Last week in African Style 2/3 – 2/9/07

• From child soldier to rock star.

• West African ‘Idol’ holds auditions.

• Business schools put Africa on the curriculum.

• ‘AFRICA UNITE’ to debut at New York African Film Festival

• Black History Month in Europe.

• The Impact of Immigrant Entrepreneurs.

• Whoopi Golberg, please come home to West Africa.

• Oprah’s 1-hour special about South Africa girls school experience.

• Mia Farrow travels to Africa for UNICEF

Vote for Wanlov

Wanlov in Bing is Dead t-shirtBack in 2004 I organized a party to celebrate the launch my Spring/Summer 2004 collection. The collection was based around the Nigerian singer/Afro-beat originator Fela Kuti, an innovative musician who dared to re-invent African song. My launch party, called “Redefining African Style”, featured some upcoming African musicians who I felt were creating a new sound which also re-defined what African music was today. One of those artists was a fellow Ghanaian Wanlov The Kubolor. While I hadn’t seem him perform before, I was a fan of his music and was honored to have him perform as a special guest. Wanlov’s performance was one of the highlights of the Redefining African Style party and still stands out in the minds of many attendees. Wanlov’s “Never Die”(produced by Kweku Ananse of Pidgen Music) is now a finalist in the International Songwriting Competition finals. The finalists were chosen out of almost 15,000 submissions from 88 countries worldwide. Read Wanlov’s recent interview in The African magazine and watch the video below to see him performing his song “In Ghana” wearing his “Bling is Dead” t-shirt at last years “Bling & Blood” concert. You’ll agree that the guy’s got skills. Vote for Wanlov, one of Africa’s upcoming young innovators.

Darfur at NY Fashion Week

Mal Sirah Designers for DarfurSo I finalized my Fashion Week schedule the other day and, while I won’t be showing my clothing line this season, I am excited about the shows I’ll be attending. The week will definitely be an exciting one, as I am scheduled to work with some wonderful mens and womens designers. One show that I’m looking forward to attending though is the Designers for Darfur show taking place on Friday February 9th. Designers For Darfur, was founded in 2007 by designer Malcolm Harris of Mal Sirrah and model Lydia Hearst-Shaw (One Model Management) in association with Fashion Television and Steve Madden, Inc. The event is aimed to raise funds and awareness on behalf of the Save Darfur Coalition. The organizers have gotten a exciting list of designers to create one complete ensemble in Red, Yellow, Green or Black (or any combination of these symbolic colors of Africa) to be featured in the fashion show at Roseland Ballroom. Confirmed participating designers are Chado Ralph Rucci , Steve Madden , Donna Karan , Catherine Malandrino , Rachel Roy, J. Mendel, Michael Kors, Naeem Kahn, Alice & Olivia, Carlos Miele, Joseph Abboud, Marc Bouwer, Nanette Lepore, Carmen Marc Valvo, and Mal Sirrah among others. And those are just the designers. Oprah Winfrey, Joss Stone, Roberto Cavalli, Kanye West, Mia Farrow, Maria Bello, Don Cheadle, and Russell Simmons, are scheduled to attend; but the big question is will George Clooney, a serious advocate for US intervention in Darfur, make an appearance? I’ll let you know. Kudos to the organizers for closing out the week on a good note.

Trace: 10 years and Iman’s “I Am African” campaign

Kelis on Trace MagazineI recently picked up the 10-year anniversary issue for one of the most consistently inspiring magazines, Trace Magazine. For as long as I can remember, the editors at Trace have been putting out quality , insightful product, while reporting on unconventional people and places. One of Trace’s strongest points is in it’s ability to highlight style as it exists in different parts of the world. The magazine was one of the first publications which I found that represented Africa in a modern, stylish manner. It might have to do with the founder/editor Claude Grunitzky’s Togolese background or his understanding of what he calls “transculturalism”. He says, “Modern transculturalists are people who can move and learn and function by discovering and influencing cultures that are not their own”, and that has been the focus which has enamored the magazine to progressive people all over the world. They’ve been able to stay relevant for 10 years now and still keep their edge. In the publishing industry, that’s an enormous feat. The 10-year anniversary issue includes an interview with supermodel/entrepreneur Iman where she expands on her feelings about the “I Am African” campaign controversey. Congratulations guys on another inspiring issue.

This week in African Style 1/20 – 1/26/07

• Oprah Winfrey defends her South African school in open letter.

• Dakar Rally takes drivers through Portugal, Morocco, Mauritania, Mali and ends in Dakar, Senegal.

• Bill Gates and Africa’s green revolution.

• Fashion Television reports fromCape Town Fashion Week Spring 2007

• The World Economic Forum is under way in Davos, Switzerlad and the World Social Forum gets under way in Nairobi Kenya.

• China’s President on tour to teach Africa how to fish.

Do immigrants work harder than native borns?

The Wall street Journal’s Sara Schaefer-Munoz points to a recent Financial Times column on immigration which mentions a private wealth manager who says that foreign-born recruits to his company are more motivated than his own children. This raises another point to the notion of illegal immigration raised by fashion designer Antonio Miro’s recent runway show. The columnist talks about how immigrants do their best to assimilate into their adopted country and work diligently to make a life for their children, all while maintaining their cultural identity. I’ve copied and pasted the article below for convenience. A very good read.

The new model Americans
By Chrystia Freeland, January 20 2007
When I was 10 years old, a group of actors came to our school and posed as would-be immigrants. We children were given the role of immigration officers, with a quota of immigrants we could admit and a list of desirable characteristics in new Canadians. We had to decide who could come to our country – and who couldn’t.

The idea, I guess, was to teach us to identify with would-be immigrants. It worked. Indeed, the actors’ stories were so moving that we children were spurred to political protest. Immigration quotas were wrong, we declared, and we intended to admit the entire group.

In the decade and a half I spent working in a Europe struggling with the basic concept of integrating people from somewhere else, I liked to think of my childhood indoctrination as a symbol of North America’s different attitude to huddled masses, yearning to be free. Now that I’m back, I realise it is not quite so clear-cut. I am reminded of the New World’s own ambivalence whenever I cross the US border, as I did last Saturday at Newark Airport, where I was fingerprinted, photographed, questioned and, at last, reluctantly admitted, by an official who seemed anything but immigrant-friendly.

The same is probably true of the marketing managers at Toys R Us, whose classic new year promotion got fouled up by the country’s confused attitudes towards new Americans. Yuki Lin, born in New York at the stroke of midnight, was initially declared the winner of the $25,000 savings bond the toy chain promised to the US’s first child of the year. You might think that Ms Lin, who like six out of 10 New York infants was born to immigrant parents, made a particularly apt victor. But then someone discovered that her mother was not a legal resident. Toys R Us decided that the little girl was disqualified.

A Chinese-language newspaper reported the story on its website and a Chinese-American corporate lawyer took up Yuki Lin’s cause. By January 7 Toys R Us had relented.

The drama ignited the blogosphere. One popular line of argument was captured by a self-described grandmother of five: “Most Americans realise we all were immigrants at one time in our history, some legal, some illegal.” This is the central fact about the New World and one I have been reminded of as I read Mayflower, the new history bestseller. The Mayflower voyagers are quintessential immigrants: “We think of the Pilgrims as resilient adventurers upheld by unwavering religious faith but they were also human beings in the midst of what was, and continues to be, one of the most difficult emotional challenges a person can face: immigration and exile.” Nathaniel Philbrick, the author, says that roughly 10 per cent of today’s Americans can trace their descent to the Mayflower. But, as his account suggests, it is Yuki Lin’s parents with whom those hardy early settlers might actually have more in common.

Indeed, at least in the view of some Americans, the country’s truest citizens are those who have just arrived. One of the Toys R Us bloggers wrote that over the past five years his “red-neck white trash” neighbours had been replaced. ” . . . 14 houses on my street, not a one of them occupied by native-born Americans”. The result, he said, was that a street that had once been visited by police every day had become peaceful.

“Rowdyruffian’s” anecdotal account is at odds with popular fears about the connection between immigration and crime. But a study of crime in Chicago between 1995 and 2002 by Harvard’s Robert Sampson found that violence among Mexican-Americans was significantly lower than among both non-Hispanic whites and blacks.

You could call this perception that newcomers behave better than the locals “immigrant envy”, and you can find it in fancier circles, too. At a dinner party I recently attended a Manhattan private wealth manager complained that his children lacked the drive and the work ethic he saw in the young, foreign-born recruits to his bank.

Even as they struggle outwardly to assimilate, some immigrants themselves worry about maintaining their outsiders’ edge. That is the fear of Yelena Petrovna, the Russian immigrant mother in Gary Shteyngart’s novel The Russian Debutante’s Handbook, who excoriates her under-performing son for failing to best the “stupid native born”. I suspect my foreign-born parents have had moments of similar concern. As my two daughters – now two generations beyond the immigrant experience – start school, I start to worry, too.

My PTA has invited me to a lecture on how we are “Crazy Busy – Overstretched, Overbooked”. I was tempted to go. But then I came across this quotation, in Mayflower, from the Pilgrim travellers: “We are well weaned from the delicate milk of our mother country and inured to the difficulties of a strange and hard land.” They sounded a lot like my own immigrant grandparents, who were far Crazy Busier than I am but didn’t spend much time complaining about it. Nor, I am prepared to bet, do Yuki Lin’s parents. I might be one of the “stupid native born” but my new year resolution is to try to act as if I’ve just come off the boat.

Illegal Senegalese immigrants model in Spain

 Antonio Miro's  2007 runway illegal immigrantsIn a “show of solidarity toward immigrants” Spanish fashion designer Antonio Miro caused a stir during his Fall/Winter 2007-2008 fashion show in Pasarela, Barcelona yesterday, by allowing eight Senegalese illegal immigrants to model his collection. Mr Miro, who has featured prisoners in past shows, said he wanted to draw attention to the migrants’ plight. The show also featured a battered boat, commonly referred to as a cayucos (crowded open boat), similar to the ones that transport thousands of Africans to the shores of Spain’s Canary Islands each year. At least half of almost 30,000 illegal arrivals in Spain’s Canary Islands, off West Africa, in 2006 were Senegalese. Though Mr. Miro paid some of the immigrants for the work, featuring them has immigrant rights groups divided. Representatives of Senegalese immigrants have called the move frivolous and say the designer is celebrating the dangerous trip the migrants take. Pro-migrant groups though says it’s good that someone other than NGO’s denounce the situation the immigrants are going through when they come by boat to Spain. What do you think?

Via Fashion Week Daily

LA Times: Hollywood’s dark approach to African films

DiCaprio and Hounsou in Blood DiamondThe LA Times has an insightful op-ed piece written by Joe Queenan a writer who has written for Barron’s, the New York Times Book Review and London’s the Guardian. The piece titled “Tarzan’s children: Why movies about Africa require white saviors” sheds some light on what Joe calls the “Just Let Bwana Do It!” series of Hollywood films which include “the Constant Gardner” and “The Interpreter”. Mr. Queenan echoes some recent criticism of the movie “Blood Diamond” about the movie’s focus on the Leonardo DiCaprio character instead of Djimon Hounsou’s character, who the story revolves around. Queenan also brings up some points about how some Africans see the West’s influence on their communities.

This week in African style, 1/6 – 1/12/07

• Will Smith plans to move to South Africa:

• Wesley Snipes wants more Africans making films

• Chris Rock vows to help Kenyans

• Yale puts African art on a pedastel

• DiCaprio adopts a South African girl. Thats one way to open the door to immigrants

• George Clooney advocates for Darfur with film

• Adoption groups criticize Angelina Jolie who criticized Madonna who thinks EVERYONE should adopt an African baby.

• Vh1 gets Bling’d for the United Nation on February 22