Chadian filmmaker Mahamat-Saleh Haroun is dedicated to his craft. Like many African born filmmakers he is intent of furthering the African experience through film. Using his country, Chad, as a backdrop he is currently at work on another film that puts a face on the people who experience the challenges of living on the continent. A recent Washington Post article talks about the lengths to which he and his crew are going to make his movie Dry Season authentic. To some extent his filmmaking style is more documentary than entertainment. His previous films Bye Bye Africa and Abouna similarly put a face on the 30-year Chadian civil war.
Mr. Haroun is one of many filmmakers who are creating great films without the support or existence of a native filmmaking industry. Besides the virtual nonexistence of a film community and ongoing political repression, many African filmmakers also face the challenge of seeking funding abroad with “many international donors viewing the arts as a luxury in times of food shortages, health crises and other emergencies”. Fueled by their travels and a new access to resources not available in their countries, more and more Africans are using their artistic vision to tell stories of Africa as they have experienced it. Last November in New York City, I got a chance to see one of the movies cited in the Post article, Hip Hop Colony, sweep the H20 (Hip-Hop Odyssey) International Film Festival Odyssey awards, winning the Best Feature Documentary award and the Heineken Emerging Filmmaker Award. Along with Bling: Consequences and Repercussions, Hip Hop Colony was a highlight at the festival, bringing Africa-themed films to the forefront. South African film Tsotsi’s win (Best Foreign Language Film of the Year) at February’s Academy Awards has given African film a new life and with more structure they will stand a better chance of getting funding and distribution to the world.
“Africa has such a terrible image,” said Issa Traoré de Brahima, a filmmaker from Burkina Faso who was working on the Chadian film. “And at the same time, we have so many talented people with artists’ souls. We just wish they didn’t have to leave the continent to earn a living. But in some places that is slowly changing.”
Alek Wek – from supermodel to fashion designer
Since 2002 Sudanese supermodel Alek Wek has been steadily transforming her modeling career to one as a top handbag designer. Back in 2001 Alek’s jet-setting lifestyle gave her an idea to use her love for design (she was studying fashion technology and business at the prestigious London College of Fashion before becoming a model) to develop a line of fashionable handbags.
Since she was “scouted” at a London market in 1995 and scored the cover of American Elle’s November 1997 issue, Alek has become a trendsetter in the modeling business; she’s been named Model of the Decade by i-D magazine, was picked as one of People magazine’s 50 Most Beautiful People and has worked with some of the most influential photographers of our time including Steven Meisel, Mario Testino, Annie Leibowitz, Nick Knight and the late Herb Ritts.
Everyone knows the modeling business is a cutthroat one and careers are often short. Even though Ms. Wek continues to be at the top of her modeling game, it’s her talent as a designer which is beginning to re-define her success and reposition her in the fashion world for the long term. . Called Wek 1933 (the 1933 is a reference to the day her father was born) the collection of fashionable bags has been featured in numerous magazines and even earned a spot at the Spring 2005 Olympus Fashion Week accessories exhibit . Chanel designer Karl Lagerfeld paid her the ultimate compliment by pronouncing the début spring 2002 collection ‘chic’ and backed up the statement by purchasing pieces for his Paris gallery. Wek 1933 bag prices range from $325 to $5,500 and are available at high end stores such as Barney’s and Maxfield and online at Fragments.
Darfur: Who needs the UN when you have MTV
Every so often African issues grow beyond the continent and makes it’s way into pop culture. In a capitalist society, social consciousness is a commodity and Africa’s problems are not exempt. As with Somalia (Black Hawk Down), and Sierra Leone (Diamonds from Sierra Leone) the problems in Darfur, Sudan has begun to hit the mass media. What has been a problem for years is peaking everyone’s interest. After Anna Nicole Smith and the Lakers, Darfur is becoming the latest trendy cause. First actor George Clooney speaks out and now everyone’s favorite peddlers of pop culture MTV, is playing it’s part in a way only they can, through a video game: Darfur is Dying. Could it be possible that a simple game of side and seek is enough to inform regular people about the situation at hand? With some questioning the rational behind creating such a game you can only imagine the impression “players” get of the situation and Africans as a whole. Forget guns and diplomacy, you too can save the Africans from themselves. Enjoy.
African woman European standards
For the past few years I’ve been reading a lot about a talented Kenyan-born artist named Wangechi Mutu. Ms Mutu’s art “explores the contradictions of female and cultural identity and makes reference to colonial history, contemporary African politics and the international fashion industry”.
Having seen images of her work I can see what all the fuss is about. At first the images are intentionally awkward and grotesque; taking a closer look you see a butt here, an eye there, a headline somewhere else, which points to the deeper imagery. Piecing together magazine imagery with painted surfaces and found materials Wangechi Mutu is able to create satirical scenes of her take on “a European preference to physique that has been inflicted on and adapted by Africans, resulting in both social hierarchy and genocide”. Still in her early 30’s Ms. Mutu is heralded one of the best young artists. Coming from a solo show at the San Francisco MoMA, Wangechi Mutu’s works will go on display May 12 – June 17, 2006 at the Sikkema Jenkins & Co gallery and at Salon 94 May 21 – July 7, 2006.
When in Seattle do like the Ethiopians do
Gridskipper suggests a good Ethiopian restaurant located in Seattle called Adey Abeba. When it comes to restaurants Ethiopians put together great establishments and the food is very tasteful. If you are in Seattle check it out.
African Film Festival returns to New York
The African Film Festival returns to New York for it’s 13th installment. This year’s theme, Africa in Transition Today, explores contemporary African issues like the effects of war, personal tales of displacement, the HIV/AIDS plague, and the search for reconciliation The Festival will spotlight a wide array of U.S. premieres of internationally-acclaimed films, including Drum starring Taye Diggs from South African director Zola Maseko, which screened at the 2005 Sundance Film Festival, and the U.S. premiere of U-Carmen eKhayelitsha, an exquisite adaptation of Bizet’s opera “Carmen†that won the Berlin Film Festival’s Golden Bear Award. Other highlights include the first-ever section spotlighting filmmakers from the Maghreb and a program of short films from South Africa that explores issues of sexuality and gender. The month-long event is co-presented by the African Film Festival, Inc. (AFF) and the Film Society at Lincoln Center.
13th Annual New York African Film Festival
When: Wed 4.26 – Mon 5.29
Where: Various locations
Price: $5-10
Schedule: http://www.africanfilmny.org
Liberian wins Environmental Award
For those who were wondering about Google’s latest logo, this past Saturday marked Earth Day 2006. In commemoration of Earth Day and to promote environmental awareness worldwide, The Goldman Environmental Prize will be awarded today in a ceremony in San Francisco. One of the six recipients this year is Silas Kpanan’Ayoung Siakor (36), a Liberian environmentalist who exposed evidence that Liberian President Charles Taylor used the profits of unchecked, rampant logging to pay the costs of a brutal 14-year civil war that left 150,000 people dead. At great personal risk, Siakor collected extremely hard-to-get evidence of falsified logging records, illegal logging practices and associated human rights abuses. He passed the evidence to the United Nations Security Council, which then banned the export of Liberian timber. Fearing for his life Mr. Siakor left Liberia for a period of exile spent in several neighboring countries.
With international sanctions on timber exports set to be lifted in June, Mr. Siakor continues fighting powerful forces that want to tap into Liberia’s forests as a source of income. As director of the Sustainable Development Institute (SDI), in January he published a report outlining the sort of reforms he feels need to be carried out in order to protect the long term future of Liberia’s forests and the wildlife that depends upon them.
The Goldman Environmental Prize is the world’s largest prize honoring grassroots environmentalist. Described as “the Nobel Prize for grassroots environmentalism” the prize provides International recognition, worldwide visibility, and financial support of $125,000 to the winners to pursue their vision of a renewed and protected environment. After the San Francisco ceremony today at the Opera House, the Prize winners will travel to Washington D.C. for an awards ceremony and events at the National Press Club, on Capitol Hill and at the Brookings Institute with political, policy and environmental leaders.
Info: BBC
Actor Don Cheadle documents Uganda’s “Night Commuters”
In May of 2005, Academy Award-nominated actor Don Cheadle (Crash, Ocean’s Eleven, Traffic, Boogie Nights) traveled with his family to Kampala, Uganda to attend a charity screening of his award-winning film Hotel Rwanda. The screening was held to raise money for a group of children called the “night commuters”. They are called “night commuters” because every night they must flee their homes seeking refuge in large camps in the cities to keep from being kidnapped, dragged into the bush and ultimately forced to fight against the Ugandan government for the rebel Lords Resistance Army.
The Cheadles and a group of filmmakers traveled 5 hours outside the capital to the town of Gulu to see for themselves how these kids and their families are forced to live. Filmmaker and longtime ABC News producer Rick Wilkinson documented what they found in a 24-minute short called Journey Into Sunset. The documentary examines the lives and experiences of several of these boys and girls. Some of them have been able to avoid being kidnapped. Others who weren’t so lucky. They lived or died at the will and whim of their captors. They were forced to fight. And some committed horrible atrocities.
“Journey Into Sunset” will premiere at the Tribeca Film Festival in NYC on April 26, where both Mr. Wilkinson and producer John Prendergast will be present for a Q&A. The film will also be screening at the Boston Film Festival, and the Atlanta Film Festival in June. Rick Wilkinson is a 4-time Emmy Award winner who has traveled the world, covering many of the pivotal news events as a producer for ABC television’s Nightline.
Info: Boing Boing
Making Mali Music
The NY Times recently published an excellent article on the Malian music scene and it’s growth beyond it’s borders.
“A Malian music boom that began in the 1990’s, when the soulful vocalist Salif Keita and the singer-guitarist Ali Farka Touré achieved international stardom, has brought an influx of tourists, record producers and aspiring musicians seeking to emulate the stars’ successes. (The news of Mr. Touré’s death on March 6 from cancer resonated around the world.) As a result, Bamako has become a meeting place and incubator for West African talent, and one of the best places on the planet to hear live music.”
This year’s Grammy Awards featured two Malian albums in the Best Traditional World Music Album category. Ali Farka Touré & Toumani Diabate’s win against fellow Malian Mamadou Diabate for their album In the Heart of the Moon,” goes on to re-enforce the worldwide appeal of the distinct sound and culture Mali continues to produce.
Link courtesy of The In Crowd
Ghanaian Twins get Rising Star Award nomination after feature in Black Enterprise Magazine
I must give props to Black Enterprise Magazine. For as long as I can remember they have continued to deliver timely and in depth stories about issues relating to black business. The January 2006 issue was no exception. On first glance the cover story, “Great opportunities for young entrepreneurs”, was the usual feature but upon reading it I soon found that it highlighted three African entrepreneurs who are making an impact in the business world.
One of those entrepreneurs, Roadstarr Motorsports, has made such an impact as to be nominated for a Black Enterprise Magazine Rising Star Award. Started in 2001 by Ghanaian twins Hassan and Hussein Iddrissu (28) and cousin John Spio , Roadstarr Motorsports has been making a flashy impact in the car customization culture. As the popularity of MTV’ Pimp My Ride has shown, car customization is really taking off in the mainstream. Not ones to fall into line the Ghanaian boys have taken the trend to another level by targeting only the very high-end luxury cars like Porches, Lamborghini’s, and Mercedes Benz. Their hard work is certainly paying off. RoadStarr MotorSports, located in Los Angeles, California, generated 3.8 million in revenue in 2005 and appearing on the cover of January’s Black Enterprise and now the award nomination, their stock can only go up. Get the new issue of Black Enterprise to see the other nominees.
Congratulations to Roadstarr Motorsports.