“Africa Rising” festival brings JAY-Z, Rihanna, Alek Wek to Nigeria & Washington DC

Friday was the kickoff for Nigeria-based media company THISDAY’s 3rd annual festival titled “Africa Rising”. The star-studded THISDAY Music and Fashion Festival at the THISDAY Dome in Abuja, Nigeria featured performances by Jay-Z, Rihanna, and Usher. The fashion portion of the festival featured models Naomi Campbell, Tyson Beckford, Alek Wek, Oluchi, and designers Chris Aire and Ozwald Boateng. The annual festival which is “focus on finding ‘sustainable solutions’ rather than the ‘problems’ facing Africa”, will be making it’s international debut with stops in Washington DC’s Kennedy Center on August 1 with Beyoncé and Seal as headliners, and in London on October 14. THISDAY has some 700 staff members in 38 offices across Nigeria. It also maintains a bureau in Washington DC, from which it provides news on Africa to a variety of global news organisations and agencies across all platforms- from online to broadcast.

“Right now the international community seems to be dealing with the symptoms not the problems of Africa. The symptoms are poverty and disease, but the problem is lack of social and physical infrastructure. This initiative is to highlight the need to focus sustainable solutions on the problems through massive investment in infrastructure and microfinance in order to rebuild Africa from the ground up. Europe is what it is today because after World War II the ‘Marshall Plan’ took hold. It did not deal with poverty, it focused on rebuilding Europe.” – said media mogul Nduka Obaigbena, THISDAY’s Editor-in-Chief.

The “Africa Rising” event “tour” reflects a rapidly growing trend in the Africa-focused aid sector: African’s creating products with a sustainability focus targeted to both African and international consumers. I’m eager to see what the attendance numbers are for the UK and US events.

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The REALLY simple celebrity life

As much as we hate to believe it, Africa is still the charity case of choice for celebrities looking to get public sympathy. Time and time again the African brand gives instant credibility and humanizes the privileged and their brand image. With every case in the news I am reminded of how much work we still have to do to get to a point where the African brand means more than charity. As serious as the work may be, humor is always welcome. (via AfricaBeat)

Paris Hilton Rwanda poster

African family adopts Britney’s kids!, Slate.com

Britney Spears child fallSlate posts a hilarious story on a Malawian family’s adoption of Britney Spears’ children. A must read!

“Los Angeles, where the Federline children have been living, is one of the richest cities in the world, trapped in a seemingly endless cycle of depravity, narcissism, and veganism. Nearly 27 percent of the children in Los Angeles suffer the misfortune of having celebrity parents. Mr. and Mrs. M were stunned by the deplorable conditions these victims live in. Children are subject to verbal abuse via cell phone, and babies are dangled over balcony railings. “Fathers kill mothers, and then put out badly written books about it,” Mr. M said. “And the names these children must bear,” said Mrs. M. “Apple, Fifi Trixibell, Fuchsia, Moxie CrimeFighter, Pilot Inspektor, Sage Moonblood—what kind of future can these poor children have?” – Slate.com

Thanks to Afromusing for the link.

Annansi Notes: Fall Out Boy, Mandela, Clint Eastwood, African babies, Facebook in Kenya

  • Fall Out Boy head to Africa….Uganda really (What’s a rock band’s image without an African charity connection. Shout out to director extraordinaire Alan Ferguson) )
  • Clint Eastwood will direct Morgan Freeman and Matt Damon in a new Nelson Mandela movie “The Human Factor” (The Hollywood/Africa trend grows. They should expect a call from some concerned Africans real soon.)
  • Facebook is the new office fashion in Kenya (Rupert Murdoch needs to get the Myspace/Wall Street Journal thing sorted out fast)
  • Actress Mary-Louise Parker adopts a child from Africa (Can all these African childrens’ biological families get visitation visas now?)

Liya Kebede #11 on Forbes’ list of world’s richest models

Liya Kebede on Forbes' earners listForbes Magazine has put together a list of the “Top Earning Models in the World” according to estimated earnings over the past 12 months. Ranking at #11 is 29-year-old Ethiopian beauty, Liya Kebede, with $2.5 million earned. A ground-breaker best known as the first black model in Estée Lauder’s history, Ms. Kebede, though not as high-profile as her counterparts, has maintained a successful career appearing in campaigns for brands as diverse as H&M, the Gap, Anne Taylor and Givenchy.

Top models like those on our list still bank millions, but only once a multiyear contract is secured. The days of $10,000 runway fees are over. Top models don’t even do runway. It’s considered an internship process for the hundreds of anonymous 15- and 16-year-old foreign girls who swarm the runways of New York, Paris and Milan each season. They do 70 shows in six weeks and are paid about $250 an hour their first season.

A good hardworking model can make $200,000 a season. But chances are that model, once the season is over, will never be seen or heard from again. – Forbes

To compile it’s list, Forbes also took into account the “relevancy” of the model–determined by recent campaigns, editorials, fashion magazine covers and the opinion of those in the industry. Gisele Bundchen tops the list at $33 million, with Kate Moss ($9 million), Heidi Klum ($8 million), Adriana Lima ($6 million) and Alessandra Ambrosio ($6 million) rounding out the top five slots.

The Paris Hilton effect on Africa’s development

Paris Hilton Vanity Fair africaWe live in a celebrity-powered society. I don’t like it, but it’s the truth. Whoever said everyone will get their 15 minutes of fame, was way off. It seems like the expiration date on fame is being extended longer and longer. Fame in itself is not a bad thing, however, the individualism, it comes with in today’s society is another story. With all the reality show mania and with reputable organizations paying talentless people like Paris Hilton ridiculous amounts of money for an appearance, the American culture of celebrity and individualism is playing an even bigger role in how and where money is spent in business. But if this the nature of the world we live in, where do Africans, and our culture of community and modesty, fit in?

Certainly all African’s are not so modest. However, our definition of celebrity and entitlement is definitely different from the West. Many would argue that the American definition of celebrity is based on fantasy while the African definition is based on reality. Where western celebrities are celebrated apart from the community, African celebrities are celebrated for their effect within the community. Is either definition right or wrong? Who knows, but when one dominates the other in global influence, a problem arises.

What does this have to do with business, money and Africa’s opportunities? Everything, I would say. One of the biggest problems Africans have with getting their stories told particularly in the media is that we still do not really understand how western media works. Take the picture of Paris Hilton to the left. Paris Hilton who represents, the epitome of America’s celebrity culture – and hence influence – holds a Vanity Fair Africa issue with Oprah – another more talented and influential American celebrity – on the cover. While the whole scene was definitely staged by Paris’ pr reps, it’s a classic example of the role celebrity plays in American culture. Follow me for a moment. Bono campaigns for more money to go to African aid. He recruits Oprah Winfrey, among others, to draw attention to the cause. Bono then sells the the idea to the Vanity Fair editors who stand to have multiple celebrities in one issue (celebrity faces sell glossies, especially fashion ones) and the issue is produced. Paris Hilton, then picks up the issue in her attempt to clean up her post-jail image, and in turn further sells Bono’s Africa campaign to insecure suburban teen-aged girls everywhere. Suburban American families, (with disposable income) then put money into Bono’s Africa campaign. This is the power of celebrity in American economics. While we Africans argue merit and talent, Bono continues to play the celebrity game to influence the flow of money. Many of us argue there should have been more Africans on Vanity Fair’s covers, but while Wole Soyinka is a talented man with accolades to boot, he has no influence over the people spending the money, and so he is regulated to a group feature towards the end of the magazine.

Further evidence of the power of celebrity, can be seen in the media coverage of the recent TEDGlobal conference in Tanzania. In her excellent piece about the event, Jennifer Brea, writes about the circumstances surrounding Bono’s heckling of Andrew Mwenda. The fact that Bono can have so much power as to bump George Ayittey‘s presentation of his perspective, heckle another presenter AND practically be the only one of 50 or so presenters over the 4 day African conference covered widely in the press illustrates the power of celebrity. The same issue about the difference between western and African celebrity was raised on the Africa media blog, with a reader asking

“Given the advances in technology that now allow citizens of any country to directly access the popular culture of another country (e.g. music, films, art), why do people living in the global north continue to receive more information about situations in Africa from the few Western celebrities “caring about Africa” than from the many African ones trying to push the same message? (Why do people seem to be more influenced by their similiarity with the source than the source’s actual level of expertise/connection with the cause?)”.

To this Melissa Wall of the Africa Media blog answered, “The West or North dominates global media structures and flow (much research has documented this). More specifically, reporters often have to go with the easiest-to-access sources. A Western celebrity with an entourage of handlers and PR flaks is a lot of easier to get a juicy quote from. Enlarging the Rolex is difficult.”. It all boils down to familiarity, which translates to celebrity which in-turn motivates spending. So if we Africans want access to the money which brings the opportunities we need, we have to do a better job of understanding the power of celebrity from the western perspective. As important as talent is – and it IS important – celebrity trumps talent. Sad but true.

Hip-hop’s African ancestry at Odyssey Awards

Beverly Fab5 and Kofi at H20Last Saturday I attended the 5th Annual Hip-Hop Odyssey (H2O) Awards, held at BB Kings in New York City. Organized by the Hip-Hop Association, the awards ceremony recognized today’s hottest Hip-Hop filmmakers, industry professionals and pioneers. The event always features appearances and performances by Hip-Hop heavyweights. This year’s event, as usual, was packed with many of the individuals who have played a major part in shaping the hip-hop landscape including, artist/entrepreneur/hip-hop personality Fab 5 Freddy (that’s him in the picture standing in front of me as we listen to DJ Beverly Bond speak about YO! MTV Raps’ late producer Ted Demme), Ice-T (who gave an excellent acceptance speech about staying true to oneself), Dana Dane, Grand Wizard Theodore, (Dr.) Roxanne Shante, Ralph McDaniels (Video Music Box), The Cold Crush Brothers, Chubb Rock and much more.

One thing I’ve always enjoyed about the awards and the preceding H2O International Film Festival, is how the organizers (Martha Diaz, Rolando Brown etc) make a conscious effort to show the influence of African (and international) cultures on the growth of America’s hip-hop/urban culture. A few years back, besides the performance by the Nomadic Wax Global Hip-hop All-stars’ Chosan (Sierra Leone) , Eli Efi (Brazil) , and El Gambina (Korea), the festival grand prize went to Hip-Hop Colony, a film about the African hip-hop explosion – now on DVD. This year Hip-Hop Colony’s Kenyan director, Michael Wanguhu, was on hand to present an award. To further encourage the hip-hop generation to connect with Africa, this year’s awards was sponsored by and involved a presentation by popular DNA lineage identification company African Ancestry Inc. Some of you might remember that African Ancestry Inc. was the company behind VH1’s Spike Lee-directed February (Black History month) spot which promoted a stronger connection between African-Americans and the African continent through DNA swab testing. African Ancestry’s President, Gina Paige, was on hand at this year’s H2O Awards ceremony to present the evening’s host, Paul Mooney, with his personal DNA test results. Upon revealing that Paul Mooney’s lineage goes back to Guinea-Bissau (I don’t remember which specific ethnic group was cited), Gina Paige presented Mr. Mooney with a folder containing the details of the tests as well as a t-shirt with a Guinea-Bissau logo. A very nice touch.

African Ancestry offers a great solution for African-Americans looking to re-connect with their African heritage. With the DNA procedure gaining popularity and support from African-American celebrities like Oprah, Whoopi Goldberg, LeVar Burton, Chris Tucker, Chris Rock, and Isaiah Washington – who also holds a seat on African Ancestry’s Board of Directors -, and media outlets from ABC’s Good Morning America to PBS championing the efforts, African Ancestry has already begun to solidify the link between African-American and African cultures.

Top African-American talent plan trip to African Union Summit, Ghana

African Union Summit Hollywood Group

On Friday, June 15th, some of Hollywood’s most influential African-American talent got together at the Four Seasons in Beverly Hills, California for a panel discussion on promoting African-American interest in Africa. The meeting also served to organize a trip to attend the 9th Annual African Union Summit in Ghana next week. The gathering was organized by designer Ozwald Boateng, and included Jamie Foxx, Chris Tucker, Mos Def, Herbie Hancock, James Mathis, and Isaiah Washington – whose Gondobay Manga Foundation was started after he discovered that he is genetically linked to Sierra Leone’s Mende people. During the African Union Summit, held in Ghana from 25 June – 3 July 2007, 50 influential African-Americans will meet with the 53 attending African presidents to discuss the continent’s future. The African Union Summit’s ultimate goal is of full political and economic integration leading to the United States of Africa. It’s good to see African-Americans playing an active part in planning Africa’s future.