Annansi Chronicles

Video: Ozwald Boateng on career, design and Ghanaian influences

Part 1

Part 2

via YG

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Hip-hop’s African ancestry at Odyssey Awards

Last Saturday I attended the 5th Annual Hip-Hop Odyssey (H2O) Awards, held at BB Kings in New York City. Organized by the Hip-Hop Association, the awards ceremony recognized today’s hottest Hip-Hop filmmakers, industry professionals and pioneers. The event always features appearances and performances by Hip-Hop heavyweights. This year’s event, as usual, was packed with many of the individuals who have played a major part in shaping the hip-hop landscape including, artist/entrepreneur/hip-hop personality Fab 5 Freddy (that’s him in the picture standing in front of me as we listen to DJ Beverly Bond speak about YO! MTV Raps’ late producer Ted Demme), Ice-T (who gave an excellent acceptance speech about staying true to oneself), Dana Dane, Grand Wizard Theodore, (Dr.) Roxanne Shante, Ralph McDaniels (Video Music Box), The Cold Crush Brothers, Chubb Rock and much more.

One thing I’ve always enjoyed about the awards and the preceding H2O International Film Festival, is how the organizers (Martha Diaz, Rolando Brown etc) make a conscious effort to show the influence of African (and international) cultures on the growth of America’s hip-hop/urban culture. A few years back, besides the performance by the Nomadic Wax Global Hip-hop All-stars’ Chosan (Sierra Leone) , Eli Efi (Brazil) , and El Gambina (Korea), the festival grand prize went to Hip-Hop Colony, a film about the African hip-hop explosion – now on DVD. This year Hip-Hop Colony’s Kenyan director, Michael Wanguhu, was on hand to present an award. To further encourage the hip-hop generation to connect with Africa, this year’s awards was sponsored by and involved a presentation by popular DNA lineage identification company African Ancestry Inc. Some of you might remember that African Ancestry Inc. was the company behind VH1’s Spike Lee-directed February (Black History month) spot which promoted a stronger connection between African-Americans and the African continent through DNA swab testing. African Ancestry’s President, Gina Paige, was on hand at this year’s H2O Awards ceremony to present the evening’s host, Paul Mooney, with his personal DNA test results. Upon revealing that Paul Mooney’s lineage goes back to Guinea-Bissau (I don’t remember which specific ethnic group was cited), Gina Paige presented Mr. Mooney with a folder containing the details of the tests as well as a t-shirt with a Guinea-Bissau logo. A very nice touch.

African Ancestry offers a great solution for African-Americans looking to re-connect with their African heritage. With the DNA procedure gaining popularity and support from African-American celebrities like Oprah, Whoopi Goldberg, LeVar Burton, Chris Tucker, Chris Rock, and Isaiah Washington – who also holds a seat on African Ancestry’s Board of Directors -, and media outlets from ABC’s Good Morning America to PBS championing the efforts, African Ancestry has already begun to solidify the link between African-American and African cultures.

Vogue, Keira Knightley donate food & Louis Vuitton to African elephant’s rehab

The concept for the June 2007 Vogue magazine cover story is a diary of British actress Keira Knightley’s “vacation in Africa” – more specifically Kenya. While the idea was probably someone’s eureka moment for an interesting feature, the resulting shoot and story is another re-hashing of Out of Africa. The fashion blogosphere has taken issue with one image in particular where the actress is photographed feeding a baby elephant which has been draped with a leather Louis Vuitton blanket.

After lunch at the Giraffe Manor, a hotel near Nairobi where giraffes roam the grounds, Keira donned a chic gray Bottega Veneta frock to visit the baby elephants at the David Sheldrick Wildlife Trust in Mbagathi, the only successful project in the world at rehabilitating orphaned elephants into the wild. Her diary entry for that day reads, “Today everyone tried to catch the baby elephants so we could put Louis Vuitton blankets on their backs. I’ve never seen anything more brilliantly stupid. I hope Louis Vuitton like it; they should definitely give the elephant a modeling contract.” – via Style.com

The fashion spread also includes a photo of the actress “roughing it” with some Maasai herdsmen- how original -, and some other shots of Ms. Knightley living out her rugged Africa dreams (circa 1910). I know Vogue is not the most progressive magazine, however you’d think that with all the resources they have the editors can find a creative way to tie in the Africa theme. They could have at least hired a photographer like Andrew Dosunmu, Marc Baptiste, or Stanley Lumax to lend their unique talent to the idea. But it just goes to prove how the perspective of Africa in popular culture is so limited. We can say that the editors at Vogue are at fault but, the true failure of the whole feature is with the Africans involved in the shoot who perhaps felt they had no choice but to offer their resources up to strengthen an image of Africa which ultimately would limit their ability to grow out of the early 1900’s image of the continent. This is why I place so much weight on the shoulders of those of us who live and work abroad to act as ambassadors and communicate our experiences constantly. One might say that the Vogue spread is just poor execution, however, the underlying theme is the real problem. The campaign to re-brand Africa has to take place both on the continent and abroad in order for it to be a success. It’s a tough job but the alternative is worse.

more images via imnotobsessed

New magazine changing image of African women

I’m an avid reader of publications both online and offline, so when I came across this new African women’s magazine called Kitu Kizuri at Barnes and Noble, I was intrigued. Having already been in contact with the editor for a feature on myself and Annansi Clothing Co. in the “American Dreams” section, I kind of had an idea what the magazine was about anyway. But, when I finally found a copy hidden in the women’s interest section, I was impressed. While I’m sure there are other African women’s magazines available, I felt that Kitu Kizuri was on point with it’s focus and content. Being an African man, I might not be in the target market, but the articles gave me a good glimpse of what is on African women’s minds. Just the kind of insight I need for when I’m designing my upcoming women’s collection. Make sure you check out the magazine and SUBSCRIBE!! It’s only $20 per year and I’m sure you’ll agree that we need more magazines like this one to help shape a new African image. Congrats on the launch guys.

This week in African Style 4/7 – 4/13/07

• Untapped: the scramble for Africa’s oil.
• Africa in pictures.
• Danny Glover joins Bob Marley tribute ‘Africa Unite’.
• African governments not doing enough.
• Gallery opening: NY thru the eyes of African immigrants.
• Plugging Africa’s kids in to $100 laptop.
• The silent takeover of the continent (Africa) by South African businesses.
• Gay travel in Africa.
• Luxury hotels emerge in post-peace Sudan.
• Africa’s internet infrastructure: an interview with Eric Osiakwan and Ethan Zuckerman.
• Madonna returning to Africa, but not to adopt.
• Africa is a continent, not a crisis.
• Is South Africa living up to its responsibility as Africa’s leader?
• Afrigator goes mobile.
• Climate change and Africa.
• Madonna to do charity work in Malawi.
• Africa and the information age.

Photo exhibit Fri, Jan. 19 in NYC

South African Photo Exhibit “IMBIZO”by photographer Ezra Mabengeza
When: Friday, January 7, 2007
Where: Lava Gina (116 av C, between 7 and 8 streets)
Time: 7:30 till 10 pm

$5 dollar suggested development donation

Buying water for charity

Luxist points to another interesting African charity initiative, the charity: water organization, launched by NYC club guru-turned-aid worker and photojournalist, Scott Harrison. The organization was launched after Harrison travelled the length and breadth of the African continent onboard the mercy ship Anastasis, which brought basic medical care to thousands of people. Through the proceeds from the sale of bottled spring water priced at $20 each, each labeled with a custom logo to mark their purpose, the charity will bring clean, sustainable water sources to people in Africa. For every 100 bottles of water sold, one well will be built. And they will keep building wells as long as the water is being sold and there is money to do so.

Flavorpill is doing it’s part by co-sponsoring the building of a new well in Ethiopia with charity: water, by donating $2,000 and asking their readers to help them raise the other half, for a total of $4,000. charity: water says 100% of the funds will go toward freshwater well projects in Africa.

The Independent names 50 best African artists

This is an excellent article from today’s Independent newspaper. As part of the World AIDS day Product (RED) issue, the article emphasizes the importance of African cultural expression.

“African leaders need to be more conscious of the role that culture can play, particularly economically. Many Western economies – such as Britain – have benefited hugely from the showbusiness and music sector. It generates huge amounts of money and provides significant opportunities to work. Everyone in Africa – whether a politician, musician or businessman or woman – needs to appreciate the role that culture can play in our development.”

The full list is below and the full article is here

The 50 greatest cultural figures shaping a continent
• Oga Steve Abah, Playwright (Nigeria)
• Chinua Achebe, Author (Nigeria)
• David Adjaye, Architect (Tanzania)
• Newton Aduaka, Film Director (Nigeria)
• Mahmoud Ahmed, Musician (Ethiopia)
• Ama Ata Aidoo, Playwright (Ghana)
• Amadou And Mariam, Musicians (Mali)
• Ayi Kwei Armah, Author (Ghana)
• Les Ballets Africains, Dancers And Musicians (Guinea)
• Biyi Bandele, Author (Nigeria)
• Sokari Douglas Camp, Artist (Nigeria)
• Boyzie Cekwana, Choreographer And Dancer (South Africa)
• Souleymane Cisse, Film Director (Mali)
• Lueen Conning, Playwright (South Africa)
• Tsitsi Dangarembga, Author (Zimbabwe)
• Toumani Diabate, Musician (Mali)
• Dilomprizulike, Artist (Nigeria)
• Cesaria Evora, Singer (Cape Verde)
• Samuel Fosso, Photographer (Cameroon)
• Flora Gomes, Film Director (Guinea-Bissau)
• Pierre Atepa Goudiaby, Architect (Senegal)
• Mahamat Saleh Haroun, Film Director (Chad)
• Delia Jarrett-Macauley, Author (Sierra Leone)
• Salif Keita, Musician (Mali)
• Khaled, Musician (Algeria)
• Abdoulaye Konate, Artist (Mali)
• Konono No 1, Musicians (Congo)
• Femi Kuti, Musician (Nigeria)
• Faustin Linyekula, Choreographer And Dancer (Congo)
• Vincent Mantsoe, Choreographer And Dancer (South Africa)
• Zola Maseko, Film Director (South Africa)
• Souad Massi, Singer (Algeria)
• Youssou N’dour, Musician (Senegal)
• Kettly Noel, Choreographer And Dancer (Haiti/Mali)
• Idrissa Ouedraogo, Film-Maker (Upper Volta/Burkina Faso
• Tracey Rose, Artist (South Africa)
• Ibrahim El Salahi, Artist (Sudan)
• Ousmane Sembene, Film-Maker (Senegal)
• Abderrahmane Sissako, Film Director (Mauritania/Mali)
• Wole Soyinka, Dramatist, Novelist, Poet (Nigeria)
• Rachid Taha, Musician (Algeria)
• Ngugi Wa Thiong’o, Author (Kenya)
• Tinariwen, Musicians (Mali)
• Rokia Traore, Musician (Mali)
• Binyavanga Wainana, Author (Kenya)
• Zola, Musician (South Africa)
• Athol Fugard, Playwright (South Africa)
• K’naan, Rapper (Somalia)
• Oumou Sy, Fashion Designer (Senegal)

Armani’s RED makes Kate Moss black for your green

Last thursday, Giorgio Armani edited the british newspaper The Independent as part of his involvement with Project RED. As the second issue in the RED series – the first was edited by Bono- the newspaper took a look at issues which are of concern to those seeking to help Africa. While the newspaper had some good articles about “Africa’s gifts to the world” from art to science, celebrity weigh-ins on Africa’s problems, and African Women’s rights, those were all overshadowed by the cover picture of a black-faced Kate Moss. Major backlash ensued at yet another attempt to connect Africans to white celebrities and in this case the fashion world. You would think that after the backlash over the Gwyneth Paltrow “I am African” ad Mr. Armani would have paid special care to provide a better context for the image and not just rely on the resurrected supermodel’s notoriety.

A major part of the failure of such campaigns is the media not realizing that today’s consumer has become smarter and is exposed to a lot more global messages than before. It’s true that we’re still enamored with celebrity and for the most part are still sleep when it comes to politics, but with advertising, even the sheep think of themselves as wolves. The images and associations don’t carry the same weight they used to because they have not been defined in the new society. With reality TV and the internet we are more independent in our information gathering. Today’s consumer is exposed to a lot more, and has new points of references. As Julie of Coutorture proved in her attempts at covering New York Fashion Week, the old media is out of touch with the rise and needs of the new breed of consumers and they prove this constantly with images such as the one on The Independent. While many charities are seeking to involve the public in their causes they are still employing the old media communicate with a new consumer who rebels against it. Some would say that the controversy from both the Kate Moss and Gwyneth Paltrow images helped to bring attention to the causes, but I would argue that most people could not tell you what issues those images were trying to bring to light. The old media has not done it’s homework on what Africa means to the new consumers. And like a parent, the old media’s message gets lost in it’s arrogance.

African style in a snap

The International Center of Photography currently has a great exhibit of contemporary African photography called “Snap Judgments: New Positions in Contemporary African Photography”.

Curated by Okwui Enwezor, “Snap Judgments brings together some of the most forceful propositions by contemporary artists and photographers on how to look at Africa”. With themes such as local responses to the international media, framing the African body, identity and postcolonial memory, urban sites, and the machines and institutions of modernity, the exhibit highlights conceptual art, documentary, and fashion photography; most of which have been shot in recent years. Through the colorful images we are able to appreciate how African people combine styles and themes and create the looks which are our own.

Snap Judgments: New Positions in Contemporary African Photography
March 10–May 28, 2006

International Center of Photography
1133 Avenue of the Americas at 43rd St.
New York, NY 10036
212-857-0000
Hours:
Tuesday – Thursday: 10 am – 6 pm
Friday: 10 am – 8 pm
Saturday – Sunday: 10 am – 6 pm
Closed Mondays