Changing “Brand Africa”, an International Trade Forum magazine feature

International Trade Forum magazine: Changing The recent issue of the quarterly magazine International Trade Forum, published by the International Trade Centre (ITC), has some great articles on the cover story Changing “Brand Africa”. The online edition of the print publication, delves into the different areas that the ITC sees are integral in re-branding Africa through trade. Of particular interest is the In Pictures: Changing “Brand Africa” article which touches on various areas where change is occurring on the continent. The areas are A Stronger Role for Women, Services: A World of Potential, Upgrading Traditional Products, and Foundations for Prosperity. Articles titled Made in Africa, Investment in Africa: The Challenges Ahead, Facts & Figures: Africa’s Trade, and ITC’s Programme for Africa, join the In Pictures: Changing “Brand Africa” article, in what looks to be a promising, growing informational feature. The site says, “The articles below, from ITC, UNCTAD and IMF contributors, are the first in the series of stories on Changing “Brand Africa” that will be featured on this site.”

In tourist offices, the most frequent images of Africa are those of safari animals. In the news, the tragedy of several conflicts lingers. On film screens, African conflict diamonds take centre stage in a Hollywood movie.
This image of Africa does not reflect its economic diversity, entrepreneurial aspirations or the optimism that goes with rising investment, growth and greater stability. “Brand Africa” is in need of a change if Africa is to take its rightful place in world markets.

Check out the site features here, and you can also order the print publication. The International Trade Forum magazine focuses on trade promotion and export development, as part of ITC’s technical cooperation programme with developing countries and economies in transition. The magazine is published quarterly in English, French and Spanish.

Africans on TIME’s 100 most influential people list

Youssou Ndour TIME influentials 2007TIME magazine has released it’s annual picks of the 100 most influential men and women whose power, talent or moral example is transforming the world. The list is broken up into groups of Artists & Entertainers, Scientists & Thinkers, Leaders & Revolutionaries, Builders & Titans, Heroes & Pioneers. Here are the Africans who made TIME 100 most influential people list. The African country represented and the categories they appear in are in parentheses.

New magazine changing image of African women

Kitu Kizuri MagI’m an avid reader of publications both online and offline, so when I came across this new African women’s magazine called Kitu Kizuri at Barnes and Noble, I was intrigued. Having already been in contact with the editor for a feature on myself and Annansi Clothing Co. in the “American Dreams” section, I kind of had an idea what the magazine was about anyway. But, when I finally found a copy hidden in the women’s interest section, I was impressed. While I’m sure there are other African women’s magazines available, I felt that Kitu Kizuri was on point with it’s focus and content. Being an African man, I might not be in the target market, but the articles gave me a good glimpse of what is on African women’s minds. Just the kind of insight I need for when I’m designing my upcoming women’s collection. Make sure you check out the magazine and SUBSCRIBE!! It’s only $20 per year and I’m sure you’ll agree that we need more magazines like this one to help shape a new African image. Congrats on the launch guys.

Five tactics for selling Africa-based products to non-Africans

Annansi Clothing- I Love Africa teeI’ve been having discussions about the difficulties of selling African products to non-Africans for years. As I mentioned in my post about African affluence, and Benin expanded upon in his post on advertisers ignoring Africa, there are many hurdles that come with proving the worth of an Africa-focused product of service, especially when it comes to non-Africans. But while many of us can certainly make a good living selling our products to Africans alone, there is also a need to introduce the non-African market to those same products. While I certainly don’t feel all African companies have to pursue non-African customers, there is a strong market for bridge products outside the continent. I’ve compiled 5 tactics that I’ve used in the past in approaching a non-African customer with my products. I use the term non-African consumer/customer, to refer to consumers/customers who would not otherwise engage an African product or service in their everyday life. While some products might not be the most culturally traditional, it is an easier sell to Africans than it is to non-Africans. Keep in mind though, that a product or service cannot be everything to everyone. Look at the Gap’s recent identity crisis and sales slump. If you are thinking about selling to non-African customers here are five tactics that might help.

1. Assume you’re entering hostile territory. Get ammunition.
Just because you are willing to share your African culture and heritage doesn’t mean others are willing to buy into it. They might not even think your product has any relevance to their normal product buying patterns. Instead of arguing why they should embrace a new culture, convince them of how your product fills a need they might already have. Do as much research on the customer’s buying patterns and look for gaps that your product can fill. Research, research, research.

2. Target culture bridge builders first.
A good way of adding non-Africans to your customer pool is to first identify and target cultural bridge builders. Take a look at your customer database ( I assume you have one) and pick out those non-African customers who have already bought your products. Invariably, those non-Africans are people who are already familiar with Africa beyond what they see on the news, and many times they are eager to share their culturally diverse knowledge with others who might not be familiar. With a little research you can find ways of building up that customer base and empowering them to convince other non-Africans why and how to adopt your product.

3. Connect the dots with familiar non-African products.
A large part of the process when it comes to selling African products to non-African consumers is convincing them your product is not so foreign. Many times new customers will resist your product based on unfamiliarity. It’s up to you to guide them into familiar waters, and one way of doing that is to compare your product to a more familiar product. While many of us entrepreneurs like to believe our products or ideas are brand new, in this case, relying on the newness of your product can actually make it a harder sell. When introducing a product that is heavily reliant on cultures that are foreign to your potential target customers, it’s better to play up the similarities rather than the differences to products that are already being used. It takes knowing the pros and cons of your product and forming a relationship with the non-African consumer.

4. Assume nothing, Explain everything.
It seems like a no-brainer, but many entrepreneurs, myself included, get so caught up in our own world that we forget that not everyone is immersed in our product or industry as we are. And when it comes to Africa-related products, we run into a roadblock when we assume others are familiar with any of our cultural references. In my experience, the products that have been able to appeal to more than just Africans, are those that educate the customer then sell to them. If we can all agree that Africa and African cultures are misunderstood, then we should also know that before you get a non-African to buy, you must explain what references are being used. Many times the more you explain, the greater value your product has with the new customer also.

5. Customer service and quality breed sales.
One of the things I learned while working at the Four Seasons and the Hilton back in college, was Americans put a lot of stock in customer service and quality. Those who live in the US know what I’m talking about. The better your customer service, the more likely the customer will buy your product and recommend it to others. Again, your Africa-related product is fighting against strong stereotypes in the customer’s mind, so the more you strive to deliver excellent customer service and impeccable quality, the easier it will be to convince your growing customer base to trust you and your company. We cannot all be perfect, but sometimes a little attention to detail can go a long way.

Do you agree? Do have any tactics to add?

From aid to opportunity in the conversation age

Sometimes, I wonder why I do it to myself. Over the past couple of years, I’ve developed a pension for trying to do more with little. Maybe it’s because I feel guilty for partying my college years away or maybe because I really believe that I’d rather do it all while I’m still young(ish) so I can bask in the African sun sooner than later. But at times like this when my days are filled with family and work-related deadlines, I feel the most energized. And as I meet each deadline, I feel a sense of accomplishment.
In my 1 week absence from posting here, I finally finished my chapter for the Conversation Age e-book. I planned to write about “the Age of African conversations” but as I put pen to paper, the focus of the chapter began to shift. I never realized how little 400 words were and how difficult it is to put all your thoughts into one paragraph (I DO tend to be long-winded). I’ve gotten used to writing here on Annansi Chronicles, and writing for my own business materials (mission statements, press releases, business plan etc.), but writing for a book is a lot harder. And to think I was looking to get into authoring soon. So after the 10th edit, late nights collecting my thoughts, and numerous discussions with members of the debate team AKA the Annan family, I’ve settled on penning a piece tentatively titled “From aid to opportunity: Afri-activism transitions into a new consumer market”. If you can’t tell from the title, the chapter is about how, if approached through conversation with Africans, the Africa aid movement can and does help develop the African consumer market. The chapter has been signed, sealed, and delivered to the two publishers, however I would like to hear your opinion on the topic anyway. Can Afri-activism – strategies where a person, group, or company engages Africa through aid and charity – be used to grow the African market? Is it too weighted in negative presumptions to allow market growth?

Africans aren’t affluent enough

I was speaking to an acquaintance last week and she told me a story about trying to get advertisers for her magazine. She had contacted a large Africa-based corporation to see if they would be interested in taking up an ad in her publication. After getting the runaround, the ad agency, which was handling the ad placements for the corporation, told her, “We only place ads in publications with an affluent readership”. Here’s some background: The corporation – not to name names – is well known in African communities and I know many people who have used their services in the past; their product is more for a Lexus (car) brand customer than than a Bentley customer. The publication is targeted to African women between the ages of 18 – 45 living in the USA. The content is something like Essence Magazine or Vibe Vixen AND the publication has comparable. From my perspective that demographic is very much part of the corporation’s customer base, but for whatever reason they feel this demographic on it’s own is not worth any kind of investment. I, for one, know more than enough Ghanaian women who have the money to afford a luxurious lifestyle in the US AND send money back home frequently. I know I’ve been quite vague in relating this story, but this is an issue that comes up time and time again no matter the industry or product. Why isn’t this or any other demographic of Africans considered to be affluent enough? Is luxury really luxury anymore? And what consists an affluent customer anyway?

This week in African Style 4/14 – 4/20/07

Poll: Does everyone know more about Africa?

Madonna in Malawi againOver 20 years ago, 1985 to be exact, an all-star list of artists – Quincy Jones, Michael Jackson, Cyndi Lauper, Al Jarreau, The Pointer Sisters, Paul Simon, Stevie Wonder, Ray Charles, and Lionel Richie among others – got together to “raise funds to help famine relief efforts in Ethiopia”. Named USA for Africa, the group recorded the colossal hit “We Are the World” and performed the song as part of Bob Geldof‘s televised Live Aid concert. That was the beginning of the Africactivism movement. Some would say one of the biggest problems with the movement at that time was it fed into the image of Africans as helpless people in a country (Africa) which was overrun with famine and starvation. It’s been quite a few years now and with all the talk about Product RED (Bono), Darfur (George Clooney), young girls’ education (Oprah Winfrey), adoption (Angelina Jolie, Madonna), blood diamonds (Leonardo DiCaprio, Djimon Hounsou), and water shortage (Jay-Z’s Water for Life), I thought it would be a good time to take a survey on how Africa is viewed compared to 20 years ago. Please take a moment to cast your vote in the poll located in the sidebar to the right.

Design Made in Africa exhibit opens in NYC

Design Made in AfricaOn April 12th, the Design Made in Africa exhibit opened in New York at 4 World Financial Center. The exhibit is the first major traveling exhibition of contemporary African design. It presents a selection of 30 designers from 14 African countries featuring both utilitarian and decorative objects, including seating, lamps, tableware, wall hangings, graphic designs and body ornaments. The exhibition will be on display at the Courtyard Gallery. Featured designers are: Algeria: Amira Atallaoui-Deverchere, Abdelaziz Bacha, Mhedi Izemrane, Mohamed Faycal Guenni; Burkina Faso: Vincent Bailou and Vincent Rossin, Anthony Labouriaux, Hamed Ouattara; Cameroon: Sandrine Dole, Jules Bertrand, Wokam; Congo: Frederic Ruyant and Julien Robert; Cote d’Ivoire: Issa Diabate, Vincent Niamen; Ethiopia: Fasil Giorghis; Mali: Cheick Diallo, Marianne Montaut; Uganda: Sanaa Gateja; Rwanda: Laurent Hategekimana; Senegal: Balthazar Faye, Frederic Hardouin, Babacar Niang, Dominique Petot; South Africa: Marisa Fick-Jordaan, Maira Koutsoudakis, Piet Pienaar, Strangelove (Carlo Gibson and Zimek Pater); Togo: Kossi Assou, Ameyovi Homawoo; Zimbabwe: Ralph Gallagher.
Design Made in Africa poster