- Fall Out Boy head to Africa….Uganda really (What’s a rock band’s image without an African charity connection. Shout out to director extraordinaire Alan Ferguson) )
- Clint Eastwood will direct Morgan Freeman and Matt Damon in a new Nelson Mandela movie “The Human Factor” (The Hollywood/Africa trend grows. They should expect a call from some concerned Africans real soon.)
- Facebook is the new office fashion in Kenya (Rupert Murdoch needs to get the Myspace/Wall Street Journal thing sorted out fast)
- Actress Mary-Louise Parker adopts a child from Africa (Can all these African childrens’ biological families get visitation visas now?)
Video: Journalist Andrew Mwenda on the dark side of African aid
Design Made in Africa exhibit opens in NYC
On April 12th, the Design Made in Africa exhibit opened in New York at 4 World Financial Center. The exhibit is the first major traveling exhibition of contemporary African design. It presents a selection of 30 designers from 14 African countries featuring both utilitarian and decorative objects, including seating, lamps, tableware, wall hangings, graphic designs and body ornaments. The exhibition will be on display at the Courtyard Gallery. Featured designers are: Algeria: Amira Atallaoui-Deverchere, Abdelaziz Bacha, Mhedi Izemrane, Mohamed Faycal Guenni; Burkina Faso: Vincent Bailou and Vincent Rossin, Anthony Labouriaux, Hamed Ouattara; Cameroon: Sandrine Dole, Jules Bertrand, Wokam; Congo: Frederic Ruyant and Julien Robert; Cote d’Ivoire: Issa Diabate, Vincent Niamen; Ethiopia: Fasil Giorghis; Mali: Cheick Diallo, Marianne Montaut; Uganda: Sanaa Gateja; Rwanda: Laurent Hategekimana; Senegal: Balthazar Faye, Frederic Hardouin, Babacar Niang, Dominique Petot; South Africa: Marisa Fick-Jordaan, Maira Koutsoudakis, Piet Pienaar, Strangelove (Carlo Gibson and Zimek Pater); Togo: Kossi Assou, Ameyovi Homawoo; Zimbabwe: Ralph Gallagher.
Whitaker wins one for African film industry
By now you’ve all heard that Forest Whitaker won the Best Actor Oscar for his portrayal of Ugandan dictator Idi Amin. While this is another big boost for Black actors in general, it is more of a validation of African film. Before the awards I was speaking to my partner at the film commission about what the implications of a win like this will be. One thing he emphasized was how more African films will mean more roles for black actors. I think one thing that many people, especially Africans, overlook is the relationship between African-American progress and African progress. While we rarely expound on the connection, Whitaker’s win shows how African stories can provide unlimited opportunities for African-American actors and producers to create award-winning films. While many producers have looked primarily to South Africa and apartheid for strong African stories in the past, Whitaker’s win shows that there are more than enough stories to develop on the continent. That’s why Dreamgirls’ Danny Glover skipped the Oscars to attend the Pan African Film and Television Festival in Ouagadougou, Burkina Faso. Now that the word is out, the goal must be to encourage more African screenplays (preferably from Africans themselves) and get African stories told by African people. While I’m glad Warner Bros. made the effort to make Blood Diamond, I think the studios can now see the benefit of telling African stories from an African’s perspective using African/African-American talent. And while “The Last King of Scotland” wasn’t a blockbuster at the theaters, at this point we see there is a large enough audience interested in seeing a African film that is given the budget both independent and blockbuster Western movies enjoy.
Update: The BBC reports about African reactions to the Oscars at the Fespaco film festival in Burkina Faso.
African Hip-Hop in LA
For all those in LA this week make sure you check out the Pan African Film Festival which opened on February 8th and will run unil February 19th. In it’s 15th year, the festival is the largest international black film festival in the United States. While you’re getting in all your African films make sure to check out two of my partners Saba Saba aka Krazy Native (Uganda), and Wanlov the Kubolor (Ghana) as they bring their versions of African hip-hop to the event. Check out the flyer:
Can hip hop change Africa?
While many hip-hop fans in the US have started feeling that hip hop is dead, it’s becoming clearer that there is a totally different sentiment in other countries. A major reason for the pessimistic feeling of the US hip hop fans is the commercialization of hip hop culture and the preference for rap which, without the other hip hop elements (graffiti, breakdancing, dj-ing etc), loses all reference and meaning. Gone are the days when there was a balanced view of urban life through hip hop. As major media outlets have welcomed/accepted the art form many US artists have have become comfortable and have lost their focus. The hijacking of the rap element of hip-hop culture has resulted in corporations like Viacom (MTV, VH1) creating a rap culture which has no purpose and looks outside of itself for direction.
But take a trip to any major African country like Senegal and Kenya and you’ll find the music as it once was in the USA. Because of the newness of the music form to Africa and the growing accessibility of it, hip hop is now the voice of the new generation of Africans. What is amazing about the music is how the youth have begun to adapt and use it as a vehicle to change the world around them. More than an entertainment form hip hop is now the standard among young people and as they become more empowered, they put it in song. The accessibility of technologies like video, internet and mobile phones have provided them with the resources they need to connect to one another in real time and develop a unified voice. With all the problems that ail the continent the youth are attempting to make the much needed changes themselves.
I attended a forum last week at The Rotunda Gallery (Brooklyn, NY) put together by my friend Ben of Nomadic Wax records about this particular subject. The conversation was an excellent one with a panel featuring MC’s Chosan (Sierra Leone), Saba Saba aka Krazy Native (Uganda) and poet and activist Toni Blackman. What became evident through the discussion was that the African hip hop movement is a potent one which sees community and social issues as it’s focal point. African hip hop artists are taking the blueprint of US groups like Public Enemy, Eric B. and Rakim, and even Tupac Shakur mixing it with national pride and using it to push their community forward. A recent Reuters article discusses how Senegalese rappers have been able to influence government in the past. Whether by inspiring others or taking the reigns themselves, the artists are hopeful for a new Africa. But the question is will the art form survive the corporate and governmental assaults? I would hope so
Info:Spine Magazine
Actor Don Cheadle documents Uganda’s “Night Commuters”
In May of 2005, Academy Award-nominated actor Don Cheadle (Crash, Ocean’s Eleven, Traffic, Boogie Nights) traveled with his family to Kampala, Uganda to attend a charity screening of his award-winning film Hotel Rwanda. The screening was held to raise money for a group of children called the “night commuters”. They are called “night commuters” because every night they must flee their homes seeking refuge in large camps in the cities to keep from being kidnapped, dragged into the bush and ultimately forced to fight against the Ugandan government for the rebel Lords Resistance Army.
The Cheadles and a group of filmmakers traveled 5 hours outside the capital to the town of Gulu to see for themselves how these kids and their families are forced to live. Filmmaker and longtime ABC News producer Rick Wilkinson documented what they found in a 24-minute short called Journey Into Sunset. The documentary examines the lives and experiences of several of these boys and girls. Some of them have been able to avoid being kidnapped. Others who weren’t so lucky. They lived or died at the will and whim of their captors. They were forced to fight. And some committed horrible atrocities.
“Journey Into Sunset” will premiere at the Tribeca Film Festival in NYC on April 26, where both Mr. Wilkinson and producer John Prendergast will be present for a Q&A. The film will also be screening at the Boston Film Festival, and the Atlanta Film Festival in June. Rick Wilkinson is a 4-time Emmy Award winner who has traveled the world, covering many of the pivotal news events as a producer for ABC television’s Nightline.
Info: Boing Boing
Western movies get African treatment
The Christian Science Monitor writes about the emergence of video jockeys (veejays) in Uganda. Emerging out of the phenomenon of homegrown video hall, the veejays act as cultural translators, providing colorful “voiceovers” of Western Movies for the native population. The veejays have gained such popularity as to become local celebrities. The unique way each veejay translates the films have even spawned genre specialists, with some being known for action movies and others for romantic comedies. This veejaying method lends creative license tot the “interpreter” with many choosing entertainment of their audience over accuracy. It’s an interesting article about how some African communities are customizing foreign movies for their market allowing them to earn a living and tap into their creative spirit.