For the past year and a half the issue effort to stop the trade of conflict or blood diamonds has been kicked into overdrive. With mounting pressure from the UN and many humanitarian organizations especially Amnesty International, diamond manufacturers and retailers have been under severe pressure to clean up their act. Having lived off the sweat and blood of exploited miners for years, the issue was recently exposed when hip-hop artist Kanye West released “Diamonds from Sierra Leone” from his album Late Registration. With an intro from Sierra Leonean hip hop artist Chosan, the video was a powerful one which used images such as a woman’s hand turning to blood when her suitor placed an engagement ring on it.
With many grassroots organizations doing their part to force diamond manufacturers to stop making a profit off of wars in places like Sierra Leone and Liberia, the controversy is about to be thrust into the spotlight yet again with the December release of Warner Bros.’ “The Blood Diamond” starring Leonardo DiCaprio (Titanic, The Aviator) and Djimon Hounsou (Amistad, The Island). While films such as Kareem Edouard’s Bling: Consequences and Repercussions do a good job on highlighting the diamond manufacturers’ reliance on consumer ignorance, “The Blood Diamond” is a fictional Hollywood-style movie which could either help or hurt the international effort to make DeBeers and others accountable. All reports, though, point to the movie glossing over the issue altogether. We’ll see in December.
Creating an African film experience
Chadian filmmaker Mahamat-Saleh Haroun is dedicated to his craft. Like many African born filmmakers he is intent of furthering the African experience through film. Using his country, Chad, as a backdrop he is currently at work on another film that puts a face on the people who experience the challenges of living on the continent. A recent Washington Post article talks about the lengths to which he and his crew are going to make his movie Dry Season authentic. To some extent his filmmaking style is more documentary than entertainment. His previous films Bye Bye Africa and Abouna similarly put a face on the 30-year Chadian civil war.
Mr. Haroun is one of many filmmakers who are creating great films without the support or existence of a native filmmaking industry. Besides the virtual nonexistence of a film community and ongoing political repression, many African filmmakers also face the challenge of seeking funding abroad with “many international donors viewing the arts as a luxury in times of food shortages, health crises and other emergencies”. Fueled by their travels and a new access to resources not available in their countries, more and more Africans are using their artistic vision to tell stories of Africa as they have experienced it. Last November in New York City, I got a chance to see one of the movies cited in the Post article, Hip Hop Colony, sweep the H20 (Hip-Hop Odyssey) International Film Festival Odyssey awards, winning the Best Feature Documentary award and the Heineken Emerging Filmmaker Award. Along with Bling: Consequences and Repercussions, Hip Hop Colony was a highlight at the festival, bringing Africa-themed films to the forefront. South African film Tsotsi’s win (Best Foreign Language Film of the Year) at February’s Academy Awards has given African film a new life and with more structure they will stand a better chance of getting funding and distribution to the world.
“Africa has such a terrible image,” said Issa Traoré de Brahima, a filmmaker from Burkina Faso who was working on the Chadian film. “And at the same time, we have so many talented people with artists’ souls. We just wish they didn’t have to leave the continent to earn a living. But in some places that is slowly changing.”
Alek Wek – from supermodel to fashion designer
Since 2002 Sudanese supermodel Alek Wek has been steadily transforming her modeling career to one as a top handbag designer. Back in 2001 Alek’s jet-setting lifestyle gave her an idea to use her love for design (she was studying fashion technology and business at the prestigious London College of Fashion before becoming a model) to develop a line of fashionable handbags.
Since she was “scouted” at a London market in 1995 and scored the cover of American Elle’s November 1997 issue, Alek has become a trendsetter in the modeling business; she’s been named Model of the Decade by i-D magazine, was picked as one of People magazine’s 50 Most Beautiful People and has worked with some of the most influential photographers of our time including Steven Meisel, Mario Testino, Annie Leibowitz, Nick Knight and the late Herb Ritts.
Everyone knows the modeling business is a cutthroat one and careers are often short. Even though Ms. Wek continues to be at the top of her modeling game, it’s her talent as a designer which is beginning to re-define her success and reposition her in the fashion world for the long term. . Called Wek 1933 (the 1933 is a reference to the day her father was born) the collection of fashionable bags has been featured in numerous magazines and even earned a spot at the Spring 2005 Olympus Fashion Week accessories exhibit . Chanel designer Karl Lagerfeld paid her the ultimate compliment by pronouncing the début spring 2002 collection ‘chic’ and backed up the statement by purchasing pieces for his Paris gallery. Wek 1933 bag prices range from $325 to $5,500 and are available at high end stores such as Barney’s and Maxfield and online at Fragments.
Darfur: Who needs the UN when you have MTV
Every so often African issues grow beyond the continent and makes it’s way into pop culture. In a capitalist society, social consciousness is a commodity and Africa’s problems are not exempt. As with Somalia (Black Hawk Down), and Sierra Leone (Diamonds from Sierra Leone) the problems in Darfur, Sudan has begun to hit the mass media. What has been a problem for years is peaking everyone’s interest. After Anna Nicole Smith and the Lakers, Darfur is becoming the latest trendy cause. First actor George Clooney speaks out and now everyone’s favorite peddlers of pop culture MTV, is playing it’s part in a way only they can, through a video game: Darfur is Dying. Could it be possible that a simple game of side and seek is enough to inform regular people about the situation at hand? With some questioning the rational behind creating such a game you can only imagine the impression “players” get of the situation and Africans as a whole. Forget guns and diplomacy, you too can save the Africans from themselves. Enjoy.
African woman European standards
For the past few years I’ve been reading a lot about a talented Kenyan-born artist named Wangechi Mutu. Ms Mutu’s art “explores the contradictions of female and cultural identity and makes reference to colonial history, contemporary African politics and the international fashion industry”.
Having seen images of her work I can see what all the fuss is about. At first the images are intentionally awkward and grotesque; taking a closer look you see a butt here, an eye there, a headline somewhere else, which points to the deeper imagery. Piecing together magazine imagery with painted surfaces and found materials Wangechi Mutu is able to create satirical scenes of her take on “a European preference to physique that has been inflicted on and adapted by Africans, resulting in both social hierarchy and genocide”. Still in her early 30’s Ms. Mutu is heralded one of the best young artists. Coming from a solo show at the San Francisco MoMA, Wangechi Mutu’s works will go on display May 12 – June 17, 2006 at the Sikkema Jenkins & Co gallery and at Salon 94 May 21 – July 7, 2006.
When in Seattle do like the Ethiopians do
Gridskipper suggests a good Ethiopian restaurant located in Seattle called Adey Abeba. When it comes to restaurants Ethiopians put together great establishments and the food is very tasteful. If you are in Seattle check it out.