Vote to add Africa 2.0 panel to SXSW festival schedule

vote for Africa 2.0 panelOver the past year and a half, I’ve come to love writing about African style and business issues and interacting with the many inspiring people and ideas which I’ve come across through this blog. In my experience, today’s technology has provided us with the most effective vehicles to communicate and has caused an acceleration of African ideas AND actions across borders and even hemispheres. In my first attempt at taking our online conversations offline, I’ve proposed a panel idea for the upcoming South by SouthWest (SXSW) Interactive Festival being held in Austin, Texas March 7-11 2008. The proposed panel, Africa 2.0: Affecting Change Using Technology, will discuss how blogs, social networks, digital media and mobile technology are being used by businesses and citizens — both African and foreign — to affect change in Africa. The group of panelists will discuss adoption of mobile technology, community activism online and offline, and digital media’s effect on African entertainment industry growth. The process of developing the final schedule for the festival relies on a public vote to decide which panels actually get added. Please take a moment to VOTE to add the Africa 2.0 panel to SXSW Interactive schedule. My panel seems to be the ONLY Africa-related panel idea for the interactive festival.

In related news, I am hoping to put together a panel/roundtable to be held in New York City sometime this fall. I’m looking to bring many of you together to discuss opportunities and experiences in African business. If anyone has any ideas or would like to suggest any sponsors please contact me. I’ll have soe more specific information soon. Now go VOTE for panel!!

Other panels which deserve your vote:

“Africa:The Next Chapter” videos premiere

The good folks at TED (Technology, Entertainment, Design) have debuted the first videos from the powerful TEDGlobal 2007 conference held in Tanzania earlier this year. Called “Africa: The Next Chapter”, the conference featured talks from many of Africa’s current innovators.  The first few uploaded videos include South African investment banker Euvin Nadoo – who I met at the Harvard Club in New York in April – describing a continent poised to light up, Ghanaian economist George Ayittey’s lacerating criticism of Africa’s “hippo generation” to inspiring appeal for the “cheetah generation” to arise, former Finance Minister of Nigeria Ngozi Okonjo-Iweala showing how the different pieces of the aid vs trade argument could be reconciled, and finally 19-year-old Malawian inventor William Kamkwamba who won a standing ovation for his shy 3-minute interview, revealing how as a 14-year-old he solved his parents’ energy needs in a village which had no electricity. These first videos are a window into the minds of Africa’s growing entrepreneural class. I can’t wait for the other speakers’ videos.

Starchitect David Adjaye brings his building art to America

David AdjayeAdjaye studio museumYG points to a new exhibit by UK-based Ghanaian star architect David Adjaye opening today at the Studio Museum of Harlem in New York City. The exhibit, Making Public Buildings, introduces Adjaye’s architecture to American audiences by carrying viewers through his working process-from inspiration to completion-through ten projects, both built and uncompleted. Having been awarded an Order of the British Empire by the queen for services to architecture, following several public works including his Idea Stores, which have shaken up the notion of the library, and his Nobel Peace Center in Oslo, Mr. Adjaye is set to take on America. With both a New York office for his company Adjaye/Associates and his Museum of Contemporary Art in Denver opening this fall the star architect has his American debut all lined up. About his current work Mr. Adjaye tells New York Magazine:

We are building a house for an amazing art collector [Adam Lindemann and his wife, gallerist Amalia Dayan] on the Upper East Side. It is quite hermetic. In ten years, 50 percent of the world will live in cities; they are becoming massive. The home is something that becomes an emotional incubator and resuscitator. It is not about tricks but about the way in which you reorient a person’s perceptions by focusing on water or on a tree or on a texture of a wall, making the home a meditative space. For this house, the thing the house reflects on will also be art.

David Adjaye’s Making Public Buildings opens today, July 18, 2007, with a 7pm reception at the Studio Museum of Harlem. The exhibition continues through Sunday, October 28, 2007 (Wed-Fri: 12-6pm / Sat: 10am-6pm / Sun: 12-6pm).

Franco-Cameroonian sisters, Les Nubians, in Washington DC

Les NubiansIf you’re in Washington DC this week check out these special performances by the Franco-Cameroonian sister duo, Les Nubians. If you’re not already familiar with Les Nubians here’s a short lesson.

In 1999 Les Nubians United States debut ‘Princesses Nubiennes’ (Higher Octave/Virgin) became the most successful French-language album in more than a decade of Billboard charts. Les Nubians appeared on fourteen different recordings by an assortment of other artists, spanning the globe and crossing genres-from Towa Tei, Black Eyed Peas and Talib Kweli & Hi-Tek to the acclaimed Fela Kuti tribute album from the Red Hot series,”Red, Hot and Riot”.

Show dates are:

  • Wednesday July 18th at 10pm at LIV
  • Thursday, July 19 with two shows at the historic Bohemian Caverns – 8:30pm and 10:30pm.

Tickets can be purchased online at: www.instantseats.com

Global Hip-hop in your city

Nomadic Wax, the crew behind the Democracy in Dakar video series, are taking their global hip-hop on a mini US tour. The Global Underground tour features international hip-hop pioneers Chosan (Sierra Leone), LF and Laylo (Brazil/Dominican Republic), Foundation Movement (Puerto Rico/Liberia), Zuluboy (South Africa), DJ Boo (Philippines) an accomplished group of percussionists including Ernesto Abreau (Antibalas/Ya Esta), Chauncey Yearwood (The Pimps of Joytime/Escort), and Nomadic Wax founder Ben Herson (Nomadic Wax/Escort/Subatomic Sound System). The tour launches at Galapagos Art Space on July 19th in Brooklyn, New York, and will visit clubs in Providence, Rhode Island on the 21st and Boston, MA on the 22nd. If you haven’t seen any of these acts perform yet, do yourself a favor and catch them when they roll into your city.

Global Underground tour

Careers in Africa Recruitment Summit

Here’s some information about a business summit that looks very promising. Set you calendars.

Global Career Company is pleased to announce the Careers in Africa Recruitment Summit scheduled to take place in Houston, Texas on 16-18 November 2007. The Careers in Africa Summit is a unique recruiting event, enabling leading companies to attract and interview internationally based African professionals, for their operations across Africa. This invitation-only event will feature pre-scheduled interviews, presentations and networking sessions with leading multinationals operating across Africa. Companies that have already confirmed to attend the Summit are:

  • Anglo Platinum
  • Barloworld
  • Chevron
  • Coca-Cola
  • SABCO
  • Cisco
  • Eskom
  • Heineken
  • Intercontinental Bank
  • Lafarge
  • OPS
  • Orascom
  • SAB
  • Shell
  • Toyota
  • United Bank for Africa

This list continues to grow. Available career opportunities range from entry-level graduate openings to senior management appointments and cover a variety of functions. Read more about the event, and review the attending company profiles at www.globalcareercompany.com/ciaus.

The Paris Hilton effect on Africa’s development

Paris Hilton Vanity Fair africaWe live in a celebrity-powered society. I don’t like it, but it’s the truth. Whoever said everyone will get their 15 minutes of fame, was way off. It seems like the expiration date on fame is being extended longer and longer. Fame in itself is not a bad thing, however, the individualism, it comes with in today’s society is another story. With all the reality show mania and with reputable organizations paying talentless people like Paris Hilton ridiculous amounts of money for an appearance, the American culture of celebrity and individualism is playing an even bigger role in how and where money is spent in business. But if this the nature of the world we live in, where do Africans, and our culture of community and modesty, fit in?

Certainly all African’s are not so modest. However, our definition of celebrity and entitlement is definitely different from the West. Many would argue that the American definition of celebrity is based on fantasy while the African definition is based on reality. Where western celebrities are celebrated apart from the community, African celebrities are celebrated for their effect within the community. Is either definition right or wrong? Who knows, but when one dominates the other in global influence, a problem arises.

What does this have to do with business, money and Africa’s opportunities? Everything, I would say. One of the biggest problems Africans have with getting their stories told particularly in the media is that we still do not really understand how western media works. Take the picture of Paris Hilton to the left. Paris Hilton who represents, the epitome of America’s celebrity culture – and hence influence – holds a Vanity Fair Africa issue with Oprah – another more talented and influential American celebrity – on the cover. While the whole scene was definitely staged by Paris’ pr reps, it’s a classic example of the role celebrity plays in American culture. Follow me for a moment. Bono campaigns for more money to go to African aid. He recruits Oprah Winfrey, among others, to draw attention to the cause. Bono then sells the the idea to the Vanity Fair editors who stand to have multiple celebrities in one issue (celebrity faces sell glossies, especially fashion ones) and the issue is produced. Paris Hilton, then picks up the issue in her attempt to clean up her post-jail image, and in turn further sells Bono’s Africa campaign to insecure suburban teen-aged girls everywhere. Suburban American families, (with disposable income) then put money into Bono’s Africa campaign. This is the power of celebrity in American economics. While we Africans argue merit and talent, Bono continues to play the celebrity game to influence the flow of money. Many of us argue there should have been more Africans on Vanity Fair’s covers, but while Wole Soyinka is a talented man with accolades to boot, he has no influence over the people spending the money, and so he is regulated to a group feature towards the end of the magazine.

Further evidence of the power of celebrity, can be seen in the media coverage of the recent TEDGlobal conference in Tanzania. In her excellent piece about the event, Jennifer Brea, writes about the circumstances surrounding Bono’s heckling of Andrew Mwenda. The fact that Bono can have so much power as to bump George Ayittey‘s presentation of his perspective, heckle another presenter AND practically be the only one of 50 or so presenters over the 4 day African conference covered widely in the press illustrates the power of celebrity. The same issue about the difference between western and African celebrity was raised on the Africa media blog, with a reader asking

“Given the advances in technology that now allow citizens of any country to directly access the popular culture of another country (e.g. music, films, art), why do people living in the global north continue to receive more information about situations in Africa from the few Western celebrities “caring about Africa” than from the many African ones trying to push the same message? (Why do people seem to be more influenced by their similiarity with the source than the source’s actual level of expertise/connection with the cause?)”.

To this Melissa Wall of the Africa Media blog answered, “The West or North dominates global media structures and flow (much research has documented this). More specifically, reporters often have to go with the easiest-to-access sources. A Western celebrity with an entourage of handlers and PR flaks is a lot of easier to get a juicy quote from. Enlarging the Rolex is difficult.”. It all boils down to familiarity, which translates to celebrity which in-turn motivates spending. So if we Africans want access to the money which brings the opportunities we need, we have to do a better job of understanding the power of celebrity from the western perspective. As important as talent is – and it IS important – celebrity trumps talent. Sad but true.

Africa Enterprising articles part 2

The second edition of the Africa Enterprising blog carnival has been published on African Loft. The carnival features some very engaging content from many of the African blogging community The posts touch on topics such as trade vs aid in Africa, entrepreneurship in Africa, business and investment in Africa, and universal business tenets. Head over to Imnakoya’s African Loft for links to an inspiring collection of ideas.