outpacing more developed nations. These gains came amid these emerging markets’ attempts to solidify their infrastructures and become more developed economies.
While this means there is more African representation in Robert Frank’s Richistan, many of us in lower to not-even-close Richistan, are beginning to ask even more questions about what role Africans play in the scramble for Africa’s resources. A BIG question raised in the conversation about African billionaires on Forbes’ list was, where are those billionaires getting their money? The wealth report hints that,
China has been an active player in Africa, investing heavily in various sectors and showing particular interest in mining. Taken together, these factors bolstered the continent’s HNWI population, helping it grow by 12.5 percent in 2006 and increasing its wealth by 14 per cent.
While this seems like a good answer, I’m not sure many Africans will buy it. But I don’t want to be labeled a “player hater” so I will point you to this statement by the Informed Reader:
So when it comes to business and markets, the firms that cater to the top of the high end will continue to do the best in the coming years. Think megayachts instead of yachts, beachfront estates instead of McMansions, and Bentleys and Maybachs instead of Mercedes and BMWs.
Paul Redfern adds, “The report says much of the income is spent on luxury items, art collections, jewelery and charitable causes.” Maybe this growing area will give enterprising Africans such as my Hollywood connector friend a green card to Richistan. As another hustler friend of mine said, “Don’t hate, participate” – legitimately of course.
Video: BBC on the United States of Africa
Africa Enterprising articles part 2
The second edition of the Africa Enterprising blog carnival has been published on African Loft. The carnival features some very engaging content from many of the African blogging community The posts touch on topics such as trade vs aid in Africa, entrepreneurship in Africa, business and investment in Africa, and universal business tenets. Head over to Imnakoya’s African Loft for links to an inspiring collection of ideas.