EXHIBIT
Kehinde Wiley, The World Stage: Africa Lagos~Dakar
July 17—October 26, 2008
PLACE
The Studio Museum in Harlem
144 West 125th Street
New York, New York 10027
tel 212.864.4500
The World Stage: Africa, Lagos ~ Dakar is Kehinde Wiley’s first solo exhibition at The Studio Museum in Harlem and features ten new paintings from his multinational “The World Stage” series. Wiley is known for his stylized paintings of young, urban African-American men in poses borrowed from eighteenth- and nineteenth-century European figurative paintings, a practice he started in the early 2000s while an artist in residence at the Studio Museum. Over the last two years, Wiley has expanded his project by living and working abroad; he temporarily relocates to different countries and opens satellite studios to become familiar with local culture, history and art. His “The World Stage” series is the result of these travels.
The June issue of Modern Painters magazine 
The selection of the 
Renowned fashion photographer 
On April 12th, the 
On the train ride home last week I ran into a Ghanaian friend of mine and we got to talking about what else, doing business in Ghana. As we compared stories and ideas, my friend expressed to me his frustration with building a house in Ghana. Granted he still lives in the US, it is taking him 3 years to begin the process due to land disputes. The way he tells it, the land he purchased had been sold to another person by the same chief who was now dead. And because of the “light” record keeping, he was now stuck trying to haggle with another developer who stood to gain a lot more from the land. The discussion brought about one of my many fears of going back to Ghana with a Western mentality of doing business. I’ve heard from more than enough people about the complicated processes which slow down or even halt business in many countries on the continent, and at least for now I can’t get my head around it. In my rationale it serves a government entity, or even a businessperson, well to maintain processes that allows for ease of enterprise, particularly when that entity already has a bad reputation with foreigners. I’m not saying that we should kneel to foreign investments, but it doesn’t do anybody any good to run things as if it were a personal household. When we are in a position where we need all the help we can get, it serves us well to go beyond our comfort zone to make things easier for both foreign and domestic businesses. I guess Ghana in particular is in a transitional stage right now, with 
For the past few years I’ve been reading a lot about a talented Kenyan-born artist named Wangechi Mutu. Ms Mutu’s art “explores the contradictions of female and cultural identity and makes reference to colonial history, contemporary African politics and the international fashion industry”.