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For all those in LA this week make sure you check out the Pan African Film Festival which opened on February 8th and will run unil February 19th. In it’s 15th year, the festival is the largest international black film festival in the United States. While you’re getting in all your African films make sure to check out two of my partners Saba Saba aka Krazy Native (Uganda), and Wanlov the Kubolor (Ghana) as they bring their versions of African hip-hop to the event. Check out the flyer:
Back in 2004 I organized a party to celebrate the launch my Spring/Summer 2004 collection. The collection was based around the Nigerian singer/Afro-beat originator Fela Kuti, an innovative musician who dared to re-invent African song. My launch party, called “Redefining African Style”, featured some upcoming African musicians who I felt were creating a new sound which also re-defined what African music was today. One of those artists was a fellow Ghanaian Wanlov The Kubolor. While I hadn’t seem him perform before, I was a fan of his music and was honored to have him perform as a special guest. Wanlov’s performance was one of the highlights of the Redefining African Style party and still stands out in the minds of many attendees. Wanlov’s “Never Die”(produced by Kweku Ananse of Pidgen Music) is now a finalist in the International Songwriting Competition finals. The finalists were chosen out of almost 15,000 submissions from 88 countries worldwide. Read Wanlov’s recent interview in The African magazine and watch the video below to see him performing his song “In Ghana” wearing his “Bling is Dead” t-shirt at last years “Bling & Blood” concert. You’ll agree that the guy’s got skills. Vote for Wanlov, one of Africa’s upcoming young innovators.
Today is February 1st and the beginning of Black History month here in the US. In the past I haven’t really followed the events which take place for Black History month because it had turned into just a part of big business’ marketing calendar. But this year Black History Month might turn out to be worth noting for both Africans and African-Americans. Vh1 is leading the pack with it’s debut of a 30-seond spot directed by director Spike Lee encouraging African-Americans to scientifically determine their African lineage.
The spot which debuts today (February 1st) on the VH1 soul channel will feature several African-Americans initially mentioning the American cities that they are from. The people are then featured again, holding swabs and naming the African region that their ancestors are from. The spot then encourages viewers to “take pride in their original homes during Black History Month”. The campaign feature DNA-based ancestry tests performed by African Ancestry, Inc., a company that uses swabbed DNA to genetically determine where in Africa a person’s African ancestors came from. DNA ancestry tests have gained mainstream popularity particularly through the efforts of Dr. Henry Louis Gates, Jr’s four-part PBS series “African American Lives,†which used DNA to trace the roots of Oprah Winfrey, Chris Tucker and other prominent African Americans all the way from slave plantations to the shores of Africa. Dr. Gates, a professor who heads Harvard’s Afro-American Studies program, also hosted another recent PBS special centered around tracing Oprah Winfrey’s genealogy and is releasing a book and DVD “Finding Oprah’s Roots — Finding Your Own”.
VH1 will also be launching a new music video show “One Planet. One Soul” beginning Sunday, February 4 showcasing soul artists from the U.K., Africa, Canada, Australia, including Akon, K’Naan, and Rhian Benson. “One Planet. One Soul” will air every Sunday at 10:00 am, 6:00 pm and 2:00 am.
A collectors item?
via Fashion Cult
I recently picked up the 10-year anniversary issue for one of the most consistently inspiring magazines, Trace Magazine. For as long as I can remember, the editors at Trace have been putting out quality , insightful product, while reporting on unconventional people and places. One of Trace’s strongest points is in it’s ability to highlight style as it exists in different parts of the world. The magazine was one of the first publications which I found that represented Africa in a modern, stylish manner. It might have to do with the founder/editor Claude Grunitzky’s Togolese background or his understanding of what he calls “transculturalism”. He says, “Modern transculturalists are people who can move and learn and function by discovering and influencing cultures that are not their own”, and that has been the focus which has enamored the magazine to progressive people all over the world. They’ve been able to stay relevant for 10 years now and still keep their edge. In the publishing industry, that’s an enormous feat. The 10-year anniversary issue includes an interview with supermodel/entrepreneur Iman where she expands on her feelings about the “I Am African” campaign controversey. Congratulations guys on another inspiring issue.
On Friday I picked up the February 2007 issue of Inc. Magazine and began reading the cover article on Philip Rosendale, CEO of Linden Lab and creator of Second Life. Though my initial experience with Second Life some months ago was not the best, I have been quite intrigued by it’s possibilities as a business platform. Reading stories about American Apparels successful store opening and concerts and chats by artists such as Talib Kweli, all in taking place in Second Life, has had me trying to get my head around this virtual world. I must admit that one of the reasons I abandoned my Second Life persona was I (the second life me that is) ran into a brick wall, literally, and couldn’t get around it. Funny as it may sound, that’s exactly what happened. Reading Mr. Rosendale’s explanation of Second Life the ability it gives you to create a whole new identity and/or brand extension, has got me thinking about getting over that wall.
What does this have to do with Africa you ask? Well one of the things that drew me to Second Life in the first place, besides the business opportunities, was the ability to create your perfect world as an extension of your real world. From a development perspective I see Second Life as a tool which can allow African’s to extend and re-invent ourselves in a world where anything goes. I know that sounds all Matrix-like but bear with me for a second. If Second Life can allow you to create an ideal personality, visit anywhere, and communicate with anyone without the restrictions of geography, government, or language, then it can certainly level the playing field for re-branding Africa. This is not a far fetched notion as Sweden has already announced it’s opening of a Second Life embassy. In a recent article, Mutumwa Mawere, a Zimbabwean born South African businessman, wrote “I am acutely aware that it is difficult to take nationalism out of many Africans but the Second Life offers us an opportunity to go beyond the confines of where one is born to the reality that through others a better Africa is a not a pipe dream.” This statement I guess is key in exploring the possibilities of Second Life. While I’m not one to take on a non-African personality, I think that involvement in Second Life could possibly allow Africans to realistically compete with anyone else without the limitations of the real world, and ,as Mr. Mawere, notes, possibly create a new African identity. Of course I’m saying all this from an office space in NY City with a T-1 connection, but as the global tide changes I think we all need to think outside the box and look to new ways of creating a second reality.
Last nights Golden Globe awards solidified what newspapers have been saying for months. Africa is red hot for Hollywood filmmakers. Babel, filmed in Morocco and Tunisia, won for best film and Forest Whitaker (Platoon, Good Morning, Vietnam, The Color of Money) won the best actor award for his portrayal of Ugandan dictator Idi Amin in “The Last King of Scotland”. While the two films are dramas, the diversity of the scenery in each film is a testament to the multitude of cultures and landscapes, which makes the African continent unique.
I haven’t talked much about “The Last King of Scotland” in the past particularly because I have yet to see it and it didn’t get much of a push at the box office. But Whitaker’s Golden Globe win is a clear example of the strength of the African continent as a source for filmmaking. Whitaker who has held various roles as actor, producer, and director is an unlikely star. Since appearing on screen in the early eighties, he has constantly worked on and off the screen developing projects. Those of us in the hip-hop community probably know him best for his Wu-Tang Clan association. It’s Whitaker’s quirkiness which made him an ideal candidate for the Idi Amin character. While critics claim the movie again put the white character at the story’s’ center, Whitaker’s intensity could not be ignored. I hope both wins send a rush of viewers to see the films, and push the profit numbers up. At the end of the day, hollywood is about making money, and if it doesn’t make dollars, it doesn’t make sense (to produce).
“Buoyed by the critical and financial success of movies such as Hotel Rwanda and The Constant Gardener, studios are unleashing a series of films not only based on life in Africa, but shot there as well.
The cinematic migration, filmmakers and analysts say, reflects a sea change in Hollywood’s perspective about the region, once a mystery and easy stereotype for the entertainment industry.
Gone are the safari and Africans-as-savages motifs. The new films address recent history and topical subjects from terrorism to the diamond trade to long-distance runners.” – USA Today
• Will Smith plans to move to South Africa:
• Wesley Snipes wants more Africans making films
• Chris Rock vows to help Kenyans
• Yale puts African art on a pedastel
• DiCaprio adopts a South African girl. Thats one way to open the door to immigrants
• George Clooney advocates for Darfur with film
• Adoption groups criticize Angelina Jolie who criticized Madonna who thinks EVERYONE should adopt an African baby.
• Vh1 gets Bling’d for the United Nation on February 22
So word’s in on the 2007 Grammy Awards nominees and my boy Akon is front and center. These are the categories and which he and other African artists have been nominated in. The awards ceremony will be begin at 8pm EST on February 11, 2007 and will be shown live on CBS
* African artists are in red.
Best Rap/Sung Collaboration
(For a Rap/Sung collaborative performance by artists who do not normally perform together. Singles or Tracks only.)
• Smack That
<ahref=”http://en.wikipedia.org/wiki/Akon”>Akon Featuring Eminem
[SRC/Universal Records]
• Deja Vu
Beyoncé Featuring Jay-Z
[Sony Urban Music/Columbia]
• Shake That
Eminem Featuring Nate Dogg
Track from: Curtain Call — The Hits
[Aftermath/Shady/Interscope Records]
• Unpredictable
Jamie Foxx Featuring Ludacris
Track from: Unpredictable
[J Records]
• My Love
Justin Timberlake Featuring T.I.
Track from: FutureSex/LoveSounds
[Jive Records/Zomba Label Group]
Best Traditional World Music Album
(Vocal or Instrumental.)
• Music Of Central Asia Vol. 2: Invisible Face Of The Beloved: Classical Music Of The Tajiks And Uzbeks
The Academy Of Maqâm
[Smithsonian Folkways Recordings]
• Endless Vision
Hossein Alizadeh & Djivan Gasparyan
[World Village]
• Hambo In The Snow
Andrea Hoag, Loretta Kelley & Charlie Pilzer
[Azalea City Recordings]
• Golden Strings Of The Sarode
Aashish Khan & Zakir Hussain
[Moment Records]
• Blessed
Soweto Gospel Choir
[Shanachie]
Best Contemporary World Music Album
(Vocal or Instrumental.)
• Tiki
Richard Bona
[Decca]
• M'Bemba
Salif Keita
[Decca]
• Wonder Wheel
The Klezmatics
[Jewish Music Group]
• Long Walk To Freedom
Ladysmith Black Mambazo
[Heads Up International]
• Savane
Ali Farka Toure
[World Circuit/Nonesuch]