NY African Film Festival opens, celebrates World Cup and independent Africa

nyaff

The 17th annual New York African Film Festival (NYAFF) has opened on April 7th celebrating the 50th anniversary of 17 African nations’ independence from colonial rule as well as the freedom that the rise in technology has given African filmmakers to tell their own stories. Among the 13 features and 25 short films from emerging and veteran filmmakers from 18 countries are four soccer films in honor of the World Cup’s first games in Africa opening in June 2010, an animated short program, Focus Features’ Africa First short program and an environmental film.

The festival runs from April 7 through the 13th at The Film Society of Lincoln Center and continues at Columbia University’s Institute for African Studies, 3ten Lounge, New Museum and the Brooklyn Academy of Music BAMcinématek with dates in April and May. Some films showing during the festival include The Absence, directed by Mama Keïta (Senegal/France), Eliane de Latour’s narrative film Beyond the Ocean, winner of the Jury Prize at the Festival des Cinéma du Monde 2009, and Wanuri Kahiu’s Pumzi, which I highlighted here before.

Take a look at the full film schedule.

On Saturday, April 10, a panel discussion will also be held where established and aspiring directors and producers will learn how to craft an attention-getting pitch and utilize social networking tools at “Getting Exposure: Securing the Buzz You Need for Your Film.” The panel takes place at The Film Society of Lincoln Center at 1:30 pm, and is part of  the film festivals “Independent Africa”.

Panelists will include Jennifer Merin, film journalist with About.com and founder of the Alliance of Women Film Journalists; Misani, culture writer for the Amsterdam News; Paul Burani, social media strategist; and Pam Pickens, digital marketing expert. The event, which is open to the public, will be moderated by veteran entertainment publicist and NYAFF’s public relations consultant Cheryl L. Duncan of Cheryl Duncan & Company Inc.

For panel or film tickets, go to www.filmlinc.com.

Notes from Columbia U’s 2010 Africa Economic Forum

2010-AEF-Logo-300x223Last week I attended Columbia University’s annual African Economic Forum (AEF). The two-day conference was a diverse and insightful one with discussions ranging from Branding Africa to the growing, sometimes controversial China-Africa relationship. The organizers put together a great program with much discussion during and in-between panels. While I couldn’t attend the full program, I was able to participate in some great discussions with attendees and panelists in the Africa Arena. I’ve provided my notes from the discussions I was able to attend below. My notes cover a mixture of discussion topics and perspectives from the esteemed panelists and attendees. Please keep in mind that the notes below are portions of the hour plus long discussions from my perspective as an attendee. If you have any insight into any of the topics in my notes please feel free to comment. For clarification on any of the points in my notes please shoot me an email.

ATTENDANCE NOTES:
Panel: African Fashion Going Global
Moderator: ZANDILE BLAY, Market Editor, Paper Magazine
Panelists: OLUCHI, Supermodel and the Original Face of Africa; BUSIE MATSIKO, CEO and Co-Founder, Fashion Indie Media; AISHA OBUOBI, Designer & Founder, Christie Brown; MIMI PLANGE, Designer and Founder, Boudoir D’huîtres

  • Should Africans sell primarily to Africans?
  • African designers are more torn about designing Africa-inspired clothes vs. other western designers designing Africa-inspired clothes
  • Western designers are not limited or stigmatized when using African influences in designs
  • Should there be an African fashion capital? Some panelists say no
  • Is there a viable African consumer enough to support African fashion industry?
  • Designers don’t want to get pigeonholed as an ethnic designer; need room for growth
  • There is very limited support (i.e. factories, retail outlets) for African designers on the continent
  • Some panelists say African designers should focus on African consumers rather than targeting global consumers first
  • There is lack of business expertise among designers on the continent
  • Designers need to partner up with business professionals on the continent
  • Pricing African designs is tricky
  • Not too many Africans will pay high prices to support African designers
  • There are two types of African consumers: 1) those that travel and buy high-end western clothes 2) the locals who can’t afford couture and buy mass
  • It’s hard to produce on the continent particularly if you’re not doing mass production
  • Many African designers aspire to go to South Africa fashion week because it’s the top African continent fashion industry
  • Just like you don’t only have New Yorkers in New York Fashion week, South Africa’s Fashion Week has Africans from all over continent
  • African designers get inspiration from everywhere just like other designers
  • Some African designers are more drawn to cultural design than others

Continue reading “Notes from Columbia U’s 2010 Africa Economic Forum”

Africans on Forbes 2010 World’s Billionaires list

2010ForbesAfricanBillionaires

Forbes Magazine has compiled and published it’s annual list of the world’s billionaires. The 2010 World’s Billionaires list represents “billionaires with publicly traded fortunes, net worths…calculated using share prices and exchange rates from February 12, 2010”. Of the 937 people named to the list, there are 8 African country citizens who made the list. Of the 8 Africans, the individual net worths range from $1.5 to $5.9  billion. with Egyptian nationals maintaining the biggest presence with 4 individuals from same family  listed. Here are the Africans on the 2010 Forbes World’s Billionaires list according to rank:

#127 Nassef Sawiris
Net Worth: $5.9 bil
Fortune: Inherited and Growing
Source: construction
Age: 48
Country Of Citizenship: Egypt
Residence: Cairo
#154 Nicky Oppenheimer & family
Net Worth: $5.0 bil
Fortune: Inherited
Source: De Beers
Age: 64
Country Of Citizenship: South Africa
Residence: Johannesburg
#307 Onsi Sawiris
Net Worth: $3.1 bil
Fortune: Self Made
Source: construction
Age: 80
Country Of Citizenship: Egypt
Residence: Cairo
#374 Naguib Sawiris
Net Worth: $2.5 bil
Fortune: Inherited and Growing
Source: telecom
Age: 55
Country Of Citizenship: Egypt
Residence: Cairo
#421 Patrice Motsepe
Net Worth:$2.3 bil
Fortune: Self Made
Source: mining
Age: 48
Country Of Citizenship: South Africa
Residence: Johannesburg
#421 Johann Rupert & family
Net Worth: $2.3 bil
Fortune: Inherited and Growing
Source: luxury goods
Age: 59
Country Of Citizenship: South Africa
Residence: Stellenbosch
#463 Aliko Dangote
Net Worth: $2.1 bil
Fortune: Inherited and Growing
Source: sugar, flour, cement
Age: 52
Country Of Citizenship: Nigeria
Residence: Lagos
#655 Samih Sawiris
Net Worth: $1.5 bil
Fortune: Inherited and Growing
Source: hotels
Age: 53
Country Of Citizenship: Egypt
Residence: Cairo

K’Naan launches Coca-Cola World Cup campaign

Somalian-born, Canadian-based hip-hop artist K’Naan has specially recorded a version of the song “Wavin’ Flag”, originally featured on his 2009 album Troubadour, for the Coca Cola sponsored 2010 FIFA World Cup tournament, hosted by South Africa. The remix, “Wavin’ Flag (The Celebration Mix)”, will be part of Coke’s global integrated marketing campaign rolling out in over 150 countries this summer. The track will be used as the main music element throughout the entire campaign including as the soundtrack on all TV commercials, played at FIFA World Cup Trophy Tour by Coca-Cola events, featured on the online digital platform and more.

The campaign developed to support (Coke’s) sponsorship of the landmark sporting event is an extension of the current Coca-Cola brand platform “Open Happiness. (It) invites fans to express their optimism and passion for football through active dance celebrations.

Video: K’Naan World Cup Coke commercial featuring Spanish pop singer David Bisbal

Video: Coke FIFA World Cup Trophy Tour multimedia booth

If you can’t see the videos above click here

S. Africa Tourism launches URL shortener for World Cup marketing

mzan.si website

As part of the marketing around the upcoming 2010 FIFA World Cup, the South African Tourism authority has launched a new branded url shortening service at http://mzan.si. Developed for the government agency by Quirk eMarketing, the Mzan.si service is so named  for the word Mzansi (m-zun-zee), a popular word used to refer to South Africa. The marketing effort is an attempt to brand South Africa as “a country teeming with exquisite sights, natural splendours, adventure attractions and culture”.

Because URL shorteners are easier to remember, faster to type and less likely to break when they are shared, this shortening craze might just become a new kind of language for all internet users….Not only is http://mzan.si designed to shorten long cumbersome URLs, but it also allows South African Tourism to market South Africa as a destination through unobtrusive, geo-targeted advertising within the shortener itself. All URLs that have been shortened using the http://mzan.si will start with mzan.si making them instantly recognisable. The objective of the URL shortener is to reach people in an alternative way to educate and entice them into visiting South Africa hence the name msansi which means South Africa. It is also aimed at enabling all South African’s to ‘fly the flag’ and acknowledge their homeland online with every link they create.

More info here

Top 6 African business and culture trends to watch in 2010

Africa_fireworksIf, like me, you’ve been watching people and events surrounding Africa in mainstream and non-mainstream news, you’ll know that 2009 was a big year for Africa, From President Obama’s visit, to the new fiber-optic cable in Kenya, there was a lot of president-setting efforts going on in Africa. While there were the instances of political unrest, in all I think African countries had one of the better years. Looking forward to 2010, Africa seems in line to be put through some vigorous tests, From politics to agriculture and technology, in 2010 Africa will be challenged to show the world what is brewing under the hood for the next decade. Here are a few trends I think will greatly influence how Africans live and work in 2010:

1. Trickle-up innovation/reverse innovation

In 2007 C. K. Prahalad, author of The Fortune at the Bottom of the Pyramid: Eradicating Poverty Through Profits, highlighted five ways that developing nations are often ahead of the curve and how multinationals can adapt to the the changing product development lifecycle. In 2010, though some analysts say the global financial crisis of 2008 and 2009 is in recovery, we’ll continue to see an increase in businesses looking to developing nations, including Africa, as ground zero for new product and service innovation. Organizations will not neglect consumers in developed nations though. Rather, developing nations will take precedence in business development, with markets in the west getting re-targeted efforts already proven elsewhere. The big question is will African nations also turn their innovation sights into Africa to bolster African business and gain a home-field advantage against foreign businesses.

Watch: Google, GE, Microsoft, Nokia

2. Mobile and connectivity growth and standards
At this point, mobile technology is synonymous with connectivity in Africa. From government to industry, Africans are growing more reliant on the mobile phone for all aspects of life. 2010 will see a continuance of this trend within communities, and more importantly, governments will increasingly begin to use the mobile phone as a way of reaching African civilians. We are already seeing that in Kenya’s Obama-inspired mobile campaign to educate Kenyans on public policies. Beyond mobile technology, we’ll also see a surge in government-funded connectivity efforts and legislation around Africa. With the new fiber-optic cables launch in Kenya and other regions moving more services from analog to digital, Africa’s connectivity will be a priority for forward-thinking leaders. Case in point is the Kigali government’s recent launch of a $7 million wireless hot spot facility. We can expect to also see a lot of foreign investment in development and organization of the African mobile sector. I, for one, am looking forward to the growth of mobile innovations by African entrepreneurs. Hopefully African private and public sectors can engage the independent developers to accelerate the mobile industry in 2010

Watch: Government data centers,  2010 Fifa World Cup mobile marketing, Netbook market growth, M-pesa, Fiber-optic cables usage, MTN, KenyaAirways on Twitter, Zain, Safaricom

3. Rise of the African creative class
For the past several years, young Africans have been struggling to define a new identity for the themselves in the connected global community. As political stability has solidified in many African countries and African youth have begun to exert their influence at home and abroad, a community of independent creators have strengthened their voices and come to the forefront to re-define Africa for the 21st century. Fueled by connectivity, voluntary repatriation, international travel, and the growth of African cities, Africa’s creative class will be at the center of shaping Africa in 2010. In 2009 we saw African blogging reach it’s peak and a surge in African style and design multi-media channels. From Arise Magazine, to BHF Magazine, to Design Indaba, the exploration of what it means to be African in the 21st century continued to influence all areas. In 2010, with the debut of the 2010 Fifa World Cup in South Africa, we will see Africa’s creative class flexing their influence on everything from technology, to government policy, to international business. With so many African and foreign private and public organizations hoping to capitalize on the event, Africa’s creative class will be at the center of it all. As the core drivers of Africa’s urban areas, the creative class are the ultimate influencers. 2010 will be the year when they will be thrust into the limelight internationally. Let’s hope they (we) are ready.

Watch: Arise Magazine, Fela on Broadway, Design Indaba, Maker Faire Africa 2010, The Blk Jks, FESPACO, African Gay & Lesbian groups, Paul Sika, African Avante Garde

4. The Africa brand and tourism
The 2010 Fifa World Cup will have a major impact on Africa whatever the end result is positively or negatively. Most importantly, the World Cup will challenge African tourism, marketing, infrastructure and related industries to develop and maintain a consistent African brand identity. With the advent of high-profile global events like this and a need to share resources, African governments will have to re-visit and form cross-border alliances. While we have already seen regional groups like the East African Community strengthen their intergovernmental ties, 2010 will be the year when all African countries will have to answer the cross-border alliance question at the behest of foreign political engagement.

Watch: 2010 Fifa World Cup, African government summits, Cross-country tourism packages,  ICT sector, “Made in Africa” labeling

5. Africa and African-Americans
Not much has been said about the growing relationship between Africans and African-Americans. By and large there is still a communication rift between the two groups. But slowly, the relationship between the two groups is becoming symbiotic. While I don’t see a major shift in opinion between the two groups happening in 2010, I do expect a continuation of the rapid growth of African-American wealth to playing a part in African development. Resourceful and wealthy African-Americans will continue to invest in African culture and politics both on the continent and abroad, while Africans borrow from African-American history for lessons on developing an international identity. Particularly, a growing number of African-American entertainers and business people will see Africa as an extension of their life in the United States. some will even maintain plans to buy and move to the continent seeking a more personally and financially fruitful life. Africans will also begin to formally recognize this trend and capitalize on the brain gain. As more African-Americans look to Africa, African will become more high profile in African-American press pushing Afropolitan culture further into American pop culture.

Watch: Fela On Broadway, African real estate development, Africa correspondents in urban media, African-American foreign invetment groups.

6. China..and India
In November 2009, China pledged a multibillion-dollar package of financial and technical assistance to African governments over the next couple of years.  This was among one of the many efforts by Chinese government and business to form a tight alliance with Africa. China’s relationship with Africa will continue to dominate Africa news in 2010, with support and objections from many diverse groups as we’ve seen in 2009. The new year will also see an increase in Indian alliance with countries within the continent though it will continue to pale in comparison to China’s efforts. India and Africa will strengthen their ICT development relationships as African countries continue to push themselves as outsourcing destinations.

Watch: India-Africa learning trips, Chinese import export from Africa, Sino-African cultural conflicts.

What do you think? What other trends will influence Africa’s growth and development in 2010? Please share your comments.

FELA! musical hits Broadway with rave reviews

FELA! musical

If you haven’t already heard FELA! The Musical has opened on the Broadway in New York City. For many people, myself included, this marks a milestone in African culture’s rise to global recognition. Nigerian musician and activist Fela Anikulapo Kuti has been an major inspiration for many young Africans looking to re-define what it means to be African in the West. Ever the African icon, Fela’s music and ideas have been at the cornerstone of the growing Afropolitan culture in New York and other metropolitan areas around the world. He has inspired many creative expressions of African culture including my own early foray into Africa-influenced business. After many years as an Afropolitan lifestyle inspiration, now the essence of what Fela has defined for modern Africans has brilliantly been captured in this new musical.

In it’s glowing review of the new musical The New York Times writes:

There should be dancing in the streets. When you leave the Eugene O’Neill Theater after a performance of “Fela!,” it comes as a shock that the people on the sidewalks are merely walking. Why aren’t they gyrating, swaying, vibrating, in thrall to the force field that you have been living in so ecstatically for the past couple of hours?

The hot (and seriously cool) energy that comes from the musical gospel preached by the title character of “Fela!,” which opened on Monday night, feels as if it could stretch easily to the borders of Manhattan and then across a river or two. Anyone who worried that Bill T. Jones’s singular, sensational show might lose its mojo in transferring to Broadway can relax.

FELA! The Musical features the Afrobeat music of Fela Anikulapo–Kuti, a book by Jim Lewis and the direction and choreography of Tony® Award winner Bill T. Jones. The musical is co-produced by Jay-Z, and Will and Jada Pinkett Smith among others.

Watch the opening night and behind the scenes videos below.

If you can’t see the videos above, click here

Europe’s $774 billion African desert solar power project launches

desertec-africa-sahara-solar-map

Investors and industrialists from 14 companies met in Munich, Germany recently to formally launch Desertec Industrial Initiative, a €400 billion ($774 billion) collaborative project to provide 15% of Europe’s energy via solar power from Africa’s Sahara desert by the year 2050. Since it was formally announced earlier this year, the project has gotten mixed responses from development and renewable energy groups.

Speaking about the benefits of the project MEED Magazine writes:

Desertec’s backers say the scheme will create jobs and boost local economies. Some go so far as to claim it could even reduce the number of economic migrants to Europe. Governments on both continents will need to collaborate to define a regulatory and legislative framework for the scheme. If Desertec can overcome these hurdles, it will set a precedent for international energy co-operation.

But critics of the project also give some strong points. New Scientist Magazine writes:

Critics are lining up to point out the project’s shortcomings. They say it could make Europe’s energy supply a hostage to politically unstable countries; that Europe should not be exploiting Africa in this way; that it is a poor investment compared to covering Europe’s roofs with photovoltaic (PV) solar panels; and that, while deserts have plenty of sun, they lack another less obvious but equally indispensable resource for a solar thermal power plant – water.

Despite the debate, the project seems to be moving ahead with North African countries like Tunisia and Algeria showing support and making plans.

What do you think? Is the Desertec project good or bad for Africa and/or Europe?

More about the project and it’s launch in the videos below.

If you can’t see the videos click here

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Morocco’s desert region a widescreen backdrop for Hollywood films

Speaking about the Ouarzazate region in Morocco, The Global Post reports:

Chances are you’ve unwittingly seen this region’s wild vistas in any number of movies. Among other locales, the desert was billed as Iraq in “Body of Lies,” dressed up as Jerusalem in “Kingdom of Heaven” and transformed into ancient Egypt in “The Mummy Returns.”

An array of ready-built sets, cheap labor and stunning landscapes has helped turn this sleepy provincial capital into a Third World Hollywood.

Production remnants abound, from concrete castles and plaster villages, to an American gas station falling to pieces beside a two-lane road. Featured in the horror film “The Hills Have Eyes,” its English sign offers non-existent beer to the Muslim drivers passing by.

But veterans of the country’s film trade say they wish more of their studios were in use this year. The global downturn has caused several big films to cancel or push back start dates, delaying cash upon which a growing population of technicians, actors and extras have come to depend.

The video below tells an interesting story of the North African desert’s draw for Hollywood.

If you can’t see the video above click here.

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