I made it through! Fashion Week round-up

Designers for Darfur dressSo, I survived another fashion week with very little scrapes and bruises. As usual the week was hectic. Here are my observations:

• Kofi-ism #1: Never tell a model she’s sweating. Models need to be complemented only. Whatever!
• Kofi-ism #2: The only people worse off than uninvited fashion guests are the photo and video people”.
• Kofi-ism #3: Fashion is going through a black out period. Black/African models, unless Baby Phat hires you , you’re f**ked.
• Kofi-ism #4: Fashion week is over run by spectators who have no purpose but to eat, drink and be merry. If you’re not working at fashion week, please stay home. You’re killing the vibe.
• Kofi-ism #5: The days of goodie bags are over. See #4 for the reason why.
• Kofi-ism #6: There are way too many shows going on in the week. They need to be consolidated and staged in closer proximity.

Highlights of the week included Diesel’s retro punk show (Fresh!), Doo Ri’s excellently crafted dresses (I need to learn to sew like yesterday!), and Jackie Rogers’ show at Scores (Yeah baby!)

On the last day , with the last once of energy left, I left Tommy Hilfiger and walked uptown to attend the Designers for Darfur event. While the event got mixed reviews by the press, I was content with the way it turned out. Malcolm Harris and Lydia Hearst took on a huge responsibility in trying to put together this event and I think they deserve credit for that. One of the problems with scheduling a show to close out fashion week is that most people are exhausted by the last day and just ready to put the week behind them. While there weren’t as many celebrities at the event, the event did make a statement though not a huge one. The clothing was great and the vibe was on point. Though it could have been better planned to guarantee certain people be involved, I don’t share the NY Post’s Danica Lo’s opinion that it was a failure. The Designers for Darfur event reflected the general theme of the whole fashion week. Not many big name celebrities or industry vets even at the big name designer shows, a whole bunch of fans getting in the way, and shows running late and too close together.

kofi-at-hilfiger2.jpg
Tommy Hilfiger had a dope stage

Save Darfur, Steve Madden, Malcolm Harris, Lydia Hearst
Organizers: SaveDarfur.org, Steve Madden, Malcolm Harris, Lydia Hearst

Steve madden with MTV
Steve Madden interviewing with MTV

Turkish designer Rabia
Turkish designer Rabia

Designers for Darfur banner
Designers for Darfur banner

Designers for Darfur poster
Designers for Darfur poster

Kofi tired after fashion week
1 AM. I’m exhausted!

Vote for Wanlov

Wanlov in Bing is Dead t-shirtBack in 2004 I organized a party to celebrate the launch my Spring/Summer 2004 collection. The collection was based around the Nigerian singer/Afro-beat originator Fela Kuti, an innovative musician who dared to re-invent African song. My launch party, called “Redefining African Style”, featured some upcoming African musicians who I felt were creating a new sound which also re-defined what African music was today. One of those artists was a fellow Ghanaian Wanlov The Kubolor. While I hadn’t seem him perform before, I was a fan of his music and was honored to have him perform as a special guest. Wanlov’s performance was one of the highlights of the Redefining African Style party and still stands out in the minds of many attendees. Wanlov’s “Never Die”(produced by Kweku Ananse of Pidgen Music) is now a finalist in the International Songwriting Competition finals. The finalists were chosen out of almost 15,000 submissions from 88 countries worldwide. Read Wanlov’s recent interview in The African magazine and watch the video below to see him performing his song “In Ghana” wearing his “Bling is Dead” t-shirt at last years “Bling & Blood” concert. You’ll agree that the guy’s got skills. Vote for Wanlov, one of Africa’s upcoming young innovators.

Darfur at NY Fashion Week

Mal Sirah Designers for DarfurSo I finalized my Fashion Week schedule the other day and, while I won’t be showing my clothing line this season, I am excited about the shows I’ll be attending. The week will definitely be an exciting one, as I am scheduled to work with some wonderful mens and womens designers. One show that I’m looking forward to attending though is the Designers for Darfur show taking place on Friday February 9th. Designers For Darfur, was founded in 2007 by designer Malcolm Harris of Mal Sirrah and model Lydia Hearst-Shaw (One Model Management) in association with Fashion Television and Steve Madden, Inc. The event is aimed to raise funds and awareness on behalf of the Save Darfur Coalition. The organizers have gotten a exciting list of designers to create one complete ensemble in Red, Yellow, Green or Black (or any combination of these symbolic colors of Africa) to be featured in the fashion show at Roseland Ballroom. Confirmed participating designers are Chado Ralph Rucci , Steve Madden , Donna Karan , Catherine Malandrino , Rachel Roy, J. Mendel, Michael Kors, Naeem Kahn, Alice & Olivia, Carlos Miele, Joseph Abboud, Marc Bouwer, Nanette Lepore, Carmen Marc Valvo, and Mal Sirrah among others. And those are just the designers. Oprah Winfrey, Joss Stone, Roberto Cavalli, Kanye West, Mia Farrow, Maria Bello, Don Cheadle, and Russell Simmons, are scheduled to attend; but the big question is will George Clooney, a serious advocate for US intervention in Darfur, make an appearance? I’ll let you know. Kudos to the organizers for closing out the week on a good note.

Trace: 10 years and Iman’s “I Am African” campaign

Kelis on Trace MagazineI recently picked up the 10-year anniversary issue for one of the most consistently inspiring magazines, Trace Magazine. For as long as I can remember, the editors at Trace have been putting out quality , insightful product, while reporting on unconventional people and places. One of Trace’s strongest points is in it’s ability to highlight style as it exists in different parts of the world. The magazine was one of the first publications which I found that represented Africa in a modern, stylish manner. It might have to do with the founder/editor Claude Grunitzky’s Togolese background or his understanding of what he calls “transculturalism”. He says, “Modern transculturalists are people who can move and learn and function by discovering and influencing cultures that are not their own”, and that has been the focus which has enamored the magazine to progressive people all over the world. They’ve been able to stay relevant for 10 years now and still keep their edge. In the publishing industry, that’s an enormous feat. The 10-year anniversary issue includes an interview with supermodel/entrepreneur Iman where she expands on her feelings about the “I Am African” campaign controversey. Congratulations guys on another inspiring issue.

Tommy Hilfiger and the chaos of NY Fashion Week

Kof at NY Fashion WeekIt’s that time of year again when any and every person in the fashion industry turns their attention to the tents at Bryant Park for New York Fashion Week. As a veteran of the chaos that descends upon an already chaotic New York City, I too have begun to feel the anticipation of what the Fall 2007 season will bring. For those of us who work in some capacity in the fashion industry it’s a week of constant excitement and anxiety all in one. Beyond the flashing bulbs of the press and celebrities there are a herd of organizers who bear the brunt of making sure the shows go on without a hitch. And with that pressure comes attitudes and personalities which continually make things difficult. From pretentious publicists, to over zealous security guards, to the narcissistic creatives, fashion week is never without it’s drama. But it’s those same personalities which make it all worth it in the end. Those personalities (and the talent behind it) keep you on your toes and fuel the press which in turn sells products which employ us the following season. Now we can all agree that some of the drama is unwarranted, but that’s what makes fashion , well, fashion. It’s the over the top events that create the fantasy which we all buy into when we consider shelling out $500 for a pair of designer shades (well I wouldn’t, but you get what I mean). Now don’t get me wrong, that’s not all there is behind the scenes. As much as there are trying people involved, there are a slew of people who are there to work and support each other to create a healthy industry. Every season I meet amazing people who are a piece of the puzzle needed to make a show or collection successful. Fashion week is always full of ups and downs and each season we all dread it, but as soon as it’s over we wish it weren’t. It’s an overload of creative energy and inspiration that can’t be matched. For a week every six months, we all come together to create an event which influences many other industries throughout the world. As much as fashion week won’t end world hunger, it’s a crucial element behind numerous people who will. And it’s seeing master designers like Giorgio Armani, Diane Von Furstenburg, and Chado Ralph Rucci at work which has drawn me every six months for the last 3 years to the tents at Bryant Park. Who needs school when you can learn from the best when they’re at their most vulnerable. Here’s to all those Africans, from models to tailors to publicists to security guards, making it happen so those masters can shine.

Africa’s Second Life

African Second LifeOn Friday I picked up the February 2007 issue of Inc. Magazine and began reading the cover article on Philip Rosendale, CEO of Linden Lab and creator of Second Life. Though my initial experience with Second Life some months ago was not the best, I have been quite intrigued by it’s possibilities as a business platform. Reading stories about American Apparels successful store opening and concerts and chats by artists such as Talib Kweli, all in taking place in Second Life, has had me trying to get my head around this virtual world. I must admit that one of the reasons I abandoned my Second Life persona was I (the second life me that is) ran into a brick wall, literally, and couldn’t get around it. Funny as it may sound, that’s exactly what happened. Reading Mr. Rosendale’s explanation of Second Life the ability it gives you to create a whole new identity and/or brand extension, has got me thinking about getting over that wall.

What does this have to do with Africa you ask? Well one of the things that drew me to Second Life in the first place, besides the business opportunities, was the ability to create your perfect world as an extension of your real world. From a development perspective I see Second Life as a tool which can allow African’s to extend and re-invent ourselves in a world where anything goes. I know that sounds all Matrix-like but bear with me for a second. If Second Life can allow you to create an ideal personality, visit anywhere, and communicate with anyone without the restrictions of geography, government, or language, then it can certainly level the playing field for re-branding Africa. This is not a far fetched notion as Sweden has already announced it’s opening of a Second Life embassy. In a recent article, Mutumwa Mawere, a Zimbabwean born South African businessman, wrote “I am acutely aware that it is difficult to take nationalism out of many Africans but the Second Life offers us an opportunity to go beyond the confines of where one is born to the reality that through others a better Africa is a not a pipe dream.” This statement I guess is key in exploring the possibilities of Second Life. While I’m not one to take on a non-African personality, I think that involvement in Second Life could possibly allow Africans to realistically compete with anyone else without the limitations of the real world, and ,as Mr. Mawere, notes, possibly create a new African identity. Of course I’m saying all this from an office space in NY City with a T-1 connection, but as the global tide changes I think we all need to think outside the box and look to new ways of creating a second reality.

Dover Street (African) Market by Duro Olowu

Duro Olowu wins 2005 British Fashion AwardsNigerian/Jamaican designer Duro Olowu has been busy. Since wooing fashion royalty with his “stunning fluid dresses”, and winning the 2005 New Designer of the Year award at the British Fashion Awards, he has continued to take his Africa-influenced designs mainstream. Now comes news of a new Duro Olowu boutique in the ultra fashionable Dover Street Market, owned by Commes des Garcons’ Rei Kawakubo. Olowu joins cult brands like Number (N)ine, Undercover, and Visvim, and popular brands like Givenchy, Lanvin, and Thom Browne in one of the most creative fashion spaces in London. The Duro Olowu boutique is sure to be a hit when Olowu makes his debut this February 12th at London Fashion Week.
Anyone willing to sponsor a ticket for me to attend?
Duro Olowu boutique: Dover Street Market