A recent British newspaper, The People, announces that Madonna might be looking to adopt a child or twins from one of her favorite African countries, Malawi. First there were rumors of her adopting a whole village and now it’s back to a child or two. Whatever the “truth” is, it is certain that Madge -as the brits call her- has her sights set on the the small African country. But the question is is this yet another publicity stunt or are she and hubby Guy Ritchie serious about providing a child in need with the care necessary to build it’s future. Whatever we might say about them Brad Pitt and Angelina Jolie, they are turning into the poster parents for adoption and are making a good effort to provide what the each of their children needs. Even I was skeptical about the adoption of Ethiopian baby Zahara. But with Brad Pitt endorsing Carol’s daughter’s products as a good way to care for black hair in the October Esquire magazine, the couple seem sincere. If the Madonna adoption rumors are true maybe she’ll consult Brad and Angelina or maybe even an African couple.
Songstress Goapele Receives Activism Award
For those who don’t know, get familiar with this songstress. Goapele (the name means ‘to move forward’ in Sitswana, a South African language) has been doing her thing for a while both on the music and political front.
“The Bay area-based Ella Baker Center for Human Rights will honor neo soul singer Goapele with its first ever “Human Rights Cultural Hero Award” next month.
Known almost as much for her political activism as for her smooth voice and groove-driven music, the singer will accept the award on September 12 during the Center’s 10th Anniversary Celebration, “Tribute to the Dream.†– Vibe
Can hip hop change Africa?
While many hip-hop fans in the US have started feeling that hip hop is dead, it’s becoming clearer that there is a totally different sentiment in other countries. A major reason for the pessimistic feeling of the US hip hop fans is the commercialization of hip hop culture and the preference for rap which, without the other hip hop elements (graffiti, breakdancing, dj-ing etc), loses all reference and meaning. Gone are the days when there was a balanced view of urban life through hip hop. As major media outlets have welcomed/accepted the art form many US artists have have become comfortable and have lost their focus. The hijacking of the rap element of hip-hop culture has resulted in corporations like Viacom (MTV, VH1) creating a rap culture which has no purpose and looks outside of itself for direction.
But take a trip to any major African country like Senegal and Kenya and you’ll find the music as it once was in the USA. Because of the newness of the music form to Africa and the growing accessibility of it, hip hop is now the voice of the new generation of Africans. What is amazing about the music is how the youth have begun to adapt and use it as a vehicle to change the world around them. More than an entertainment form hip hop is now the standard among young people and as they become more empowered, they put it in song. The accessibility of technologies like video, internet and mobile phones have provided them with the resources they need to connect to one another in real time and develop a unified voice. With all the problems that ail the continent the youth are attempting to make the much needed changes themselves.
I attended a forum last week at The Rotunda Gallery (Brooklyn, NY) put together by my friend Ben of Nomadic Wax records about this particular subject. The conversation was an excellent one with a panel featuring MC’s Chosan (Sierra Leone), Saba Saba aka Krazy Native (Uganda) and poet and activist Toni Blackman. What became evident through the discussion was that the African hip hop movement is a potent one which sees community and social issues as it’s focal point. African hip hop artists are taking the blueprint of US groups like Public Enemy, Eric B. and Rakim, and even Tupac Shakur mixing it with national pride and using it to push their community forward. A recent Reuters article discusses how Senegalese rappers have been able to influence government in the past. Whether by inspiring others or taking the reigns themselves, the artists are hopeful for a new Africa. But the question is will the art form survive the corporate and governmental assaults? I would hope so
Info:Spine Magazine
Diamonds are not Africa’s best friend
For the past year and a half the issue effort to stop the trade of conflict or blood diamonds has been kicked into overdrive. With mounting pressure from the UN and many humanitarian organizations especially Amnesty International, diamond manufacturers and retailers have been under severe pressure to clean up their act. Having lived off the sweat and blood of exploited miners for years, the issue was recently exposed when hip-hop artist Kanye West released “Diamonds from Sierra Leone” from his album Late Registration. With an intro from Sierra Leonean hip hop artist Chosan, the video was a powerful one which used images such as a woman’s hand turning to blood when her suitor placed an engagement ring on it.
With many grassroots organizations doing their part to force diamond manufacturers to stop making a profit off of wars in places like Sierra Leone and Liberia, the controversy is about to be thrust into the spotlight yet again with the December release of Warner Bros.’ “The Blood Diamond” starring Leonardo DiCaprio (Titanic, The Aviator) and Djimon Hounsou (Amistad, The Island). While films such as Kareem Edouard’s Bling: Consequences and Repercussions do a good job on highlighting the diamond manufacturers’ reliance on consumer ignorance, “The Blood Diamond” is a fictional Hollywood-style movie which could either help or hurt the international effort to make DeBeers and others accountable. All reports, though, point to the movie glossing over the issue altogether. We’ll see in December.
Making Mali Music
The NY Times recently published an excellent article on the Malian music scene and it’s growth beyond it’s borders.
“A Malian music boom that began in the 1990’s, when the soulful vocalist Salif Keita and the singer-guitarist Ali Farka Touré achieved international stardom, has brought an influx of tourists, record producers and aspiring musicians seeking to emulate the stars’ successes. (The news of Mr. Touré’s death on March 6 from cancer resonated around the world.) As a result, Bamako has become a meeting place and incubator for West African talent, and one of the best places on the planet to hear live music.”
This year’s Grammy Awards featured two Malian albums in the Best Traditional World Music Album category. Ali Farka Touré & Toumani Diabate’s win against fellow Malian Mamadou Diabate for their album In the Heart of the Moon,” goes on to re-enforce the worldwide appeal of the distinct sound and culture Mali continues to produce.
Link courtesy of The In Crowd
Indie Rock group and Nigerian frontman begin tour
Having won the Short List with his band TV on the Radio in 2004, Nigerian renaissance man Tunde Adebimpe is about to have another great year. His 2004 album, Desperate Youth, Blood Thirsty Babes, earned his band praise from artists as diverse as Morrissey, Mos Def and Trent Reznor. But this was not Adebimpe’s first time in the spotlight. His first brush with fame came with his lead role in the 2001 romantic comedy Jump Tomorrow. Jump Tomorrow starred Adebimpe as George, a young Nigerian man on the verge of being in an arranged marriage who suddenly questions his situation after an encounter with a stunning Latin woman, who is also about to be married. The film won several awards and was a critics’ favorite. Following Jump Tomorrow, the NYU film school graduate landed himself a stint at MTV (Celebrity Deathmatch) and got directorial accolades for the Yeah Yeah Yeahs’ debut video “Pin”TV”. His friendship with roommate Dave Sitek, who was also producing the Yeah Yeah Yeahs at the time, led to the formation of TV on the Radio. In 2001 they released their debut cd titled Young Liars on the Touch and Go label. But it was 2004’s Desperate Youth, Blood Thirsty Babes that catapulted the trio (with band mate Kyp Malone as an addition) to stardom.
Since their debut, Adebimpe and TV on the Radio have left indie label Touch and Go for the majors at Interscope (also home of the Yeah Yeah Yeahs). Their new cd, tentatively titled Return to Cookie Mountain, is “a collection of hypnotic, shape-shifting tunes” that has already earned raves from David Bowie whom they have also been collaborating with. You can see the Nigerian Brooklynite on tour in the US as he promotes the new TV on the Radio album due out this summer.
Check out Tunde Adebimpe with TV on the Radio in the video for their song “Staring at the Sun” from their album Desperate Youth, Blood Thirsty Babes.
Hugh Masekela past and present
South African trumpeter, Hugh Masekela is in concert in the USA this month. He will be promoting his latest cd “Revival”. Known throughout the world as one of Africa’s great musicians. Hugh Masekela was one of the first African artists to break into U.S. pop radio. If you’re into a more funky African sound check out “Hugh Masekela: The Chisa Years 1965-1976 (rare and unreleased)†which features rare, unheard tracks from the jazzman’s early years in exile in New York.
Show Dates
04/14/2006
Somerville Theatre
Somerville
Massachusetts
Somerville Theatre, 55 Davis Square. Show: 8 PM, TIX: $28-35
04/21/2006
African Heritage Celebration
Miami
Florida
04/22/2006
Cape May Jazz Festival
Cape May
New Jersey
Show: 8 PM.
For more information on the Cape May Jazz Festival, visit: ww.capemayjazz.com
Reconnecting the dots
One of my favorite DJs Rich Mediana, the maestro behind the Jump N Funk Fela party, recently released a his CD titled Connecting the Dots. One of the songs, “Can’t hold back”, has now been remixed by another one of my favorite DJs King Britt. Check it out.