Africa’s next chapter convenes at TEDGlobal 2007

Chris Anderson and Emeka Okafor at TEDGlobalOne of the most important events for Africa’s technology, entertainment, and design industry development, TEDGlobal 2007, is in full swing in Arusha, Tanzania. Coming from vacation I have been reinvigorated by all the developments coming out of this seminal event. Now in it’s 3rd day, the conference has already given me more than enough insight into innovative ideas behind Africa’s next chapter. With all the information and idea sharing at this event, the African blogosphere is sure to be fueled for a long time to come. Below are some important resources for keeping up to date with the happenings in Tanzania. I’ll be watching and listening closely as I hope you all are.

Live updates:
Soyapi Mumba is Twittering TEDGlobal
Ethan Zuckerman of My Heart’s in Accra is live-blogging

Other bloggers at TEDGlobal 2007:
TEDFellow Erik Hersman, of White African
TEDFellow Rafiq Phillips at WebAddiCT
DNA
David McQueen
Africa Beat, by Jennifer Brea
Bankalele
Mental Acrobatics
AfroMusing
TEDFellow Mweshi
TEDFellow Fran Osseo-Asare, of Betumi: The African Food Network
TEDFellow Soyapi Mumba
TEDFellow Ramon Thomas, of NETucation
Ndesanjo Macha, who writes Digital Africa, in English, and Jikomboe, in Swahili
Fifthculture
Ellen Horne at Radio Lab in Tanzania
ClassV
Sam Ritchie
Harinjaka (in French)
Kenyan Pundit, by TED Conference speaker and blogger Ory Okolloh
Timbuktu Chronicles, by TEDGlobal conference director Emeka Okafor
and of course you can get official updates at the TED blog site

Vogue, Keira Knightley donate food & Louis Vuitton to African elephant’s rehab

Keira Knightley gives baby elephant Louis Vuitton fro VogueThe concept for the June 2007 Vogue magazine cover story is a diary of British actress Keira Knightley’s “vacation in Africa” – more specifically Kenya. While the idea was probably someone’s eureka moment for an interesting feature, the resulting shoot and story is another re-hashing of Out of Africa. The fashion blogosphere has taken issue with one image in particular where the actress is photographed feeding a baby elephant which has been draped with a leather Louis Vuitton blanket.

After lunch at the Giraffe Manor, a hotel near Nairobi where giraffes roam the grounds, Keira donned a chic gray Bottega Veneta frock to visit the baby elephants at the David Sheldrick Wildlife Trust in Mbagathi, the only successful project in the world at rehabilitating orphaned elephants into the wild. Her diary entry for that day reads, “Today everyone tried to catch the baby elephants so we could put Louis Vuitton blankets on their backs. I’ve never seen anything more brilliantly stupid. I hope Louis Vuitton like it; they should definitely give the elephant a modeling contract.” – via Style.com

The fashion spread also includes a photo of the actress “roughing it” with some Maasai herdsmen- how original -, and some other shots of Ms. Knightley living out her rugged Africa dreams (circa 1910). I know Vogue is not the most progressive magazine, however you’d think that with all the resources they have the editors can find a creative way to tie in the Africa theme. They could have at least hired a photographer like Andrew Dosunmu, Marc Baptiste, or Stanley Lumax to lend their unique talent to the idea. But it just goes to prove how the perspective of Africa in popular culture is so limited. We can say that the editors at Vogue are at fault but, the true failure of the whole feature is with the Africans involved in the shoot who perhaps felt they had no choice but to offer their resources up to strengthen an image of Africa which ultimately would limit their ability to grow out of the early 1900’s image of the continent. This is why I place so much weight on the shoulders of those of us who live and work abroad to act as ambassadors and communicate our experiences constantly. One might say that the Vogue spread is just poor execution, however, the underlying theme is the real problem. The campaign to re-brand Africa has to take place both on the continent and abroad in order for it to be a success. It’s a tough job but the alternative is worse.

more images via imnotobsessed
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Dior puts a little soul in it’s Marrakech Express

Alek Wek on Dior Cruise 2008 NYC runway Alek Wek's shoes on Dior Cruise 2008 NYC runway

On Monday evening, designer John Galliano showed his Christian Dior Cruise 2008 collection in New York City. Going into the event I expected the normal couture runway spectacle, including the absence of anything or anyone African (or black). I was delighted to see though that Galliano did his part to at least acknowledge the diversity of the times by including Alek Wek and “it girl” Chanel Iman. While the collection and scenery channeled the 60’s-era, the Parisian fashion house designs and choice of music impressed me with it’s updated view of what luxury lifestyle is today. While the inclusion of only two ethnic models in a show themed “Marrakech Express” is not the best case scenario (hellooo! Moroccans have a unique African culture), I am happy to see that the trends I observed in last season’s shows is not catching on throughout the industry. Hopefully more African models can soon get a chance to lend their authenticity to couture runway shows. Ethiopian supermodel Liya Kabede was also in attendance.

Africans on TIME’s 100 most influential people list

Youssou Ndour TIME influentials 2007TIME magazine has released it’s annual picks of the 100 most influential men and women whose power, talent or moral example is transforming the world. The list is broken up into groups of Artists & Entertainers, Scientists & Thinkers, Leaders & Revolutionaries, Builders & Titans, Heroes & Pioneers. Here are the Africans who made TIME 100 most influential people list. The African country represented and the categories they appear in are in parentheses.

New magazine changing image of African women

Kitu Kizuri MagI’m an avid reader of publications both online and offline, so when I came across this new African women’s magazine called Kitu Kizuri at Barnes and Noble, I was intrigued. Having already been in contact with the editor for a feature on myself and Annansi Clothing Co. in the “American Dreams” section, I kind of had an idea what the magazine was about anyway. But, when I finally found a copy hidden in the women’s interest section, I was impressed. While I’m sure there are other African women’s magazines available, I felt that Kitu Kizuri was on point with it’s focus and content. Being an African man, I might not be in the target market, but the articles gave me a good glimpse of what is on African women’s minds. Just the kind of insight I need for when I’m designing my upcoming women’s collection. Make sure you check out the magazine and SUBSCRIBE!! It’s only $20 per year and I’m sure you’ll agree that we need more magazines like this one to help shape a new African image. Congrats on the launch guys.

This week in African Style 4/7 – 4/13/07

Maasai herdsman/model talks Gisele Bundchen, American Express, and maintaining maasai culture

<img id=”image289″ src=”http://annansi.com/blog/wp-content/uploads/2007/03/amex_red_ad.jpg” alt=”Amex RED ad” align=center”/>
In the news this week were features on the previously unknown Maasai herdsman who appeared with Brazilian supermodel Gisele Bundchen in this ad for American Express’ new card for the much-criticized RED campaign. Having seen the ad quite a few times in fashion magazines such as Vogue, I often wondered what the effect on the Maasai man had been. Here now, the Maasai herdsman is making news in multiple media outlets telling his story about his experience. What makes the story worth noting is that the herdsman, though having been paid $5000 for his efforts – an amount five times the annual wages in Kenya – has chosen to return to his life in his Maasai village. “To be honest all I was thinking about when I was with this woman was my cattle and goats,” Keseme Ole Parsapaet told The Associated Press, confessing to sleepless nights worrying about who was looking after his herd. Now that’s love for life and culture. How many of us would have taken the money and abandoned our simple lives.

“It is a good experience to work and make some money, but I believe people should be proud of their country… one should always return,”
– Keseme Ole Parsapaet

Selling African culture Bollywood-style

Bunty Aur Babli movie posterReading this article about Bollywood and the brand new Kenyan film commission has me thinking about the African film industry and how it can grow. As some of you might already know, for the past year I’ve been consulting with the African Film Commission in developing and promoting the African film industry. This article about the Kenyan Film Commission’s growing relationship with both Hollywood and Bollywood has got me thinking about what impact Indian film and culture has been on my own African experience and how African countries can learn from Bollywood in marketing themselves. Growing up in Liberia I cannot remember a time when Indian film and culture were not a part of our daily experience. At that time (before cable and satellite) television was scheduled for a short time daily and the second main source of programming content, besides American films, was Indian dramas. Similar to Saturday Karate flicks in the US, Bollywood movies were a much anticipated indulgence of my daily childhood TV viewing. While I never always understood the context of the movies (same as with the American imports), the general themes of love, deceit, and camaraderie were familiar to all us Africans. We even adopted some of the sayings and mannerisms we saw in the films. Now with the Bollywood industry growing exponentially and reaching into Africa for inspiration, the relationship we Africans have with one of India’s greatest exports deserves some analysis.

Similar to Hollywood, as Bollywood has grown it has come to depend on Africa for production resources and content inspiration. What makes the Bollywood-Africa relationship interesting is that the Bollywood audience couldn’t be farther removed from Africans. For the most part Bollywood films are targeted to South Asian audiences though it continues to widen. Beyond the exoticism of the films, it is hard for someone who is unfamiliar with the culture to understand certain concepts without knowing the cultural reference. And though the films have adopted a global appeal, they are innately cultural. The fact that Bollywood movies can maintain their cultural perspectives and still appeal to different culture is a perfect example of how African cultures can export content that promotes their culture. I think Kenya is getting it right in organizing and creating a structure to nurture this relationship with foreign film companies to create a brand image, promote tourism, and inject foreign money into their economy. The lesson in this article for other African governments is that there are rules and procedures which, when implemented, will allow us to re-brand ourselves and promote our cultures to the world. And without certain structures such as a government created film commission, it becomes a free-for-all and stands to be ineffective in promoting tourism. Part of what makes India one of the hottest business destinations is the country’s ability to learn the rules of global business, create/maintain structures that encourage foreign investment, and – through their film industry – promote the uniqueness of their culture. I hope other countries look at the benefits of the business model Kenya is trying to implement and realize that they too can reap the benefits of such a relationship. They just need to understand how the game is played.

My Brother, the movie

My partner Dante (Mixtress X, Jungle Crooks) dropped me a line to tell me about a movie I need to check out called My Brother. I’ve been hearing a lot of buzz about this movie and knowing that a fellow African is working on the project makes it all the more interesting. Check out the trailer below. My Brother opens today in the US.

Minding my business

Kofi at the H2O Film FestivalI know, I know I haven’t posted anything since Friday and surely there are new developments in the world of African fashion, entertainment, business, politics. But I’ve been running around trying to organize things for the re-launch of my clothing line, Annansi Clothing. Even-though I haven’t gotten the chance to express my views on Oprah’s problems with her new school and Anglina Jolie’s tears for Africa here as yet, I’ve been keeping up with the developments as best I can. I’m feeling organizational these days and the 65-degree weather in NY is getting me focused on getting my business ready. In the last few days I attended an apparel convention in Atlantic City, consulted with my friend, mentor, and fellow designer Arlinda (Sofistafunk Skirt Co.), and tried to track down my company’s features in The Source Magazine, T-World Journal, and my interview on WorldSpace’s Flava hip-hop show. I tell you, running your own clothing company is not as easy as it seems, and doing it all myself is definitely not the best way to proceed, that’s why I’ve resolved to get a team of interns. Over the years I’ve seen many designers get eaten up by the grind of running a clothing label by themselves, and I certainly don’t want to be a statistic. I think more than creating designs, and connecting with the many people who “get” the direction I’m trying to go in, many creative people neglect the business aspect. We are usually drawn to the fashion industry because of the “lights, camera, action” image of it, but the industry is highly complex and it takes a lot more than talent to grow in it. So while I love reading and writing about the goings on in the progressive African community, I think it is equally important to play an active role, and to do so my business must be intact. I never want to be that person who complains and criticizes others’ decisions without going through the process myself. And nothing shapes your perception more than walking in someone’s shoe’s to understand the reason they make certain decisions. Of course this speaks directly to outsiders’ criticism of Africans and African business as well. On that note take a look my new website and check out the March 2007 issue of The Source Magazine on newsstands for some information about my clothing line. Your comments, good or bad, will be greatly appreciated.